Durga > Durga's Quotes

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  • #1
    J.D. Salinger
    “The mark of the immature man is that he wants to die nobly for a cause, while the mark of the mature man is that he wants to live humbly for one.”
    J.D. Salinger, The Catcher in the Rye

  • #2
    Haruki Murakami
    “Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe.”
    Haruki Murakami, Kafka on the Shore

  • #3
    Henri Bergson
    “The pure present is an ungraspable advance of the past devouring the future. In truth, all sensation is already memory.”
    Henri Bergson, Matter and Memory

  • #4
    Gabriel García Márquez
    “With her Florentino Ariza learned what he had already experienced many times without realizing it: that one can be in love with several people at the same time, feel the same sorrow with each, and not betray any of them. Alone in the midst of the crowd on the pier, he said to himself in a flash of anger: 'My heart has more rooms than a whorehouse.”
    Gabriel García Márquez, Love in the Time of Cholera
    tags: love

  • #5
    Abraham Joshua Heschel
    “When I was young, I used to admire intelligent people; as I grow older, I admire kind people.”
    Abraham Joshua Heschel

  • #6
    Amor Towles
    “That sense of loss is exactly what we must anticipate, prepare for, and cherish to the last of our days; for it is only our heartbreak that finally refutes all that is ephemeral in love.”
    Amor Towles, A Gentleman in Moscow

  • #7
    Madeline Miller
    “But in a solitary life, there are rare moments when another soul dips near yours, as stars once a year brush the earth. Such a constellation was he to me.”
    Madeline Miller, Circe

  • #8
    Siddhartha Mukherjee
    “Consider the genesis of a single-celled embryo produced by the fertilization of an egg by a sperm. The genetic material of this embryo comes from two sources: paternal genes (from sperm) and maternal genes (from eggs). But the cellular material of the embryo comes exclusively from the egg; the sperm is no more than a glorified delivery vehicle for male DNA—a genome equipped with a hyperactive tail. Aside from proteins, ribosomes, nutrients, and membranes, the egg also supplies the embryo with specialized structures called mitochondria. These mitochondria are the energy-producing factories of the cell; they are so anatomically discrete and so specialized in their function that cell biologists call them “organelles”—i.e., mini-organs resident within cells. Mitochondria, recall, carry a small, independent genome that resides within the mitochondrion itself—not in the cell’s nucleus, where the twenty-three pairs of chromosomes (and the 21,000-odd human genes) can be found. The exclusively female origin of all the mitochondria in an embryo has an important consequence. All humans—male or female—must have inherited their mitochondria from their mothers, who inherited their mitochondria from their mothers, and so forth, in an unbroken line of female ancestry stretching indefinitely into the past. (A woman also carries the mitochondrial genomes of all her future descendants in her cells; ironically, if there is such a thing as a “homunculus,” then it is exclusively female in origin—technically, a “femunculus”?) Now imagine an ancient tribe of two hundred women, each of whom bears one child. If the child happens to be a daughter, the woman dutifully passes her mitochondria to the next generation, and, through her daughter’s daughter, to a third generation. But if she has only a son and no daughter, the woman’s mitochondrial lineage wanders into a genetic blind alley and becomes extinct (since sperm do not pass their mitochondria to the embryo, sons cannot pass their mitochondrial genomes to their children). Over the course of the tribe’s evolution, tens of thousands of such mitochondrial lineages will land on lineal dead ends by chance, and be snuffed out. And here is the crux: if the founding population of a species is small enough, and if enough time has passed, the number of surviving maternal lineages will keep shrinking, and shrinking further, until only a few are left. If half of the two hundred women in our tribe have sons, and only sons, then one hundred mitochondrial lineages will dash against the glass pane of male-only heredity and vanish in the next generation. Another half will dead-end into male children in the second generation, and so forth. By the end of several generations, all the descendants of the tribe, male or female, might track their mitochondrial ancestry to just a few women. For modern humans, that number has reached one: each of us can trace our mitochondrial lineage to a single human female who existed in Africa about two hundred thousand years ago. She is the common mother of our species. We do not know what she looked like, although her closest modern-day relatives are women of the San tribe from Botswana or Namibia. I find the idea of such a founding mother endlessly mesmerizing. In human genetics, she is known by a beautiful name—Mitochondrial Eve.”
    Siddhartha Mukherjee, The Gene: The story of the gene: our past, our future, ourselves.

