Nini > Nini's Quotes

“What about a device that knew everyone you knew? So when an ambulance went down the street, a big sign on the roof could flash
DON’T WORRY! DON’T WORRY!
if the sick person’s device didn’t detect the device of someone he knew nearby. And if the device did detect the device of someone he knew, the ambulance could flash the name of the person in the ambulance, and either
IT’S NOTHING MAJOR! IT’S NOTHING MAJOR!
Or, if it was something major,
IT’S MAJOR! IT’S MAJOR!
And maybe you could rate the people you knew by how much you loved them, so if the person in the ambulance detected the device of the person he loved the most, or the person who loved him the most, and the person in the ambulance was really badly hurt, and might even die, the ambulance could flash
GOODBYE! I LOVE YOU! GOODBYE! I LOVE YOU!
One thing that’s nice to think about is someone who was the first person on lot’s of people’s lists, so that when he was dying, and his ambulance went down the streets to the hospital, the whole time it would flash
GOODBYE! I LOVE YOU! GOODBYE! I LOVE YOU!”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“Music is a total constant. That's why we have such a strong visceral connection to it, you know? Because a song can take you back instantly to a moment, or a place, or even a person. No matter what else has changed in your or the world, that one song says the same, just like that moment.”
― Sarah Dessen, Just Listen

“I felt, that night, on that stage, under that skull, incredibly close to everything in the universe, but also extremely alone. I wondered, for the first time in my life, if life was worth all the work it took to live. What exactly made it worth it? What's so horrible about being dead forever, and not feeling anything, and not even dreaming? What's so great about feeling and dreaming?”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“Sometimes I can hear my bones straining under the weight of all the lives I'm not living.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“Why didn't I learn to treat everything like it was the last time. My greatest regret was how much I believed in the future.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“A man who wants to die feels angry and full of life and desperate and bored and exhausted, all at the same time; he wants to fight everyone, and he wants to curl up in a ball and hide in a cupboard somewhere. He wants to say sorry to everyone, and he wants everyone to know just how badly they've all let him down.”
― Nick Hornby, A Long Way Down

“You're fucked. You thought you were going to be someone, but now it's obvious you're nobody. You haven't got as much talent as you thought you had, and there was no Plan B, and you got no skills and no education, and now you're looking at forty or fifty years of nothing. Less than nothing, probably. That's pretty heavy. That's worse than having the brain thing, because what you got now will take a lot longer to kill you. You've got the choice of a slow, painful death, or a quick, merciful one.”
― Nick Hornby, A Long Way Down

“What is an "instant" death anyway? How long is an instant? Is it one second? Ten? The pain of those seconds must have been awful as her heart burst and her lungs collapsed and there was no air and no blood to her brain and only raw panic. What the hell is instant? Nothing is instant. Instant rice takes five minutes, instant pudding an hour. I doubt that an instant of blinding pain feels particularly instantaneous.”
― John Green, Looking for Alaska

“It's not life or death, the labyrinth. Suffering. Doing wrong and having wrong things happen to you. That's the problem. Bolivar was talking about the pain, not about the living or dying. How do you get out of the labyrinth of suffering?”
― John Green, Looking for Alaska

“Humans are the only animal that blushes, laughs, has religion, wages war, and kisses with lips. So in a way, the more you kiss with lips, the more human you are. And the more you wage war.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“There were things I wanted to tell him. But I knew they would hurt him. So I buried them, and let them hurt me.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“Why do beautiful songs make you sad?' 'Because they aren't true.' 'Never?' 'Nothing is beautiful and true.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“I feel too much. That's what's going on.' 'Do you think one can feel too much? Or just feel in the wrong ways?' 'My insides don't match up with my outsides.' 'Do anyone's insides and outsides match up?' 'I don't know. I'm only me.' 'Maybe that's what a person's personality is: the difference between the inside and outside.' 'But it's worse for me.' 'I wonder if everyone thinks it's worse for him.' 'Probably. But it really is worse for me.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“So many people enter and leave your life! Hundreds of thousands of people! You have to keep the door open so they can come in! But it also means you have to let them go!”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“I took the world into me, rearranged it, and sent it back out as a question: "Do you like me?”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“Why didn't he say goodbye?
I gave myself a bruise.
Why didn't he say 'I love you'?”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“That’s the thing with the young these days, isn’t it? They watch too many happy endings. Everything has to be wrapped up, with a smile and a tear and a wave. Everyone has learned, found love, seen the error of their ways, discovered the joys of monogamy, or fatherhood, or filial duty, or life itself. In my day, people got shot at the end of films, after learning only that life is hollow, dismal, brutish, and short.”
― Nick Hornby, A Long Way Down

