MJ Nicholls > MJ's Quotes

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  • #1
    W.G. Sebald
    “It is thanks to my evening reading alone that I am still more or less sane.”
    W.G. Sebald, Vertigo

  • #2
    Raymond Queneau
    “Being or nothing, that is the question. Ascending, descending, coming, going, a man does so much that in the end he disappears.”
    Raymond Queneau, Zazie in the Metro

  • #3
    Lucy Ellmann
    “The whole world organizes itself around the fact that people manage to get their awkward bodies in position to fuck, an achievement honored by toasters, tandems, and tax cuts.”
    Lucy Ellmann, Dot in the Universe

  • #4
    Gilbert Sorrentino
    “All I do know, for certain, after 53 years in this business, is that writers who sincerely think that their language can represent reality ought to be plumbers.”
    Gilbert Sorrentino

  • #5
    Deborah Levy
    “Be sure to enjoy language, experiment with ways of talking, be exuberant even when you don't feel like it because language can make your world a better place to live.”
    Deborah Levy, Pillow Talk in Europe and Other Places

  • #6
    Flann O'Brien
    “I saw that my witticism was unperceived and quietly replaced it in the treasury of my mind.”
    Flann O'Brien, At Swim-Two-Birds

  • #7
    Ali Smith
    “Books mean all possibilities. They mean moving out of yourself, losing yourself, dying of thirst and living to your full. They mean everything.”
    Ali Smith

  • #8
    Émile Zola
    “From the moment I start a new novel, life’s just one endless torture. The first few chapters may go fairly well and I may feel there’s still a chance to prove my worth, but that feeling soon disappears and every day I feel less and less satisfied. I begin to say the book’s no good, far inferior to my earlier ones, until I’ve wrung torture out of every page, every sentence, every word, and the very commas begin to look excruciatingly ugly. Then, when it’s finished, what a relief! Not the blissful delight of the gentleman who goes into ecstasies over his own production, but the resentful relief of a porter dropping a burden that’s nearly broken his back . . . Then it starts all over again, and it’ll go on starting all over again till it grinds the life out of me, and I shall end my days furious with myself for lacking talent, for not leaving behind a more finished work, a bigger pile of books, and lie on my death-bed filled with awful doubts about the task I’ve done, wondering whether it was as it ought to have been, whether I ought not to have done this or that, expressing my last dying breath the wish that I might do it all over again!”
    Émile Zola, The Masterpiece

  • #9
    Fernando del Paso
    “This is a work of fiction.
    If certain characters resemble people in real life, it is because certain people in real life resemble characters from a novel.
    Nobody, therefore, is entitled to feel included in this book.
    Nobody, by the same token, to feel excluded.”
    Fernando Del Paso, Palinuro de México

  • #10
    William H. Gass
    “We must take our sentences seriously, which means we must understand them philosophically, and the odd thing is that the few who do, who take them with utter sober seriousness, the utter sober seriousness of right-wing parsons and political saviors, the owners of Pomeranians, are the liars who want to be believed, the novelists and poets, who know that the creatures they imagine have no other being than the sounding syllables which the reader will speak into his own weary and distracted head. There are no magic words. To say the words is magical enough.”
    William H. Gass, The World Within the Word

  • #11
    Paul Ableman
    “An artist in this nuthouse century is like a man running an obstacle race fitted out with all the gadgets of our riotous technology. He gets blown a mile into the air on a jet of liquid helium, shuttles about on little rocket tubes, plunges into the deeps of the ocean, shoots out again a hundred miles into the space while lurid sights and sounds shred his senses. Every year, every month, and ‘panoptic’ work appears and warps his consciousness into a new shape. Knowledge itself is in a molten, a plasmatic state and what titanic electromagnetic grip of intellect would be required to lock it solid long enough to reach artistic fusion point? The damned language becomes obsolete as it clatters from the typewriter.”
    Paul Ableman

  • #12
    Raymond Federman
    “And so, for me, the only fiction that still means something today is the kind of fiction that tries to explore the possibilities of fiction beyond its own limitations; the kind of fiction that challenges the tradition that governs it; the kind of fiction that constantly renews our faith in man's intelligence and imagination rather than man's distorted view of reality; the kind of fiction that reveals man's playful irrationality rather than his righteous rationality.”
    Raymond Federman

  • #13
    Paul West
    “What’s that dreadful phrase? Reader-friendly? It isn’t reader friendly; it’s saying to the reader, “I bet you can’t take this, and if you can you’re the kind of reader I want and you’ll stay with me. If you can’t take it, I don’t want you to read me anyway.”
    Paul West

  • #14
    “The most glorious ideas so often fail on the random cliff of tragic farce.”
    Mynona, My Papa and the Maid of Orléans and Other Grotesques

  • #15
    Anthony Burgess
    “Their hair belonged to some middle crinal zone between aseptic nord and latinindian jetwalled lousehouse.”
    Anthony Burgess, The Clockwork Testament, Or, Enderby's End

  • #16
    Samuel Beckett
    “The Tuesday scowls, the Wednesday growls, the Thursday curses, the Friday howls, the Saturday snores, the Sunday yawns, the Monday morns, the Monday morns. The whacks, the moans, the cracks, the groans, the welts, the squeaks, the belts, the shrieks, the pricks, the prayers, the kicks, the tears, the skelps, and the yelps.”
    Samuel Beckett, Watt

  • #17
    Ivan Goncharov
    “It is only the female half of the human race has been endowed with the powers to run the world. Only they are not understood, not recognized, and not cultivated by themselves, or by men, and are crassly trampled underfoot, and appropriated by the male half which is not capable of exercising these great powers, and in any case, out of sheer pride does not have the good sense to yield to them.”
    Ivan Goncharov, The Precipice



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