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  • #1
    Donna Tartt
    “Beauty is terror. Whatever we call beautiful, we quiver before it.”
    Donna Tartt, The Secret History

  • #2
    Donna Tartt
    “Does such a thing as 'the fatal flaw,' that showy dark crack running down the middle of a life, exist outside literature? I used to think it didn't. Now I think it does. And I think that mine is this: a morbid longing for the picturesque at all costs.”
    Donna Tartt, The Secret History

  • #3
    Donna Tartt
    “Forgive me, for all the things I did but mostly for the ones that I did not.”
    Donna Tartt, The Secret History

  • #4
    Donna Tartt
    “It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.”
    Donna Tartt, The Secret History

  • #5
    Donna Tartt
    “It is is better to know one book intimately than a hundred superficially.”
    Donna Tartt, The Secret History

  • #6
    Donna Tartt
    “But how,” said Charles, who was close to tears, “how can you possibly justify cold-blooded murder?’
    Henry lit a cigarette. “I prefer to think of it,” he had said, “as redistribution of matter.”
    Donna Tartt, The Secret History

  • #7
    Donna Tartt
    “I suppose at one time in my life I might have had any number of stories, but now there is no other. This is the only story I will ever be able to tell.”
    Donna Tartt, The Secret History

  • #8
    Donna Tartt
    “There is nothing wrong with the love of Beauty. But Beauty - unless she is wed to something more meaningful - is always superficial.”
    Donna Tartt, The Secret History

  • #9
    Donna Tartt
    “You can look at a picture for a week and never think of it again. You can also look at a picture for a second and think of it all your life.”
    Donna Tartt, The Goldfinch

  • #10
    Donna Tartt
    “Stay away from the ones you love too much. Those are the ones who will kill you.”
    Donna Tartt, The Goldfinch

  • #11
    Donna Tartt
    “Are you happy here?" I said at last.
    He considered this for a moment. "Not particularly," he said. "But you're not very happy where you are, either.”
    Donna Tartt, The Secret History

  • #12
    Margaret Atwood
    “Don't let the bastards grind you down.”
    Margaret Atwood, The Handmaid’s Tale

  • #13
    Margaret Atwood
    “We were the people who were not in the papers. We lived in the blank white spaces at the edges of print. It gave us more freedom.
    We lived in the gaps between the stories.”
    Margaret Atwood, The Handmaid’s Tale

  • #14
    Margaret Atwood
    “A rat in a maze is free to go anywhere, as long as it stays inside the maze.”
    Margaret Atwood, The Handmaid’s Tale

  • #15
    Margaret Atwood
    “Falling in love, we said; I fell for him. We were falling women. We believed in it, this downward motion: so lovely, like flying, and yet at the same time so dire, so extreme, so unlikely. God is love, they once said, but we reversed that, and love, like heaven, was always just around the corner. The more difficult it was to love the particular man beside us, the more we believed in Love, abstract and total. We were waiting, always, for the incarnation. That word, made flesh.

    And sometimes it happened, for a time. That kind of love comes and goes and is hard to remember afterwards, like pain. You would look at the man one day and you would think, I loved you, and the tense would be past, and you would be filled with a sense of wonder, because it was such an amazing and precarious and dumb thing to have done; and you would know too why your friends had been evasive about it, at the time.

    There is a good deal of comfort, now, in remembering this.”
    Margaret Atwood, The Handmaid's Tale
    tags: love

  • #16
    Margaret Atwood
    “Nolite te bastardes carborundorum.”
    Margaret Atwood, The Handmaid’s Tale

  • #17
    Margaret Atwood
    “Night falls. Or has fallen. Why is it that night falls, instead of rising, like the dawn? Yet if you look east, at sunset, you can see night rising, not falling; darkness lifting into the sky, up from the horizon, like a black sun behind cloud cover. Like smoke from an unseen fire, a line of fire just below the horizon, brushfire or a burning city. Maybe night falls because it’s heavy, a thick curtain pulled up over the eyes. Wool blanket.”
    Margaret Atwood, The Handmaid’s Tale

  • #18
    Margaret Atwood
    “I am not your justification for existence.”
    Margaret Atwood, The Handmaid’s Tale

  • #19
    Margaret Atwood
    “All you have to do, I tell myself, is keep your mouth shut and look stupid. It shouldn't be that hard.”
    Margaret Atwood, The Handmaid’s Tale



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