Yonit > Yonit's Quotes

“We can never know what to want, because, living only one life, we can neither compare it with our previous lives nor perfect it in our lives to come.”
― Milan Kundera

“Some people ask: “Why the word feminist? Why not just say you are a believer in human rights, or something like that?” Because that would be dishonest. Feminism is, of course, part of human rights in general—but to choose to use the vague expression human rights is to deny the specific and particular problem of gender. It would be a way of pretending that it was not women who have, for centuries, been excluded. It would be a way of denying that the problem of gender targets women.”
― Chimamanda Ngozi Adichie, We Should All Be Feminists

“she was explaining to me that I had won nothing, that in the world there is nothing to win, that her life was full of varied and foolish adventures as much as mine, and that time simply slipped away without any meaning, and it was good just to see each other every so often to hear the mad sound of the brain of one echo in the mad sound of the brain of the other.”
― Elena Ferrante, The Story of a New Name

“Finally he had decided that he had to free Lila, even if at that moment, perhaps, she had no desire to be freed. But—he had said to himself—it takes time for people to understand what’s good and what’s bad, and helping them means doing for them what in a particular moment of their life they aren’t capable of doing.”
― Elena Ferrante, The Story of a New Name

“How quickly people changed, with their interests, their feelings. Well-made phrases replaced by well-made phrases, time is a flow of words coherent only in appearance, the one who piles up the most is the one who wins.”
― Elena Ferrante, The Story of a New Name

“Once, she closed the book abruptly and said with annoyance, "That's enough." "Why?" "Because I've had it, it's always the same story: inside something small there's something even smaller that wants to leap out, and outside something large there's always someting larger that wants to keep it a prisoner.”
― Elena Ferrante, The Story of a New Name

“Everything in the world was in precarious balance, pure risk, and those who didn’t agree to take the risk wasted away in a corner, without getting to know life.”
― Elena Ferrante, The Story of a New Name

“Something had been taken away from him in the war, against his will, and he would never be the same. Years in labour camps, in mountains, in salt mines: only solitude was natural to him now. Some part of him was terminally tired. He was beyond intimacy. The pretence at normality, the weight of the past, the unreality of the days here had exhausted him.”
― Joan London, The Golden Age

“Parents sat gloomy and still, like rows of turnips in a grocer's box. Their little criminals sat with them, tapping LOLs on their phones, or milled in the yard outside stinking of Lynx and taut nonchalance. Solicitors strode in and out in a twist of slacks and briefcases.”
― Lisa McInerney, The Glorious Heresies

“Women matter. Women are half of us. When you raise every woman to believe that we are insignificant, that we are broken, that we are sick, that the only cure is starvation and restraint and smallness; when you pit women against one another, keep us shackled by shame and hunger, obsessing over our flaws rather than our power and potential; when you leverage all of that to sap our money and our time—that moves the rudder of the world. It steers humanity toward conservatism and walls and the narrow interests of men, and it keeps us adrift in waters where women’s safety and humanity are secondary to men’s pleasure and convenience.”
― Lindy West, Shrill: Notes from a Loud Woman

“Why did the male IQ divide rather than multiply in groups?”
― Rowan Hisayo Buchanan, Harmless Like You

“Weird, inexplicable stuff is already happening in life, whereas art should offer resolution.”
― Joni Murphy, Double Teenage

“I sat in school and I read about how everything changes even in Crapalachia. I read about how the miners became machines, and the loggers became the machines and the tiny roads turned into interstates and the towns became fast food drive thru's and gas stations and the people became people to serve tourists and let the tourists laugh at their accents.”
― Scott McClanahan, Crapalachia: A Biography of a Place

“He’s already run the standard battery of questions, checked the check boxes, computed the data: hears voices = schizophrenic; too agitated = paranoid; too bright = manic; too moody = bipolar; and of course everyone knows a depressive, a suicidal, and if you’re all-around too unruly or obstructive or treatment resistant like a superbug, you get slapped with a personality disorder, too. In Crote Six, they said I “suffer” from schizoaffective disorder. That’s like the sampler plate of diagnoses, Best of Everything.
But I don’t want to suffer. I want to live.”
― Mira T. Lee, Everything Here Is Beautiful

“In white culture, forgiveness is synonymous with letting go. In my culture, I believe we carry pain until we can reconcile with it through ceremony. Pain is not framed like a problem with a solution. I don’t even know that white people see transcendence the way we do. I’m not sure that their dichotomies apply to me.”
― Terese Marie Mailhot, Heart Berries

“Ullmann had once written that the secret of every work of art was the annihilation of matter through form.”
― Colum McCann, Apeirogon