Robin > Robin's Quotes

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  • #1
    Ray Bradbury
    “First you jump off the cliff and build your wings on the way down.”
    Ray Bradbury

  • #2
    Margaret Atwood
    “A word after a word after a word is power.”
    Margaret Atwood

  • #3
    J.D. Salinger
    “What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though.”
    J.D. Salinger, The Catcher in the Rye

  • #4
    Ray Bradbury
    “We need not to be let alone. We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real?”
    Ray Bradbury, Fahrenheit 451

  • #5
    Ray Bradbury
    “I'm seventeen and I'm crazy. My uncle says the two always go together. When people ask your age, he said, always say seventeen and insane.”
    Ray Bradbury, Fahrenheit 451

  • #6
    Ray Bradbury
    “There must be something in books, something we can’t imagine, to make a woman stay in a burning house; there must be something there. You don’t stay for nothing.”
    Ray Bradbury, Fahrenheit 451

  • #7
    Ray Bradbury
    “The magic is only in what books say, how they stitched the patches of the universe together into one garment for us.”
    Ray Bradbury, Fahrenheit 451

  • #8
    J.D. Salinger
    “My father wrote beautifully,” Esmé interrupted. “I’m saving a number of his letters for posterity.”
    I said that sounded like a very good idea. I happened to be looking at her enormous-faced, chrono-graphic-looking wristwatch again. I asked if it had belonged to her father.
    She looked down at her wrist solemnly. “Yes, it did,” she said. “He gave it to me just before Charles and I were evacuated.” Self-consciously, she took her hand off the table, saying, “Purely as a momento, of course.” She guided the conversation in a different direction. “I’d be extremely flattered if you’d write a story exclusively for me sometime. I’m an avid reader.”
    I told her I certainly would, if I could. I said that I wasn’t terribly prolific.
    “It doesn’t have to be terribly prolific! Just so that isn’t childish and silly.” She reflected. “I prefer stories about squalor.”
    “About what?” I said, leaning forward.
    “Squalor. I’m extremely interested in squalor.”
    J.D. Salinger, Nine Stories

  • #9
    Kurt Vonnegut Jr.
    “All this happened, more or less.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #10
    Kurt Vonnegut Jr.
    “It was a movie about American bombers in World War II and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation.

    The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers , and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans though and some of the bombers were in bad repair. Over France though, German fighters came up again, made everything and everybody as good as new.

    When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #11
    Harper Lee
    “You never really understand a person until you consider things from his point of view... Until you climb inside of his skin and walk around in it.”
    Harper Lee, To Kill a Mockingbird

  • #12
    Harper Lee
    “I think there's just one kind of folks. Folks.”
    Harper Lee, To Kill a Mockingbird

  • #13
    Herman Melville
    “There are certain queer times and occasions in this strange mixed affair we call life when a man takes this whole universe for a vast practical joke, though the wit thereof he but dimly discerns, and more than suspects that the joke is at nobody's expense but his own.”
    Herman Melville, Moby-Dick; or, the Whale

  • #14
    Betty  Smith
    “Then I've been drunk, too," admitted Francie.

    "On beer?"

    "No. Last spring, in McCarren's Park, I saw a tulip for the first time in my life.”
    Betty Smith, A Tree Grows in Brooklyn

  • #15
    Toni Morrison
    “Sunk in the grass of an empty lot on a spring Saturday, I split the stems of milkweed and thought about ants and peach pits and death and where the world went when I closed my eyes.”
    Toni Morrison, The Bluest Eye

  • #16
    Shirley Jackson
    “Don't do it, Eleanor told the little girl; insist on your cup of stars; once they have trapped you into being like everyone else you will never see your cup of stars again; don't do it; and the little girl glanced at her, and smiled a little subtle, dimpling, wholly comprehending smile, and shook her head stubbornly at the glass. Brave girl, Eleanor thought; wise, brave girl.”
    Shirley Jackson, The Haunting of Hill House

  • #17
    Shirley Jackson
    “Around her the trees and wild flowers, with that oddly courteous air of natural things suddenly interrupted in their pressing occupations of growing and dying, turned toward her with attention, as though, dull and imperceptive as she was, it was still necessary for them to be gentle to a creation so unfortunate as not to be rooted in the ground, forced to go from one place to another, heart-breakingly mobile.”
    Shirley Jackson, The Haunting of Hill House

  • #18
    Shirley Jackson
    “I could live there all alone, she thought, slowing the car to look down the winding garden path to the small blue front door with, perfectly, a white cat on the step. No one would ever find me there, either, behind all those roses, and just to make sure I would plant oleanders by the road. I will light a fire in the cool evenings and toast apples at my own hearth. I will raise white cats and sew white curtains for the windows and sometimes come out of my door to go to the store to buy cinnamon and tea and thread. People will come to me to have their fortunes told, and I will brew love potions for sad maidens; I will have a robin...”
    Shirley Jackson, The Haunting of Hill House

  • #19
    Toni Morrison
    “Along with the idea of romantic love, she was introduced to another--physical beauty. Probably the most destructive ideas in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion.”
    Toni Morrison

  • #20
    Marcus Tullius Cicero
    “A room without books is like a body without a soul.”
    Marcus Tullius Cicero

  • #21
    Kurt Vonnegut Jr.
    “And I asked myself about the present: how wide it was, how deep it was, how much was mine to keep.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #22
    Toni Morrison
    “They had stared at her with great uncomprehending eyes. Eyes that questioned nothing and asked everything. Unblinking and unabashed, they stared up at her. The end of the world lay in their eyes, and the beginning, and all the waste in between.”
    Toni Morrison, The Bluest Eye

  • #23
    Cormac McCarthy
    “There is no God and we are his prophets.”
    Cormac McCarthy, The Road

  • #24
    Cormac McCarthy
    “Ever is a long time. But the boy knew what he knew. That ever is no time at all.”
    Cormac McCarthy, The Road

  • #25
    Cormac McCarthy
    “Not all dying words are true and this blessing is no less real for being shorn of its ground.”
    Cormac McCarthy, The Road

  • #26
    Cormac McCarthy
    “By day the banished sun circles the earth like a grieving mother with a lamp.”
    Cormac McCarthy, The Road

  • #27
    Cormac McCarthy
    “He thought that in the history of the world it might even be that there was more punishment than crime but he took small comfort from it.”
    Cormac McCarthy, The Road

  • #28
    Cormac McCarthy
    “He walked out in the gray light and stood and he saw for a brief moment the absolute truth of the world. The cold relentless circling of the intestate earth. Darkness implacable. The blind dogs of the sun in their running. The crushing black vacuum of the universe. And somewhere two hunted animals trembling like ground-foxes in their cover. Borrowed time and borrowed world and borrowed eyes with which to sorrow it.”
    Cormac McCarthy, The Road

  • #29
    Cormac McCarthy
    “When we're all gone at last then there'll be nobody here but death and his days will be numbered too. He'll be out in the road there with nothing to do and nobody to do it to. He'll say: where did everybody go? And that's how it will be. What's wrong with that?”
    Cormac McCarthy, The Road
    tags: death

  • #31
    Cormac McCarthy
    “What's the bravest thing you ever did?
    He spat in the road a bloody phlegm. Getting up this morning, he said.”
    Cormac McCarthy, The Road



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