phoenixetdragon > phoenixetdragon's Quotes

“All language is but a poor translation.”
― Franz Kafka

“I have spent all my life resisting the desire to end it.”
― Franz Kafka, Letters to Milena

“You are the knife I turn inside myself; that is love. That, my dear, is love.”
― Franz Kafka, Letters to Milena

“I miss you deeply, unfathomably, senselessly, terribly.”
― Franz Kafka, Letters to Milena

“I never wish to be easily defined. I’d rather float over other people’s minds as something strictly fluid and non-perceivable; more like a transparent, paradoxically iridescent creature rather than an actual person.”
― Franz Kafka

“There is an infinite amount of hope in the universe ... but not for us.”
― Franz Kafka

“I’m tired, can’t think of anything and want only to lay my face in your lap, feel your hand on my head and remain like that through all eternity.”
― Franz Kafka, Letters to Milena

“In a way, you are poetry material; You are full of cloudy subtleties I am willing to spend a lifetime figuring out. Words burst in your essence and you carry their dust in the pores of your ethereal individuality.”
― Franz Kafka, Letters to Milena

“How about if I sleep a little bit longer and forget all this nonsense",”
― Franz Kafka, Metamorphosis

“Yours

(now I'm even losing my name - it was getting shorter and shorter all the time and is now: Yours)”
― Franz Kafka, Letters to Milena

“–silence has always been my loudest scream.”
― Amanda Lovelace, The Princess Saves Herself in This One

“i never
expected
death
to be my most
faithful companion,
but she is
the only one
who will come
without
having to be
asked.
–the only one who will never leave.”
― Amanda Lovelace, The Princess Saves Herself in This One

“somehow,
my soul
knew
your soul
before we
ever
met.
–it was like coming home after a long, long day.”
― Amanda Lovelace, The Princess Saves Herself in This One

“food
is
not
the
enemy.
—society is.”
― Amanda Lovelace, The Princess Saves Herself in This One

“They say nothing lasts forever but they're just scared it will last longer than they can love it.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“You once told me that the human eye is god's loneliest creation. How so much of the world passes through the pupil and still it holds nothing. The eye, alone in its socket, doesn't even know there's another one, just like it, an inch away, just as hungry, as empty.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“I miss you more than I remember you.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Sometimes being offered tenderness feels like the very proof that you've been ruined.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“In Vietnamese, the word for missing someone and remembering them is the same: nhớ. Sometimes, when you ask me over the phone, Có nhớ mẹ không? I flinch, thinking you meant, Do you remember me?

I miss you more than I remember you.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“When does a war end? When can I say your name and have it mean only your name and not what you left behind?”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“I am thinking of beauty again, how some things are hunted because we have deemed them beautiful. If, relative to the history of our planet, an individual life is so short, a blink, as they say, then to be gorgeous, even from the day you're born to the day you die, is to be gorgeous only briefly.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Did you know people get rich off of sadness? I want to meet the millionaire of American sadness. I want to look him in the eye, shake his hand, and say, 'it's been an honor to serve my country.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“The most beautiful part of your body
is where it’s headed. & remember,
loneliness is still time spent
with the world.”
― Ocean Vuong

“What I really wanted to say was that a monster is not such a terrible thing to be. From the Latin root monstrum, a divine messenger of catastrophe, then adapted by the Old French to mean an animal of myriad origins: centaur, griffin, satyr. To be a monster is to be a hybrid signal, a lighthouse: both shelter and warning at once.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“It is no accident, Ma, that the comma resembles a fetus— that curve of continuation. We were all once inside our mothers, saying with our entire curved and silenced selves, more, more, more. I want to insist that are being alive is beautiful enough to be worthy of replication. And so what? So what if all I ever made of my life was more of it?”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Isn’t that the saddest thing in the world, Ma? A comma forced to be a period?”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“It's in these moments, next to you, that I envy words for doing what we can never do-- how they can tell all of themselves simply by standing still, simply by being. Imagine I could lie down beside you and my whole body, every cell, radiates a clear, singular meaning, not so much a writer as a word pressed down beside you.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Your father is only your father
until one of you forgets. Like how the spine
won't remember its wings
no matter how many times our knees
kiss the pavement. Ocean,
are you listening? The most beautiful part
of your body is wherever
your mother's shadow falls.”
― Ocean Vuong, Night Sky with Exit Wounds

“When can I say your name and have it mean only your name and not what you left behind?”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Because something in him know she'd be there. That she was waiting. Because that's what mothers do. They wait. They stand still until their children belong to someone else.”
― Ocean Vuong, On Earth We're Briefly Gorgeous