rm > rm's Quotes

“I don't think we get answers to every question. We don't get all the whys. But I think when we look back to the end of our lives, if we do the best we can, and we will see that the things we begged God to take from us, the things we cursed him for, the things that made us turn our backs on him, are the things that were the biggest blessings, the biggest opportunities for growth.”
― Amy Harmon, Making Faces

“True beauty, the kind that doesn't fade or wash off, takes time. It takes incredible endurance. It is the slow drip that creates the stalactite, the shaking of the Earth that creates mountains, the constant pounding of the waves that breaks up the rocks and smooths the rough edges. And from the violence, the furor, the raging of the winds, the roaring of the waters, something better emerges, something that would have otherwise never existed.
And so we endure. We have faith that there is purpose. We hope for things we can't see. We believe there are lessons in loss, power in love, and that we have within us the potential for a beauty so magnificent, our bodies can't contain it.”
― Amy Harmon, Making Faces

“Everybody is a main character to someone...”
― Amy Harmon, Making Faces

“I will spend the rest of my life trying to make you happy, and when you get tired of looking at me, I promise I’ll sing.”
― Amy Harmon, Making Faces

“You loved ferris wheels more than roller coasters because life shouldn’t be lived at full speed, but in anticipation and appreciation.”
― Amy Harmon, Making Faces

“It's hard to come to terms with the fact that you aren't going to be loved the way you want to be loved.”
― Amy Harmon, Making Faces

“There isn't heartache if there hasn't been joy. I wouldn't feel loss if there hadn't been love.”
― Amy Harmon, Making Faces

“People like to say love is unconditional, but it's not, and even if it was unconditional, it's still never free. There's always an expectation attached. They always want something in return. Like they want you to be happy or whatever and that makes you automatically responsible for their happiness because they won't be happy unless you are ... I just don't want that responsibility.”
― Katja Millay, The Sea of Tranquility

“Daylight won’t protect you from anything. Bad things happen all the time; they don’t wait until after dinner”
― Katja Millay, The Sea of Tranquility

“I am not sure that I exist, actually. I am all the writers that I have read, all the people that I have met, all the women that I have loved; all the cities I have visited.”
― Jorge Luis Borges

“There are infinite numbers between 0 and 1. There's .1 and .12 and .112 and an infinite collection of others. Of course, there is a bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set. I want more numbers than I'm likely to get, and God, I want more numbers for Augustus Waters than he got. But, Gus, my love, I cannot tell you how thankful I am for our little infinity. I wouldn't trade it for the world. You gave me a forever within the numbered days, and I'm grateful.”
― John Green, The Fault in Our Stars

“The marks humans leave are too often scars.”
― John Green, The Fault in Our Stars

“When adults say, "Teenagers think they are invincible" with that sly, stupid smile on their faces, they don't know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are. We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes and manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail.”
― John Green, Looking for Alaska

“Thomas Edison's last words were "It's very beautiful over there". I don't know where there is, but I believe it's somewhere, and I hope it's beautiful.”
― John Green, Looking for Alaska

“This is our story to tell. You’d think for all the reading I do, I would have thought about this before, but I haven’t. I’ve never once thought about the interpretative, the story telling aspect of life, of my life. I always felt like I was in a story, yes, but not like I was the author of it, or like I had any say in its telling whatsoever.”
― Jandy Nelson, The Sky Is Everywhere

“Women who love themselves are threatening; but men who love real women, more so.”
― Naomi Wolf, The Beauty Myth

“Beauty provokes harassment, the law says, but it looks through men's eyes when deciding what provokes it.”
― Naomi Wolf, The Beauty Myth

“Pain is real when you get other people to believe in it. If no one believes in it but you, your pain is madness or hysteria.”
― Naomi Wolf

“I asked him for it.
For the blood, for the rust,
for the sin.
I didn’t want the pearls other girls talked about,
or the fine marble of palaces,
or even the roses in the mouth of servants.
I wanted pomegranates—
I wanted darkness,
I wanted him.
So I grabbed my king and ran away
to a land of death,
where I reigned and people whispered
that I’d been dragged.
I’ll tell you I’ve changed. I’ll tell you,
the red on my lips isn’t wine.
I hope you’ve heard of horns,
but that isn’t half of it. Out of an entire kingdom
he kneels only to me,
calls me Queen, calls me Mercy.
Mama, Mama, I hope you get this.
Know the bed is warm and our hearts are cold,
know never have I been better
than when I am here.
Do not send flowers,
we’ll throw them in the river.
‘Flowers are for the dead’, ‘least that’s what
the mortals say.
I’ll come back when he bores me,
but Mama,
not today.”
― Daniella Michalleni

