Marce > Marce's Quotes

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  • #1
    Xavier Velasco
    “ser puta es como bailar, cuestión de agarrarle el ritmo”
    Xavier Velasco

  • #2
    Xavier Velasco
    “Mira, me duele aquí, entre el hígado, el corazón y el amor propio, ¿cómo no voy a pinche guacarear, si tengo putas náuseas en el alma?”
    Xavier Velasco, Diablo Guardián

  • #3
    Eduardo Galeano
    “I don't believe in charity. I believe in solidarity. Charity is so vertical. It goes from the top to the bottom. Solidarity is horizontal. It respects the other person. I have a lot to learn from other people.”
    Eduardo Galeano

  • #4
    Eduardo Galeano
    “I can't sleep. There is a woman stuck between my eyelids. I would tell her to get out if I could. But there is a woman stuck in my throat”
    Eduardo Galeano

  • #5
    Leila Guerriero
    “... la alegría infantil de sumergirse en una conversación inesperada con un completo desconocido para descubrirse, horas después -y bajo toneladas hipercalóricas de "¿leíste a tal?". "¡Sí! ¿Y leíste a tal?". "¡Sí! ¿Y leíste a tal?"-, pensando que ése, sí, es el comienzo de una gran amistad.”
    Leila Guerriero

  • #6
    Leila Guerriero
    “...la alegría infantil de sumergirse en una conversación inesperada con un completo desconocido para descubrirse, horas después -y bajo toneladas hipercalóricas de "¿leíste a tal?". "¡Sí! ¿Y leíste a tal?". "¡Sí! ¿Y leíste a tal?"-, pensando que ése, sí, es el comienzo de una gran amistad.”
    Leila Guerriero

  • #7
    Henry Miller
    “Imagination is the voice of daring. If there is anything godlike about God, it is that. He dared to imagine everything”
    Henry Miller, Sexus

  • #8
    Henry Miller
    “I will go directly to her home, ring the bell, and walk in. Here I am, take me-or stab me to death. Stab the heart, stab the brains, stab the lungs, the kidneys, the viscera, the eyes, the ears. If only one organ be left alive you are doomed-doomed to be mine, forever, in this world and the next and all the worlds to come. I'm a desperado of love, a scalper, a slayer. I'm insatiable. I eat hair, dirty wax, dry blood clots, anything and everything you call yours. Show me your father, with his kites, his race horses, his free passes for the opera: I will eat them all, swallow them alive. Where is the chair you sit in, where is your favorite comb, your toothbrush, your nail file? Trot them out that I may devour them at one gulp. You have a sister more beautiful than yourself, you say. Show her to me-I want to lick the flesh from her bones.”
    Henry Miller, Sexus

  • #9
    Jorge Ibargüengoitia
    “La verdad es que mientras más enojado estoy con este país y más lejos viajo, más mexicano me siento.”
    Jorge Ibargüengoitia, Instrucciones para vivir en México

  • #10
    Eduardo Galeano
    “Utopia lies at the horizon.
    When I draw nearer by two steps,
    it retreats two steps.
    If I proceed ten steps forward, it
    swiftly slips ten steps ahead.
    No matter how far I go, I can never reach it.
    What, then, is the purpose of utopia?
    It is to cause us to advance.”
    Eduardo Galeano

  • #11
    Mark Z. Danielewski
    “Passion has little to do with euphoria and everything to do with patience. It is not about feeling good. It is about endurance. Like patience, passion comes from the same Latin root: pati. It does not mean to flow with exuberance. It means to suffer.”
    Mark Z. Danielewski, House of Leaves

  • #12
    Joan Didion
    “This is my attempt to make sense of the period that followed, weeks and then months that cut loose any fixed idea I had ever had about death, about illness, about probability and luck, about good fortune and bad, about marriage and children and memory, about grief, about the ways in which people do and do not deal with the fact that life ends, about the shallowness of sanity, about life itself. I have been a writer my entire life. As a writer, even as a child, long before what I wrote began to be published, I developed a sense that meaning itself was resident in the rhythms of words and sentences and paragraphs, a technique for withholding whatever it was I thought or believed behind an increasingly impenetrable polish. The way I write is who I am, or have become, yet this is a case in which I wish I had instead of words and their rhythms a cutting room, equipped with an Avid, a digital editing system on which I could touch a key and collapse the sequence of time, show you simultaneously all the frames of memory that come to me now, let you pick the takes, the marginally different expressions, the variant readings of the same lines. This is a case in which I need more than words to find the meaning. This is a case in which I need whatever it is I think or believe to be penetrable, if only for myself.”
    Joan Didion, The Year of Magical Thinking

