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  • #1
    John Green
    “I know so many last words. But I will never know hers.”
    John Green, Looking for Alaska

  • #2
    Kate Elizabeth Russell
    “The nine other students pack up their things and leave the classroom to carry on with their lives, to practices and rehearsals and club meetings. I leave the room, too, but I'm not part of them. They're the same, but I'm changed. I'm unhuman now. Unthetered. While they walk across campus, earthbound and ordinary, I soar, trailing a maple-red comet tail. I'm no longer myself; I am no one. I'm a red balloon caught in the boughts of a tree. I'm nothing at all.”
    Kate Elizabeth Russell, My Dark Vanessa

  • #3
    Kate Elizabeth Russell
    “He says that by believing our lives have endless possibilities, we stave off the horrifying truth that to live is merely to move forward through time while an internal clock counts down to a final, fatal moment. “We’re born, we live, we die,” he says, “and the choices we make in the middle, all those things we agonize over day after day, none of those matter in the end.”
    Kate Elizabeth Russell, My Dark Vanessa

  • #4
    John Green
    “Before I got here, I thought for a long time that the way out of the labyrinth was to pretend that it did not exist, to build a small, self-sufficient world in a back corner of, the endless maze and to pretend that I was not lost, but home. But that only led to a lonely life accompanied only by the last words of the looking for a Great Perhaps, for real friends, and a more-than minor life.

    And then i screwed up and the Colonel screwed up and Takumi screwed up and she slipped through our fingers. And there's no sugar-coating it: She deserved better friends.

    When she fucked up, all those years ago, just a little girl terrified. into paralysis, she collapsed into the enigma of herself. And I could have done that, but I saw where it led for her. So I still believe in the Great Perhaps, and I can believe in it spite of having lost her.

    Beacause I will forget her, yes. That which came together will fall apart imperceptibly slowly, and I will forget, but she will forgive my forgetting, just as I forgive her for forgetting me and the Colonel and everyone but herself and her mom in those last moments she spent as a person. I know that she forgives me for being dumb and sacred and doing the dumb and scared thing. I know she forgives me, just as her mother forgives her. And here's how I know:

    I thought at first she was just dead. Just darkness. Just a body being eaten by bugs. I thought about her a lot like that, as something's meal. What was her-green eyes, half a smirk, the soft curves of her legs-would soon be nothing, just the bones I never saw. I thought about the slow process of becoming bone and then fossil and then coal that will, in millions of years, be mined by humans of the future, and how they would their homes with her, and then she would be smoke billowing out of a smokestack, coating the atmosphere.

    I still think that, sometimes. I still think that, sometimes, think that maybe "the afterlife" is just something we made up to ease the pain of loss, to make our time in the labyrinth bearable. Maybe she was just a matter, and matter gets recycled.

    But ultimately I do not believe that she was only matter. The rest of her must be recycled, too. I believe now that we are greater than the sum of our parts. If you take Alaska's genetic code and you add her life experiences and the relationships she had with people, and then you take the size and shape of her body, you do not get her. There is something else entirety. There is a part of her knowable parts. And that parts has to go somewhere, because it cannot be destroyed. Although no one will ever accuse me of being much of a science student, One thing I learned from science classes is that energy is never created and never destroyed.

    And if Alaska took her own life, that is the hope I wish I could have given her. Forgetting her mother, failing her mother and her friends and herself -those are awful things, but she did not need to fold into herself and self-destruct. Those awful things are survivable because we are as indestructible as we believe ourselves to be.

    When adults say "Teenagers think they are invincible" with that sly, stupid smile on their faces, they don't know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are.

    We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail.

    So I know she forgives me, just as I forgive her. Thomas Eidson's last words were: "It's very beautiful over there." I don't know where there is, but I believe it's somewhere, and I hope it's beautiful.”
    John Green , Looking for Alaska

  • #5
    Kate Elizabeth Russell
    “He calls me sensitive. 'Like a . . .' He stops and softly laughs. 'I was about to say like a little girl. I forget sometimes that’s exactly what you are.”
    Kate Elizabeth Russell, My Dark Vanessa

  • #6
    Kate Elizabeth Russell
    “It’s strange to know that whenever I remember myself at fifteen, I’ll think of this.”
    Kate Elizabeth Russell, My Dark Vanessa

  • #7
    John Green
    “The only way out of the labyrinth of suffering is to forgive.”
    John Green, Looking for Alaska

  • #8
    John Green
    “Thomas Edison's last words were "It's very beautiful over there". I don't know where there is, but I believe it's somewhere, and I hope it's beautiful.”
    John Green, Looking for Alaska

  • #9
    John Green
    “So I walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, I was drizzle and she was a hurricane.”
    John Green, Looking for Alaska

  • #10
    John Green
    “Imagining the future is a kind of nostalgia. (...) You spend your whole life stuck in the labyrinth, thinking about how you'll escape it one day, and how awesome it will be, and imagining that future keeps you going, but you never do it. You just use the future to escape the present.”
    John Green, Looking for Alaska

  • #11
    John Green
    “What the hell is that?" I laughed.
    "It's my fox hat."
    "Your fox hat?"
    "Yeah, Pudge. My fox hat."
    "Why are you wearing your fox hat?" I asked.
    "Because no one can catch the motherfucking fox.”
    John Green, Looking for Alaska

