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  • #1
    Richard P. Feynman
    “A poet once said, 'The whole universe is in a glass of wine.' We will probably never know in what sense he meant it, for poets do not write to be understood. But it is true that if we look at a glass of wine closely enough we see the entire universe. There are the things of physics: the twisting liquid which evaporates depending on the wind and weather, the reflection in the glass; and our imagination adds atoms. The glass is a distillation of the earth's rocks, and in its composition we see the secrets of the universe's age, and the evolution of stars. What strange array of chemicals are in the wine? How did they come to be? There are the ferments, the enzymes, the substrates, and the products. There in wine is found the great generalization; all life is fermentation. Nobody can discover the chemistry of wine without discovering, as did Louis Pasteur, the cause of much disease. How vivid is the claret, pressing its existence into the consciousness that watches it! If our small minds, for some convenience, divide this glass of wine, this universe, into parts -- physics, biology, geology, astronomy, psychology, and so on -- remember that nature does not know it! So let us put it all back together, not forgetting ultimately what it is for. Let it give us one more final pleasure; drink it and forget it all!”
    Richard P. Feynman

  • #2
    Socrates
    “If a man comes to the door of poetry untouched by the madness of the Muses, believing that technique alone will make him a good poet, he and his sane compositions never reach perfection, but are utterly eclipsed by the performances of the inspired madman.”
    Socrates

  • #3
    Richard P. Feynman
    “I have a friend who's an artist and has sometimes taken a view which I don't agree with very well. He'll hold up a flower and say "look how beautiful it is," and I'll agree. Then he says "I as an artist can see how beautiful this is but you as a scientist take this all apart and it becomes a dull thing," and I think that he's kind of nutty. First of all, the beauty that he sees is available to other people and to me too, I believe. Although I may not be quite as refined aesthetically as he is ... I can appreciate the beauty of a flower. At the same time, I see much more about the flower than he sees. I could imagine the cells in there, the complicated actions inside, which also have a beauty. I mean it's not just beauty at this dimension, at one centimeter; there's also beauty at smaller dimensions, the inner structure, also the processes. The fact that the colors in the flower evolved in order to attract insects to pollinate it is interesting; it means that insects can see the color. It adds a question: does this aesthetic sense also exist in the lower forms? Why is it aesthetic? All kinds of interesting questions which the science knowledge only adds to the excitement, the mystery and the awe of a flower. It only adds. I don't understand how it subtracts.”
    Richard P. Feynman, The Pleasure of Finding Things Out: The Best Short Works of Richard P. Feynman

  • #4
    Jorge Luis Borges
    “A book is more than a verbal structure or series of verbal structures; it is the dialogue it establishes with its reader and the intonation it imposes upon his voice and the changing and durable images it leaves in his memory. A book is not an isolated being: it is a relationship, an axis of innumerable relationships.”
    Jorge Luis Borges

  • #5
    Susanna Kaysen
    “When you’re sad you need to hear your sorrow structured into sound.”
    Susanna Kaysen, Girl, Interrupted

  • #6
    Margaret Atwood
    “When any civilization is dust and ashes," he said, "art is all that's left over. Images, words, music. Imaginative structures. Meaning—human meaning, that is—is defined by them. You have to admit that.”
    Margaret Atwood, Oryx and Crake

  • #7
    Charles de Lint
    “People who’ve never read fairy tales, the professor said, have a harder time coping in life than the people who have. They don’t have access to all the lessons that can be learned from the journeys through the dark woods and the kindness of strangers treated decently, the knowledge that can be gained from the company and example of Donkeyskins and cats wearing boots and steadfast tin soldiers. I’m not talking about in-your-face lessons, but more subtle ones. The kind that seep up from your sub¬conscious and give you moral and humane structures for your life. That teach you how to prevail, and trust. And maybe even love.”
    Charles de Lint, The Onion Girl

  • #8
    Ayn Rand
    “But I don’t understand. Why do you want me to think that this is great architecture? He pointed to the picture of the Parthenon.
    That, said the Dean, is the Parthenon.
    - So it is.
    - I haven’t the time to waste on silly questions.
    - All right, then. - Roark got up, he took a long ruler from the desk, he walked to the picture. - Shall I tell you what’s rotten about it?
    - It’s the Parthenon! - said the Dean.
    - Yes, God damn it, the Parthenon!
    The ruler struck the glass over the picture.
    - Look,- said Roark. - The famous flutings on the famous columns – what are they there for? To hide the joints in wood – when columns were made of wood, only these aren’t, they’re marble. The triglyphs, what are they? Wood. Wooden beams, the way they had to be laid when people began to build wooden shacks. Your Greeks took marble and they made copies of their wooden structures out of it, because others had done it that way. Then your masters of the Renaissance came along and made copies in plaster of copies in marble of copies in wood. Now here we are, making copies in steel and concrete of copies in plaster of copies in marble of copies in wood. Why?”
    Ayn Rand, The Fountainhead

  • #9
    Bridges McCall
    “The Talmud states, "Do not be daunted by the enormity of the world's grief. Do justly now, love mercy now, walk humbly now. You are not obligated to complete the work, but neither are you free to abandon it.”
    Bridges McCall

  • #10
    “He points to the hydrangeas growing in profusion, tall puffballs the size of cabbages, green and purple and pink. "You know, you can grow different colors on the same plant," he tells me. "Depends on how much acid you make the soil."
    Orange and red camellias line the garden's perimeter. They have no scent, as if to balance the heavy sweetness over the front porch.”
    Virginia Hartman, The Marsh Queen

  • #11
    Samantha Greene Woodruff
    “Did you know that hydrangeas change color depending on the acidity of the soil they’re planted in?” Ruth paused. “I’ve always loved the idea—that you can change the environment to change the flower itself.”
    Samantha Greene Woodruff, The Lobotomist's Wife

  • #12
    Sophia Hembeck
    “Quite magical how hydrangeas can change their colour depending on the soil they’re growing in.” My Mum says while she places the stems in tiny jugs. “It’s not up to them though. They must change.”
    Sophia Hembeck, Things I Have Loved : A collection (sort of)



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