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  • #1
    “But Science — I use the word for the moment in its restricted meaning —

    though it may displace the Humanities, could not and cannot replace them, for it cannot provide us with any clear record of how we have developed mentally.

    For this we must turn to History, but History not in the sense in which that word is customarily employed as equivalent merely to Political History, nor even in the wider sense of Sociological History.

    It is the history of mankind as a whole
    that we need, the history of civilization, the history of man's thoughts, of man's knowledge, of man's self.”
    Ivor B Hart, Makers of Science: Mathematics, Physics, Astronomy

  • #2
    “It is my twofold aim to explore, first, how Cretan myth was used
    during the early decades of the twentieth century as a mirror for
    modern history, society, and the psyche; and, second, how this new
    perception of myth permeated all the arts simultaneously, including literature, painting, sculpture, prints, opera, ballet, and the
    theater, as well as popular culture.

    My undertaking is based on the
    underlying conviction that the transfiguration of classical myth
    in general constitutes one of the principal characteristics of classical modernism, without a grasp of which that period of twentieth-century culture cannot be fully appreciated. Among these
    transfigured myths, none are more conspicuous than the matters
    of Minos.”
    Theodore Ziolkowski, Minos and the Moderns: Cretan Myth in Twentieth-Century Literature and Art



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