  • #9
    Siddhartha Mukherjee
    “It is a testament to the unsettling beauty of the genome that it can make the real world "stick". Our genes do not keep spitting out stereotypical responses to idiosyncratic environments: if they did, we too would devolve into windup automatons. Hindu philosophers have long described the experience of "being" as a web - jaal. Genes form the threads of the web; the detritus that sticks is what transforms every individual web into a being. There is an exquisite precision in that mad scheme. Genes must carry out programmed responses to environments - otherwise, there would be no conserved form. But they must also leave exactly enough room for the vagaries of chance to stick. We call this intersection "fate". We call our responses to it "choice". An upright organism with opposable thumbs is thus built from a script, but built to go off script. We call one such unique variant of one such organism a "self.”
    Siddhartha Mukherjee, The Gene: An Intimate History

  • #10
    Ocean Vuong
    “Is that what art is? To be touched thinking what we feel is ours when, in the end, it was someone else, in longing, who finds us?”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #11
    Ocean Vuong
    “A page, turning, is a wing lifted with no twin, and therefore no flight. And yet we are moved.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #12
    Ocean Vuong
    “There’s a word Trevor once told me about, one he learned from Buford, who served in the navy in Hawaii during the Korean War: kipuka. The piece of land that’s spared after a lava flow runs down the slope of a hill—an island formed from what survives the smallest apocalypse. Before the lava descended, scorching the moss along the hill, that piece of land was insignificant, just another scrap in an endless mass of green. Only by enduring does it earn its name. Lying on the mat with you, I cannot help but want us to be our own kipuka, our own aftermath, visible. But I know better.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #13
    Ocean Vuong
    “In a world myriad as ours, the gaze is a singular act: to look at something is to fill your whole life with it, if only briefly.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #14
    Ocean Vuong
    “Writing, if nothing else, is a bridge between two people, a bridge made of language. And language belongs to all of us. If I enjoy a poem, that just means I am recognizing within it something of myself, something I must already possess. Therefore, to love a poem is to love a part of myself revealed to me by another person…”
    Ocean Vuong

  • #15
    Ocean Vuong
    “I am thinking of beauty again, how some things are hunted because we have deemed them beautiful. If, relative to the history of our planet, an individual life is so short, a blink, as they say, then to be gorgeous, even from the day you're born to the day you die, is to be gorgeous only briefly.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #16
    Ocean Vuong
    “It is no accident, Ma, that the comma resembles a fetus— that curve of continuation. We were all once inside our mothers, saying with our entire curved and silenced selves, more, more, more. I want to insist that are being alive is beautiful enough to be worthy of replication. And so what? So what if all I ever made of my life was more of it?”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #17
    Ocean Vuong
    “All this time I told myself we were born from war—but I was wrong, Ma. We were born from beauty.
    Let no one mistake us for the fruit of violence—but that violence, having passed through the fruit, failed to spoil it.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #18
    Ocean Vuong
    “You once told me that the human eye is god's loneliest creation. How so much of the world passes through the pupil and still it holds nothing. The eye, alone in its socket, doesn't even know there's another one, just like it, an inch away, just as hungry, as empty.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #19
    Glennon Doyle
    “Mothers have martyred themselves in their children’s names since the beginning of time. We have lived as if she who disappears the most, loves the most. We have been conditioned to prove our love by slowly ceasing to exist.

    What a terrible burden for children to bear—to know that they are the reason their mother stopped living. What a terrible burden for our daughters to bear—to know that if they choose to become mothers, this will be their fate, too. Because if we show them that being a martyr is the highest form of love, that is what they will become. They will feel obligated to love as well as their mothers loved, after all. They will believe they have permission to live only as fully as their mothers allowed themselves to live.

    If we keep passing down the legacy of martyrdom to our daughters, with whom does it end? Which woman ever gets to live? And when does the death sentence begin? At the wedding altar? In the delivery room? Whose delivery room—our children’s or our own? When we call martyrdom love we teach our children that when love begins, life ends. This is why Jung suggested: There is no greater burden on a child than the unlived life of a parent.
    Glennon Doyle, Untamed

  • #20
    Glennon Doyle
    “Rebellion is as much of a cage as obedience is. They both mean living in reaction to someone else’s way instead of forging your own. Freedom is not being for or against an ideal, but creating your own existence from scratch.”
    Glennon Doyle, Untamed

  • #21
    Julian Barnes
    “I remember a period in late adolescence when my mind would make itself drunk with images of adventurousness. This is how it will be when I grow up. I shall go there, do this, discover that, love her, and then her and her and her. I shall live as people in novels live and have lived. Which ones I was not sure, only that passion and danger, ecstasy and despair (but then more ecstasy) would be in attendance. However...who said that thing about "the littleness of life that art exaggerates"? There was a moment in my late twenties when I admitted that my adventurousness had long since petered out. I would never do those things adolescence had dreamt about. Instead, I mowed my lawn, I took holidays, I had my life.