  • #12
    John Green
    “What you must understand about me is that I’m a deeply unhappy person.”
    John Green, Looking for Alaska

  • #13
    François Rabelais
    “I go to seek a Great Perhaps.”
    François Rabelais

  • #14
    John Green
    “Francois Rabelais. He was a poet. And his last words were "I go to seek a Great Perhaps." That's why I'm going. So I don't have to wait until I die to start seeking a Great Perhaps.”
    John Green, Looking for Alaska

  • #15
    Alice Sebold
    “Sometimes the dreams that come true are the dreams you never even knew you had.”
    Alice Sebold, The Lovely Bones

  • #16
    Murderers are not monsters, they're men. And that's the most frightening thing about them.
    “Murderers are not monsters, they're men. And that's the most frightening thing about them.”
    Alice Sebold, The Lovely Bones

  • #17
    Alice Sebold
    “These were the lovely bones that had grown around my absence: the connections-sometimes tenuous, sometimes made at great cost, but often magnificent-that happened after I was gone. And I began to see things in a way that let me hold the world without me in it. The events that my death wrought were merely the bones of a body that would become whole at some unpredictable time in the future. The price of what I came to see as this miraculous body had been my life.”
    Alice Sebold, The Lovely Bones

  • #18
    Alice Sebold
    “Inside the snow globe on my father's desk, there was a penguin wearing a red-and-white-striped scarf. When I was little my father would pull me into his lap and reach for the snow globe. He would turn it over, letting all the snow collect on the top, then quickly invert it. The two of us watched the snow fall gently around the penguin. The penguin was alone in there, I thought, and I worried for him. When I told my father this, he said, "Don't worry, Susie; he has a nice life. He's trapped in a perfect world.”
    Alice Sebold, The Lovely Bones

  • #19
    Alice Sebold
    “Each time I told my story, I lost a bit, the smallest drop of pain. It was that day that I knew I wanted to tell the story of my family. Because horror on Earth is real and it is every day. It is like a flower or like the sun; it cannot be contained.”
    Alice Sebold, The Lovely Bones

  • #20
    Alice Sebold
    “My name is Salmon, like the fish; first name, Susie. I was fourteen when I was murdered.”
    Alice Sebold, The Lovely Bones

  • #21
    Alice Sebold
    “No one can pull anyone back from anywhere. You save yourself or you remain unsaved.”
    Alice Sebold, Lucky

  • #22
    Alice Sebold
    “When the dead are done with the living, the living can go on to other things," Franny said. "What about the dead?" I asked. "Where do we go?”
    Alice Sebold, The Lovely Bones

  • #23
    Alice Sebold
    “Buckley followed the three of them into the kitchen and asked, as he had at least once a day, “Where’s Susie?”

    They were silent. Samuel looked at Lindsey.

    “Buckley,” my father called from the adjoining room, “come play Monopoly with me.”

    My brother had never been invited to play Monopoly. Everyone said he was too young, but this was the magic of Christmas. He rushed into the family room, and my father picked him up and sat him on his lap.

    “See this shoe?” my father said.

    Buckley nodded his head.

    “I want you to listen to everything I say about it, okay?”

    “Susie?” my brother asked, somehow connecting the two.

    “Yes, I’m going to tell you where Susie is.”

    I began to cry up in heaven. What else was there for me to do?

    “This shoe was the piece Susie played Monopoly with,” he said. “I play with the car or sometimes the wheelbarrow. Lindsey plays with the iron, and when you mother plays, she likes the cannon.”

    “Is that a dog?”

    “Yes, that’s a Scottie.”

    “Mine!”

    “Okay,” my father said. He was patient. He had found a way to explain it. He held his son in his lap, and as he spoke, he felt Buckley’s small body on his knee-the very human, very warm, very alive weight of it. It comforted him. “The Scottie will be your piece from now on. Which piece is Susie’s again?”

    “The shoe?” Buckley asked.

    “Right, and I’m the car, your sister’s the iron, and your mother is the cannon.”

    My brother concentrated very hard.

    “Now let’s put all the pieces on the board, okay? You go ahead and do it for me.”

    Buckley grabbed a fist of pieces and then another, until all the pieces lay between the Chance and Community Chest cards.

    “Let’s say the other pieces are our friends?”

    “Like Nate?”

    “Right, we’ll make your friend Nate the hat. And the board is the world. Now if I were to tell you that when I rolled the dice, one of the pieces would be taken away, what would that mean?”

    “They can’t play anymore?”

    “Right.”

    “Why?” Buckley asked.

    He looked up at my father; my father flinched.

    “Why?” my brother asked again.

    My father did not want to say “because life is unfair” or “because that’s how it is”. He wanted something neat, something that could explain death to a four-year-old He placed his hand on the small of Buckley’s back.

    “Susie is dead,” he said now, unable to make it fit in the rules of any game. “Do you know what that means?”

    Buckley reached over with his hand and covered the shoe. He looked up to see if his answer was right.

    My father nodded. "You won’t see Susie anymore, honey. None of us will.” My father cried. Buckley looked up into the eyes of our father and did not really understand.

    Buckley kept the shoe on his dresser, until one day it wasn't there anymore and no amount of looking for it could turn up.”
    Alice Sebold, The Lovely Bones



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