Bean > Bean's Quotes

“It is a defect of God's humor that he directs our hearts everywhere but to those who have a right to them.”
― Tom Stoppard, Arcadia

“We cross our bridges when we come to them and burn them behind us, with nothing to show for our progress except a memory of the smell of smoke, and a presumption that once our eyes watered.”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“Life is a gamble, at terrible odds. If it were a bet you wouldn’t take it.”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“Because children grow up, we think a child's purpose is to grow up. But a child's purpose is to be a child. Nature doesn't disdain what lives only for a day. It pours the whole of itself into the each moment. We don't value the lily less for not being made of flint and built to last. Life's bounty is in its flow, later is too late. Where is the song when it's been sung? The dance when it's been danced? It's only we humans who want to own the future, too. We persuade ourselves that the universe is modestly employed in unfolding our destination. We note the haphazard chaos of history by the day, by the hour, but there is something wrong with the picture. Where is the unity, the meaning, of nature's highest creation? Surely those millions of little streams of accident and wilfulness have their correction in the vast underground river which, without a doubt, is carrying us to the place where we're expected! But there is no such place, that's why it's called utopia. The death of a child has no more meaning than the death of armies, of nations. Was the child happy while he lived? That is a proper question, the only question. If we can't arrange our own happiness, it's a conceit beyond vulgarity to arrange the happiness of those who come after us.”
― Tom Stoppard, The Coast of Utopia

“There must have been a moment, at the beginning, where we could have said -- no. But somehow we missed it.”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“Faith may be defined briefly as an illogical belief in the occurrence of the improbable.”
― Tom Stoppard

“Words... They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good any more... I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little or make a poem which children will speak for you when you're dead.”
― Tom Stoppard, The Real Thing

“Whatever became of the moment
when one first knew about death? There must have been one, a moment, in childhood, when it first occurred to you that you don't go on forever. It must have been shattering, stamped into one's memory. And yet I can't remember it. It never occurred to me at all. We must be born with an intuition of mortality. Before we know the word for it, before we know that there are words,out we come, bloodied and squalling...with the knowledge that for all the points of the compass, there's only one direction
and time is its only measure.”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“It is of course better to know useless things than to know nothing.”
― Seneca the Elder

“Age is a very high price to pay for maturity.”
― Tom Stoppard

“Eternity is a terrible thought. I mean, where's it going to end?”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“A man breaking his journey between one place and another at a third place of no name, character, population or significance, sees a unicorn cross his path and disappear. That in itself is startling, but there are precedents for mystical encounters of various kinds, or to be less extreme, a choice of persuasions to put it down to fancy; until--"My God," says a second man, "I must be dreaming, I thought I saw a unicorn." At which point, a dimension is added that makes the experience as alarming as it will ever be. A third witness, you understand, adds no further dimension but only spreads it thinner, and a fourth thinner still, and the more witnesses there are the thinner it gets and the more reasonable it becomes until it is as thin as reality, the name we give to the common experience... "Look, look!" recites the crowd. "A horse with an arrow in its forehead! It must have been mistaken for a deer.”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“Success in life is to maintain this ecstasy, to burn always with this hard gemlike flame.”
― Tom Stoppard, The Invention of Love

“I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you might nudge the world a little or make a poem that children will speak for you when you are dead.”
― Tom Stoppard, The Real Thing

“A scholar's business is to add to what is known. That is all. But it is capable of giving the very greatest satisfaction, because knowledge is good. It does not have to look good or even sound good or even do good. It is good just by being knowledge. And the only thing that makes it knowledge is that it is true. You can't have too much of it and there is no little too little to be worth having. There is truth and falsehood in a comma.”
― Tom Stoppard, The Invention of Love

“It's no trick loving somebody at their best. Love is loving them at their worst.”
― Tom Stoppard

“If you carry your childhood with you, you never become older.”
― Abraham Sutzkever

“Poetical feelings are a peril to scholarship. There are always poetical people ready to protest that a corrupt line is exquisite. Exquisite to whom? The Romans were foreigners writing for foreigners two millenniums ago; and for people whose gods we find quaint, whose savagery we abominate, whose private habits we don't like to talk about, but whose idea of what is exquisite is, we flatter ourselves, mysteriously identical to ours.”
― Tom Stoppard, The Invention of Love

“They loved, and quarreled, and made up, and loved, and fought, and were true to each other and untrue. She made him the happiest man in the whole world and the most wretched, and after a few years she died, and then, when he was thirty, he died, too. But by that time Catullus had invented the love poem.”
― Tom Stoppard, The Invention of Love

“A Chinaman of the T'ang Dynasty—and, by which definition, a philosopher—dreamed he was a butterfly, and from that moment he was never quite sure that he was not a butterfly dreaming it was a Chinese philosopher. Envy him; in his two-fold security.”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“[James] Joyce... an essentially private man who wished his total indifference to public notice to be universally recognized....”
― Tom Stoppard, Travesties

“What a fine persecution—to be kept intrigued without ever quite being enlightened.”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“Another belief of mine: that everyone else my age is an adult, whereas I am merely in disguise.”
― Margaret Atwood, Cat’s Eye

“If you knew what was going to happen, if you knew everything that was going to happen next—if you knew in advance the consequences of your own actions—you'd be doomed. You'd be ruined as God. You'd be a stone. You'd never eat or drink or laugh or get out of bed in the morning. You'd never love anyone, ever again. You'd never dare to.”
― Margaret Atwood, The Blind Assassin

“I would like to be the air that inhabits you for a moment only. I would like to be that unnoticed and that necessary.”
― Margaret Atwood

“Ignoring isn’t the same as ignorance, you have to work at it.”
― Margaret Atwood, The Handmaid's Tale

“The true story is vicious and multiple and untrue after all. Why do you need it? Don’t ever ask for the true story.”
― Margaret Atwood

“And she finds it difficult to believe—that a person would love her even when she isn't trying. Trying to figure out what other people need, trying to be worthy.”
― Margaret Atwood

“Cleverness is a quality a man likes to have in his wife as long as she is some distance away from him. Up close, he'll take kindness any day of the week, if there's nothing more alluring to be had.”
― Margaret Atwood, The Penelopiad

“Siren Song

This is the one song everyone
would like to learn: the song
that is irresistible:

the song that forces men
to leap overboard in squadrons
even though they see beached skulls

the song nobody knows
because anyone who had heard it
is dead, and the others can’t remember.
Shall I tell you the secret
and if I do, will you get me
out of this bird suit?
I don’t enjoy it here
squatting on this island
looking picturesque and mythical
with these two feathery maniacs,
I don’t enjoy singing
this trio, fatal and valuable.

I will tell the secret to you,
to you, only to you.
Come closer. This song

is a cry for help: Help me!
Only you, only you can,
you are unique

at last. Alas
it is a boring song
but it works every time.”
― Margaret Atwood