  • #13
    Joan Didion
    “prepare a little hot tea or broth and it should be brought to them . . . without their being asked if they would care for it. Those who are in great distress want no food, but if it is handed to them, they will mechanically take it ' ... There was something arresting about the matter-of-fact wisdom here, the instinctive understanding of the physiological disruptions... I will not forget the instinctive wisdom of the friend who, every day for those first few weeks, brought me a quart container of scallion-and-ginger congee from Chinatown. Congee I could eat. Congee was all I could eat.”
    Joan Didion, The Year of Magical Thinking

  • #14
    Joan Didion
    “Life changes in the instant. The ordinary instant.”
    Joan Didion, The Year of Magical Thinking

  • #15
    Philippe Ariès
    “A single person is missing for you, and the whole world is empty.”
    Philippe Ariès

  • #16
    Joan Didion
    “Grief turns out to be a place none of us know until we reach it. We anticipate (we know) that someone close to us could die, but we do not look beyond the few days or weeks that immediately follow such an imagined death. We misconstrue the nature of even those few days or weeks. We might expect if the death is sudden to feel shock. We do not expect the shock to be obliterative, dislocating to both body and mind. We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe that their husband is about to return and need his shoes. In the version of grief we imagine, the model will be "healing." A certain forward movement will prevail. The worst days will be the earliest days. We imagine that the moment to most severely test us will be the funeral, after which this hypothetical healing will take place. When we anticipate the funeral we wonder about failing to "get through it," rise to the occasion, exhibit the "strength" that invariably gets mentioned as the correct response to death. We anticipate needing to steel ourselves the for the moment: will I be able to greet people, will I be able to leave the scene, will I be able even to get dressed that day? We have no way of knowing that this will not be the issue. We have no way of knowing that the funeral itself will be anodyne, a kind of narcotic regression in which we are wrapped in the care of others and the gravity and meaning of the occasion. Nor can we know ahead of the fact (and here lies the heart of the difference between grief was we imagine it and grief as it is) the unending absence that follows, the void, the very opposite of meaning, the relentless succession of moments during which we will confront the experience of meaninglessness itself.”
    Joan Didion, The Year of Magical Thinking

  • #17
    Joan Didion
    “I know why we try to keep the dead alive: we try to keep them alive in order to keep them with us. I also know that if we are to live ourselves there comes a point at which we must relinquish the dead, let them go, keep them dead. ”
    Joan Didion, The Year of Magical Thinking

  • #18
    Alan             Moore
    “Behind this mask there is more than just flesh. Beneath this mask there is an idea... and ideas are bulletproof.”
    Alan Moore, V for Vendetta

  • #19
    Rosa Montero
    “Cuando el dolor cae sobre ti sin paliativos, lo primero que te arranca es la palabra.”
    Rosa Montero, La ridícula idea de no volver a verte

  • #20
    Elizabeth Gilbert
    “People think a soul mate is your perfect fit, and that's what everyone wants. But a true soul mate is a mirror, the person who shows you everything that is holding you back, the person who brings you to your own attention so you can change your life.

    A true soul mate is probably the most important person you'll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then leave.

    A soul mates purpose is to shake you up, tear apart your ego a little bit, show you your obstacles and addictions, break your heart open so new light can get in, make you so desperate and out of control that you have to transform your life, then introduce you to your spiritual master...”
    Elizabeth Gilbert, Eat, Pray, Love

  • #21
    Elena Poniatowska
    “El Distrito Federal es una ciudad que tiene origen de quimera, sacada del agua, levantada sobre el agua. Los mexicanos viven sobre lo inestable, trampa, marisma y pantano a la vez. Aquí lo real y lo irreal se confunden.”
    Elena Poniatowska



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