    But time...how time first grounds us and then confounds us. We thought we were being mature when we were only being safe. We imagined we were being responsible but we were only being cowardly. What we called realism turned out to be a way of avoiding things rather than facing them. Time...give us enough time and our best-supported decisions will seem wobbly, our certainties whimsical.”
    Julian Barnes, The Sense of an Ending

  • #22
    Mary Oliver
    “What does it mean, say the words, that the earth is so beautiful? And what shall I do about it? What is the gift that I should bring to the world? What is the life that I should live?”
    Mary Oliver, Long Life: Essays and Other Writings

  • #23
    Sarah Bakewell
    “totalitarian movements thrived at least partly because of this fragmentation in modern lives, which made people more vulnerable to being swept away by demagogues. Elsewhere, she coined the phrase ‘the banality of evil’ to describe the most extreme failures of personal moral awareness.”
    Sarah Bakewell, At the Existentialist Café: Freedom, Being, and Apricot Cocktails

  • #24
    Sarah Bakewell
    “You might think you have defined me by some label, but you are wrong, for I am always a work in progress. I create myself constantly through action, and this is so fundamental to my human condition that, for Sartre, it is the human condition, from the moment of first consciousness to the moment when death wipes it out. I am my own freedom: no more, no less.”
    Sarah Bakewell, At the Existentialist Café: Freedom, Being, and Apricot Cocktails with Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, Martin Heidegger, Maurice Merleau-Ponty and Others

  • #25
    Sarah Bakewell
    “Freedom, for him, lay at the heart of all human experience, and this set humans apart from all other kinds of object. Other things merely sit in place, waiting to be pushed or pulled around. Even non-human animals mainly follow the instincts and behaviors that characterise their species, Sartre believed. But as a human being, I have no perceived nature at all. I create that nature through what I choose to do. Of course I may be influenced by my biology, or by aspects of my culture and personal background, but none of this adds to a complete blueprint for producing me. I am always one step ahead of myself, making myself up as I go along... having found myself thrown into the world, I go on to create my own definition (or nature, or essence), in a way that never happens with other objects or life forms. You might think you have defined me by some label, but you are wrong, for I am always a work in progress. I create myself constantly through action, and this is so fundamental to my human condition that, for Sartre, it is the human condition, from the moment of first consciousness to the moment when death wipes it out. I am my own freedom: no more, no less.”
    Sarah Bakewell, At the Existentialist Café

  • #26
    Deborah Levy
    “I will never stop grieving for my long-held wish for enduring love that does not reduce its major players to something less than they are.”
    Deborah Levy, The Cost of Living: A Working Autobiography

  • #27
    Deborah Levy
    “It was not that easy to convey to him, a man much older than she was, that the world was her world, too. He had taken a risk when he invited her to join him at his table. After all, she came with a whole life and libido of her own. It had not occurred to him that she might not consider herself to be the minor character and him the major character. In this sense, she had unsettled a boundary, collapsed a social hierarchy, broken with the usual rules.”
    Deborah Levy, The Cost of Living: A Working Autobiography

  • #28
    Fredrik Backman
    “I want you to always remember that you can become whatever you want to become, but that’s nowhere near as important as knowing that you can be exactly who you are.”
    Fredrik Backman, Things My Son Needs to Know about the World

  • #29
    Shehan Karunatilaka
    “Because, on reflection, once you have seen your own face and recognized the color of your eyes, tasted the air and smelled the soil, drunk from the purest fountains and the dirtiest wells, that is the kindest thing you can say abut life. It's not nothing.”
    Shehan Karunatilaka, The Seven Moons of Maali Almeida

  • #30
    Dolly Alderton
    “Love is a quiet, reassuring, relaxing, pottering, pedantic, harmonious hum of a thing; something you can easily forget is there, even though its palms are outstretched beneath you in case you fall.”
    Dolly Alderton, Everything I Know About Love



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