Ellen > Ellen's Quotes

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  • #1
    Banana Yoshimoto
    “From the bottom of my heart, I wanted to give up; I wanted to give up on living. There was no denying that tomorrow would come, and the day after tomorrow, and so next week, too. I never thought it would be this hard, but I would go on living in the midst of a glomy depression, and that made me feel sick to the depths of my soul. In spite of the tempest raging within me, I walked the night path calmly.”
    Banana Yoshimoto, Kitchen

  • #2
    Banana Yoshimoto
    “I realized that the world did not exist for my benefit. It followed that the ratio of pleasant and unpleasant things around me would not change. It wasn't up to me. It was clear that the best thing to do was to adopt a sort of muddled cheerfulness.”
    Banana Yoshimoto, Kitchen

  • #3
    Jeanette Winterson
    “Pursuing happiness, and I did, and still do, is not at all the same as being happy- which I think is fleeting, dependent on circumstances, and a bit bovine.

    If the sun is shining, stand in it- yes, yes, yes. Happy times are great, but happy times pass- they have to- because time passes.

    The pursuit of happiness is more elusive; it is lifelong, and it is not goal-centred.

    What you are pursuing is meaning- a meaningful life. There's the hap- the fate, the draw that is yours, and it isn't fixed, but changing the course of the stream, or dealing new cards, whatever metaphor you want to use- that's going to take a lot of energy. There are times when it will go so wrong that you will barely be alive, and times when you realize that being barely alive, on your own terms, is better than living a bloated half-life on someone else's terms.”
    Jeanette Winterson, Why Be Happy When You Could Be Normal?

  • #4
    Tove Jansson
    “I need to write down my observations. Even the tiniest ones; they're the most important.”
    Tove Jansson, Art in Nature

  • #5
    Audre Lorde
    “I have come to believe over and over again that what is most important to me must be spoken, made verbal and shared, even at the risk of having it bruised or misunderstood.”
    Audre Lorde

  • #6
    Haruki Murakami
    “It is the inherent right of all writers to experiment with the possibilities of language in every way they can imagine--without that adventurous spirit, nothing new can ever be born.”
    Haruki Murakami, Wind/Pinball: Two Novels

  • #7
    Audre Lorde
    “If I didn't define myself for myself, I would be crunched into other people's fantasies for me and eaten alive.”
    Audre Lorde

  • #9
    Audre Lorde
    “We have to consciously study how to be tender with each other until it becomes a habit.”
    Audre Lorde

  • #11
    Ursula K. Le Guin
    “A warm body sighed in the darkness inside the little bright object balanced elegantly in the orbit of the moon.”
    Ursula K. Le Guin, A Fisherman of the Inland Sea

  • #12
    Ruth Ozeki
    “That's what it feels like when I write, like I have this beautiful world in my head, but when I try to remember it in order to write it down, I change it, and I can't ever get it back.”
    Ruth Ozeki, A Tale for the Time Being

  • #14
    Ruth Ozeki
    “The way you write ronin is 浪人 with the character for wave and the character for person, which is pretty much how I feel, like a little wave person, floating around on the stormy sea of life.”
    Ruth Ozeki, A Tale for the Time Being

  • #15
    Banana Yoshimoto
    “it'll be this kind of deep blue”she said. “The kind of color that somehow sucks your eyes and your ears and all your words —the color of a completely closed-in night”
    Banana Yoshimoto, Asleep

  • #18
    Banana Yoshimoto
    “Sometimes people put up walls, not to keep others out, but to see who cares enough to break them down.”
    Banana Yoshimoto

  • #19
    Banana Yoshimoto
    “I was happy. I loved the night, I loved t so much it almost hurt. In the night everything seemed possible. I wasn't sleepy at all.”
    Banana Yoshimoto, Asleep

  • #19
    Audre Lorde
    “I have a duty to speak the truth as I see it and share not just my triumphs, not just the things that felt good, but the pain, the intense, often unmitigated pain. It is important to share how I know survival is survival and not just a walk throught the rain.”
    Audre Lorde