“I am the middle sister. The one in between. Not oldest, not youngest, not boldest, not nicest. I am the shade of gray, the glass half empty or full, depending on your view. In my life, there has been little that I have done first or better than the one preceding or following me. Of all of us, though, I am the only one who has been broken.”
― Sarah Dessen, Just Listen

“I read the first chapter of A Brief History of Time when Dad was still alive, and I got incredibly heavy boots about how relatively insignificant life is, and how compared to the universe and compared to time, it didn't even matter if I existed at all. When Dad was tucking me in that night and we were talking about the book, I asked if he could think of a solution to that problem. "Which problem?" "The problem of how relatively insignificant we are." He said, "Well, what would happen if a plane dropped you in the middle of the Sahara Desert and you picked up a single grain of sand with tweezers and moved it one millimeter?" I said, "I'd probably die of dehydration." He said, "I just mean right then, when you moved that single grain of sand. What would that mean?" I said, "I dunno, what?" He said, "Think about it." I thought about it. "I guess I would have moved one grain of sand." "Which would mean?" "Which would mean I moved a grain of sand?" "Which would mean you changed the Sahara." "So?" "So? So the Sahara is a vast desert. And it has existed for millions of years. And you changed it!" "That's true!" I said, sitting up. "I changed the Sahara!" "Which means?" he said. "What? Tell me."
"Well I'm not talking about painting the Mona Lisa or curing cancer. I'm just talking about moving that one grain of sand one millimeter." "Yeah? If you hadn't done it, human history would have been one way..." "Uh-huh?" "But you did do it, so...?" I stood on the bed, pointing one of my fingers at the fake stars, and screamed: "I changed the course of human history!" "That's right." "I changed the universe!" "You did." "I'm God!" "You're an atheist." "I don't exist!" I fell back onto the bed, into his arms, and we cracked up together.”
― Jonathan Safran Foer

“Imagining the future is a kind of nostalgia. (...) You spend your whole life stuck in the labyrinth, thinking about how you'll escape it one day, and how awesome it will be, and imagining that future keeps you going, but you never do it. You just use the future to escape the present.”
― John Green, Looking for Alaska

“Because this is what happens when you try to run from the past. It just doesn’t catch up, it overtakes … blotting out the future.”
― Sarah Dessen, Just Listen

“All I'd ever wanted was to forget. but even when I thought I had, pieces had kept emerging, like bits of wood floating up to the surface that only hint at the shipwreck below.”
― Sarah Dessen, Just Listen

“I wondered which was harder, in the end. The act of telling, or who you told it to. Or maybe if, when you finally got it out, the story was really all that mattered.”
― Sarah Dessen, Just Listen

“There has to be a middle. Without it, nothing can ever truly be whole. Because it is not just the space between, but also what holds everything together.”
― Sarah Dessen, Just Listen

“And in my classes, I will talk most of the time, and you will listen most of the time. Because you may be smart, but I've been smart longer.”
― John Green, Looking for Alaska

“That is the fear: I have lost something important, and I cannot find it, and I need it. It is fear like if someone lost his glasses and went to the glasses store and they told him that the world had run out of glasses and he would just have to do without.”
― John Green, Looking for Alaska

“The mark of the immature man is that he wants to die nobly for a cause, while the mark of the mature man is that he wants to live humbly for one.”
― J.D. Salinger, The Catcher in the Rye

“Saying 'I notice you're a nerd' is like saying, 'Hey, I notice that you'd rather be intelligent than be stupid, that you'd rather be thoughtful than be vapid, that you believe that there are things that matter more than the arrest record of Lindsay Lohan. Why is that?' In fact, it seems to me that most contemporary insults are pretty lame. Even 'lame' is kind of lame. Saying 'You're lame' is like saying 'You walk with a limp.' Yeah, whatever, so does 50 Cent, and he's done all right for himself.”
― John Green

“She wants to know if I love her, that's all anyone wants from anyone else, not love itself but the knowledge that love is there, like new batteries in the flashlight in the emergency kit in the hall closet.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“The secret was a hole in the middle of me that every happy thing fell into.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close