“Yet rather than calling the earliest religions, which embraced such an open acceptance of all human sexuality, 'fertility cults,' we might consider the religions of today as strange in that they seem to associate shame and even sin with the very process of conceiving new human life. Perhaps centuries from now scholars and historians will be classifying them as 'sterility cults.”
― Merlin Stone, When God Was a Woman

“Many questions come to mind. How influenced by contemporary religions were many of the scholars who wrote the texts available today? How many scholars have simply assumed that males have always played the dominant role in leadership and creative invention and projected this assumption into their analysis of ancient cultures? Why do so many people educated in this century think of classical Greece as the first major culture when written language was in use and great cities built at least twenty-five centuries before that time? And perhaps most important, why is it continually inferred that the age of the "pagan" religions, the time of the worship of female deities (if mentioned at all), was dark and chaotic, mysterious and evil, without the light of order and reason that supposedly accompanied the later male religions, when it has been archaeologically confirmed that the earliest law, government, medicine, agriculture, architecture, metallurgy, wheeled vehicles, ceramics, textiles and written language were initially developed in societies that worshiped the Goddess? We may find ourselves wondering about the reasons for the lack of easily available information on societies who, for thousands of years, worshiped the ancient Creatress of the Universe.”
― Merlin Stone, When God Was a Woman

“Because men have a history, it is difficult for them to imagine what it is like to grow up without one, or the sense of personal expansion that comes from discovering that we women have a worthy heritage. Along with pride often comes rage – rage that one has been deprived of such a significant knowledge.”
― Judy Chicago

“…female deities were gradually overshadowed by or incorporated into the attributes of a number of male gods, then eclipsed by the ascendance of the single male deity that dominates the Judeo-Christian tradition.”
― Judy Chicago

“Historically, women have either been excluded from the process of creating the definitions of what is considered art or allowed to participate only if we accept and work within existing mainstream designations. If women have no real role as women in the process of defining art, then we are essentially prevented from helping to shape cultural symbols.”
― Judy Chicago, Beyond the Flower: The Autobiography of a Feminist Artist

“Even if you cannot change all the people around you, you can change the people you choose to be around. Life is too short to waste your time on people who don’t respect, appreciate, and value you. Spend your life with people who make you smile, laugh, and feel loved.”
― Roy T. Bennett, The Light in the Heart

“Very slowly using two fingers, Annabeth drew her dagger. Instead of dropping it, she tossed it as far as she could into the water.

Octavian made a squeaking sound. "What was that for? I didn't say toss it! That could've been evidence. Or spoils of war!"

Annabeth tried for a dumb-blonde smile, like: Oh, silly me. Nobody who knew her would have been fooled. But Octavian seemed to buy it. He huffed in exasperation.

"You other two..." He pointed his blade a Hazel and Piper. "Put your weapons on the dock. No funny bus--"

All around the Romans, Charleston Harbor erupted like a Las Vegas fountain putting on a show. When the wall of seawater subsided, the three Romans were in the bay, spluttering and frantically trying to stay afloat in their armor. Percy stood on the dock, holding Annabeth's dagger.

"You dropped this," he said, totally poker-faced.”
― rick riordan, The Mark of Athena

“Nothing has changed.
The body is susceptible to pain,
It must eat and breath air and sleep,
It has thin skin and blood right underneath,
An adequate stock of teeth and nails,
Its bones are breakable, its joints are stretchable.
In tortures all this is taken into account.

Nothing has changed.
The body shudders as it is shuddered
Before the founding of Rome and after,
In the twentieth century before and after Christ.
Tortures are as they were, it’s just the earth that’s grown smaller,
And whatever happens seems on the other side of the wall.

Nothing has changed.
It’s just that there are more people,
Besides the old offenses, new ones have appeared,
Real, imaginary, temporary, and none,
But the howl with which the body responds to them,
Was, and is, and ever will be a howl of innocence
According to the time-honored scale and tonality.

Nothing has changed.
Maybe just the manners, ceremonies, dances,
Yet the movement of the hands in protecting the head is the same.
The body writhes, jerks, and tries to pull away
Its legs give out, it falls, the knees fly up,
It turns blue, swells, salivates, and bleeds.

Nothing has changed.
Except of course for the course of boundaries,
The lines of forests, coasts, deserts, and glaciers.
Amid these landscapes traipses the soul,
Disappears, comes back, draws nearer, moves away,
Alien to itself, elusive
At times certain, at others uncertain of its own existence,
While the body is and is and is
And has no place of its own.”
― Wislawa Szymborska

“The joy of writing.
The power of preserving.
Revenge of a mortal hand.”
― Wisława Szymborska

“I prefer the absurdity of writing poems
to the absurdity of not writing poems.”
― Wisława Szymborska, Nothing Twice: Selected Poems / Nic dwa razy: Wybór wierszy

“Every beginning, after all, is nothing but a sequel, and the book of events is always open in the middle.”
― Wislawa Szymborska