Roz Martin > Roz's Quotes

“There is no secret to success except hard work and getting something indefinable which we call 'the breaks.”
― Countee Cullen

“The Moving Finger writes; and, having writ,
Moves on: nor all thy Piety nor Wit
Shall lure it back to cancel half a Line,
Nor all thy Tears wash out a Word of it.”
― Omar Khayyám

“Broken Wind believed that we are traumatized as babies by intestinal gas or colic. The great shaman invented a technique called "gastral projection" to help release these traumas. His philosophy was simple: "To air is human ... but to really cut one loose is divine.”
― Swami Beyondananda

“still under siege, but the Red Army had regained two-thirds of”
― Susan Butler, Roosevelt and Stalin: Portrait of a Partnership

“Nolite te bastardes carborundorum. Don't let the bastards grind you down.”
― Margaret Atwood, The Handmaid’s Tale

“Each that we lose takes part of us;
A crescent still abides,
Which like the moon, some turbid night,
Is summoned by the tides.”
― Emily Dickinson, Selected Poems

“Ciaran broke the silence and spoke quietly. "She means naught to me."

A tear fell down her cheek and she wiped it away. "It doesnae matter--truly," she whispered.

He reached out and gently brushed her arms. When she closed her eyes to avoid his probing gaze, he raised her chin with his finger. "It matters to me," he said solemnly. He wiped her tears with his thumb. "I told her we were done when I returned to Glenorchy. She wasnae pleased. I didnae know she was there, Rosalia. She saw ye and Aisling and threw her body upon me."

She could not help but smirk. "Her verra bare body, my laird."

He paused for a moment, a spark of some identifiable emotion in his eyes. "I didnae notice, Rosalia. All I saw was ye.”
― Victoria Roberts Temptation in a Kilt

“Sometimes being a Highland Laird was a royal pain in the arse.”
― Victoria Roberts

“Knowledge is knowing that a tomato is a fruit; wisdom is not putting it in a fruit salad.”
― Miles Kington

“It was a bright cold day in April, and the clocks were striking thirteen. It was the future, and everything sucked.”
― Greg Nagan, The 5-Minute Iliad and Other Instant Classics: Great Books For The Short Attention Span

“My grandmother's idea of a mixed marriage is a Methodist who marries a Baptist. Although she'd never admit it, in her heart, I know she believes Jesus was Methodist.”
― L. King Perez, Remember As You Pass Me By

“This royal throne of kings, this scepter’d isle,
This earth of majesty, this seat of Mars,
This other Eden, demi-paradise,
This fortress built by Nature for herself
Against infection and the hand of war,
This happy breed of men, this little world,
This precious stone set in the silver sea,
Which serves it in the office of a wall
Or as a moat defensive to a house,
Against the envy of less happier lands,
This blessed plot, this earth, this realm, this England,
This nurse, this teeming womb of royal kings,
Fear’d by their breed and famous by their birth,
Renowned for their deeds as far from home,
For Christian service and true chivalry,
As is the sepulchre in stubborn Jewry
Of the world’s ransom, blessed Mary’s Son,
This land of such dear souls, this dear dear land,
Dear for her reputation through the world,
Is now leased out, I die pronouncing it,
Like to a tenement or pelting farm:
England, bound in with the triumphant sea,
Whose rocky shore beats back the envious siege
Of watery Neptune, is now bound in with shame,
With inky blots and rotten parchment bonds:
That England, that was wont to conquer others,
Hath made a shameful conquest of itself.
Ah, would the scandal vanish with my life,
How happy then were my ensuing death!”
― William Shakespeare, Richard II

“If the radiance of a thousand suns
Were to burst at once into the sky
That would be like the splendour of the Mighty One...
I am become Death,
The shatterer of worlds.

[Quoted from the Bhagavad Gita after the bombing of Hiroshima and Nagasaki.]”
― J. Robert Oppenheimer

“Poshlust,” or in a better transliteration poshlost, has many nuances, and evidently I have not described them clearly enough in my little book on Gogol, if you think one can ask anybody if he is tempted by poshlost. Corny trash, vulgar clichés, Philistinism in all its phases, imitations of imitations, bogus profundities, crude, moronic, and dishonest pseudo-literature—these are obvious examples. Now, if we want to pin down poshlost in contemporary writing, we must look for it in Freudian symbolism, moth-eaten mythologies, social comment, humanistic messages, political allegories, overconcern with class or race, and the journalistic generalities we all know. Poshlost speaks in such concepts as “America is no better than Russia” or “We all share in Germany’s guilt.” The flowers of poshlost bloom in such phrases and terms as “the moment of truth,” “charisma,” “existential” (used seriously), “dialogue” (as applied to political talks between nations), and “vocabulary” (as applied to a dauber). Listing in one breath Auschwitz, Hiroshima, and Vietnam is seditious poshlost. Belonging to a very select club (which sports one Jewish name—that of the treasurer) is genteel poshlost. Hack reviews are frequently poshlost, but it also lurks in certain highbrow essays. Poshlost calls Mr. Blank a great poet and Mr. Bluff a great novelist. One of poshlost’s favorite breeding places has always been the Art Exhibition; there it is produced by so-called sculptors working with the tools of wreckers, building crankshaft cretins of stainless steel, Zen stereos, polystyrene stinkbirds, objects trouvés in latrines, cannonballs, canned balls. There we admire the gabinetti wall patterns of so-called abstract artists, Freudian surrealism, roric smudges, and Rorschach blots—all of it as corny in its own right as the academic “September Morns” and “Florentine Flowergirls” of half a century ago. The list is long, and, of course, everybody has his bête noire, his black pet, in the series. Mine is that airline ad: the snack served by an obsequious wench to a young couple—she eyeing ecstatically the cucumber canapé, he admiring wistfully the hostess. And, of course, Death in Venice. You see the range.”
― Vladimir Nabokov, Strong Opinions