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  • #1
    “To be with her is a sin, to be without her is a tragedy.”
    Chloe Michelle Howarth, Sunburn

  • #2
    Amal El-Mohtar
    “I love you. I love you. I love you. I'll write it in waves. In skies. In my heart. You'll never see, but you will know. I'll be all the poets, I'll kill them all and take each one's place in turn, and every time love's written in all the strands it will be to you.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #3
    Amal El-Mohtar
    “I have built a you within me, or you have. I wonder what of me there is in you.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #4
    Amal El-Mohtar
    “At the end as at the start, and through all the in-betweens, I love you.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #5
    “I knew she would be beautiful today, of course I knew, but this is unbelievable. Never in all my years of Christianity has there been talk of an angel like this. My God, she is not even walking, she floats around the room.”
    Chloe Michelle Howarth, Sunburn

  • #6
    “Right now it seems as though I only have two options: either I can be who Mother expects me to be, or I can be whoever I want to be.”
    Chloe Michelle Howarth, Sunburn

  • #7
    Nina Varela
    “Humanity is how you act, my lady,” said Jezen. “Not how you were Made.”
    Nina Varela, Crier's War

  • #8
    Nina Varela
    “If longing is madness, then none of us are sane.”
    Nina Varela, Crier's War

  • #9
    Nina Varela
    “I have a heart like you, Ayla." Crier repeated, pressing Ayla's hand harder against her chest. Ayla heard her own heartbeat and felt Crier's—a song tapping against her palm, a racing pulse beneath her fingers. Ayla was breathing too hard. She was breathing too hard. "I feel things too," Crier whispered.”
    Nina Varela, Crier's War

  • #10
    Nina Varela
    “Which illness gives you stomach pains and a limp," Crier muttered, helping Ayla through the green door of the inn.
    "A bad one," Ayla retorted.”
    Nina Varela, Crier's War

  • #11
    Heather Fawcett
    “Perhaps it is always restful to be around someone who does not expect anything from you beyond what is in your nature.”
    Heather Fawcett, Emily Wilde's Encyclopaedia of Faeries

  • #12
    Heather Fawcett
    “Get inside! You're bleeding!"
    "I will not bleed any less indoors, you utter madwoman.”
    Heather Fawcett, Emily Wilde's Encyclopaedia of Faeries

  • #13
    Heather Fawcett
    “One doesn’t need magic if one knows enough stories.”
    Heather Fawcett, Emily Wilde's Encyclopaedia of Faeries

  • #14
    Heather Fawcett
    “Were you expecting me to throw myself at you? Would you have then said a dozen pretty things about my eyes or hair?"
    "No, it would have been, 'Get off me, you imposter, and tell me what you did with Emily.”
    Heather Fawcett, Emily Wilde's Encyclopaedia of Faeries

  • #15
    Heather Fawcett
    “If anyone were to claim greater happiness in their careers than I do in poking about sunlit wildwoods for faerie footprints, I should not believe it.”
    Heather Fawcett, Emily Wilde's Encyclopaedia of Faeries

  • #16
    Julia Armfield
    “I used to think there was such a thing as emptiness, that there were places in the world one could go and be alone. This, I think, is still true, but the error in my reasoning was to assume that alone was somewhere you could go, rather than somewhere you had to be left.”
    Julia Armfield, Our Wives Under the Sea

  • #17
    Julia Armfield
    “I want to explain her in a way that would make you love her, but the problem with this is that loving is something we all do alone and through different sets of eyes.”
    Julia Armfield, Our Wives Under the Sea

  • #18
    Julia Armfield
    “I think,” Juna says after a pause, “that the thing about losing someone isn’t the loss but the absence of afterwards. D’you know what I mean? The endlessness of that.” She looks sideways at me and sniffs. “My friends were sad, people who knew my sister were sad, but everyone moves on after a month. It’s all they can manage. It doesn’t mean they weren’t sad, just that things keep going or something, I don’t know.” She rolls her shoulder, shakes her head. “It’s hard when you look up and realise that everyone’s moved off and left you in that place by yourself. Like they’ve all gone on and you’re there still, holding on to this person you’re supposed to let go of.”
    Julia Armfield, Our Wives Under the Sea

  • #19
    Julia Armfield
    “To know the ocean, I have always felt, is to recognize the teeth it keeps half hidden.”
    Julia Armfield, Our Wives Under the Sea

  • #20
    Julia Armfield
    “The deep sea is a haunted house: a place in which things that ought not to exist move about in the darkness.”
    Julia Armfield, Our Wives Under the Sea

  • #21
    Julia Armfield
    “It’s too hard, trying to exist between these poles of hope and death. You just find yourself imagining all these possibilities, all these possible sisters wandering around half unseen like people with sheets over their head, except that somewhere among them, you know that one of them’s real – one of them’s dead, one of them’s the ghost.”
    Julia Armfield, Our Wives Under the Sea

  • #22
    Jacqueline Harpman
    “I was forced to acknowledge too late, much too late, that I too had loved, that I was capable of suffering, and that I was human after all.”
    Jacqueline Harpman, I Who Have Never Known Men

  • #23
    Jacqueline Harpman
    “Being beautiful, was that for men?'
    'Yes. Some women say that it is for ourselves. What on earth can we do with it? I could have loved myself whether I was hunchbacked or lame, but to be loved by others, you had to be beautiful.”
    Jacqueline Harpman, I Who Have Never Known Men

  • #24
    Jacqueline Harpman
    “Is there a satisfaction in the effort of remembering that provides its own nourishment, and is what one recollects less important than the act of remembering? That is another question that will remain unanswered: I feel as though I am made of nothing else.”
    Jacqueline Harpman, I Who Have Never Known Men

  • #25
    Jacqueline Harpman
    “Because I want to know! Sometimes, you can use what you know, but that's not what counts most. I want to know everything there is to know. Not because it's any use, but for the pleasure of knowing, and now I demand that you teach me everything you know, even if I will never be able to use it.”
    Jacqueline Harpman, I Who Have Never Known Men



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