  • #20
    Ruth Ozeki
    “Does the half-life of information correlate with the decay of our attention? Is the Internet a kind of temporal gyre, sucking up stories, like geodrift, into its orbit? What is its gyre memory? How do we measure the half-life of its drift?”
    Ruth Ozeki, A Tale for the Time Being

  • #23
    Ruth Ozeki
    “The past is weird. I mean, does it really exist ? It feels like it exists, but where is it ? And if it did exists, but doesn’t now, then where did it go ?”
    Ruth Ozeki, A Tale for the Time Being
    tags: past, time

  • #25
    Audre Lorde
    “I am not free while any woman is unfree, even when her shackles are very different from my own.”
    audre lorde

  • #25
    Derek Jarman
    “Always becoming, never arriving. Life is at a standstill - only ideas flash past. In such confusion I find myself running after them: Hey! Stop! Stop! But they escape, leaving me staring at a grey English spring.”
    Derek Jarman, Modern Nature

  • #26
    Ursula K. Le Guin
    “He was appalled by the examination system, when it was explained to him, he could not imagine a greater detterent to the natural wish to learn than this pattern of cramming in information and disgorging it on demand.”
    Ursula K. Le guin, The Dispossessed: An Ambiguous Utopia

  • #26
    Ruth Ozeki
    “Nowadays, in modern technological culture, sometimes we hear people complain that nothing feels real anymore. Everything in the modern world is plastic or digital or virtual. But I say, that was always life! That is life itself! Plato discussed that things in this life are only shadows of forms. So this is what I mean by the changing and unreal feeling of life.”
    Ruth Ozeki, A Tale for the Time Being

  • #27
    Tove Jansson
    “There are such a lot of things that have no place in summer and autumn and spring. Everything that’s a little shy and a little rum. Some kinds of night animals and people that don’t fit in with others and that nobody really believes in. They keep out of the way all the year. And then when everything’s quiet and white and the nights are long and most people are asleep—then they appear.”
    Tove Jansson, Moominland Midwinter

  • #27
    Emma Cline
    “I waited to be told what was good about me. [...] All that time I had spent readying myself, the articles that taught me life was really just a waiting room until someone noticed you- the boys had spent that time becoming themselves.”
    Emma Cline, The Girls

  • #28
    Banana Yoshimoto
    “I saw the sky and sea and sand and the flickering flames of the bonfire through my tears. All at once, it rushed into my head with tremendous speed, and made me feel dizzy. It was beautiful. Everything that happened was shockingly beautiful, enough to make you crazy.”
    Banana Yoshimoto, N.P

  • #28
    Banana Yoshimoto
    “That's the advantage of insomnia. People who go to be early always complain that the night is too short, but for those of us who stay up all night, it can feel as long as a lifetime. You get a lot done”
    Banana Yoshimoto, N.P

  • #29
    Emma Cline
    “That was part of being a girl--you were resigned to whatever feedback you'd get. If you got mad, you were crazy, and if you didn't react, you were a bitch. The only thing you could do was smile from the corner they'd backed you into. Implicate yourself in the joke even if the joke was always on you.”
    Emma Cline, The Girls

  • #29
    Jeanette Winterson
    “Tell me a story, Pew.

    What kind of story, child?
    A story with a happy ending.
    There’s no such thing in all the world.
    As a happy ending?
    As an ending.”
    Jeanette Winterson, Lighthousekeeping

  • #30
    Emma Cline
    “My glitchy adolescent brain was desperate for causalities, for conspiracies that drenched every word, every gesture, with meaning.”
    Emma Cline, The Girls

  • #30
    Ruth Ozeki
    “What is the half-life of information? Does its rate of decay correlate with the medium that conveys it? Pixels need power. Paper is unstable in fire and flood. Letters carved in stone are more durable, although not so easily distributed, but inertia can be a good thing.”
    Ruth Ozeki, A Tale for the Time Being

  • #31
    Emma Cline
    “That was our mistake, I think. One of many mistakes. To believe that boys were acting with a logic that we could someday understand. To believe that their actions had any meaning beyond thoughtless impulse. We were like conspiracy theorists, seeing portent and intention in every detail, wishing desperately that we mattered enough to be the object of planning and speculation. But they were just boys. Silly and young and straightforward; they weren't hiding anything.”
    Emma Cline, The Girls



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