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“I remember running down a road on my way to a nursery of flowers. I remember her smile and her laugh when I was my best self and she looked at me like I could do no wrong and was whole. I remember how she looked at me the same way even when I wasn’t. I remember her hand in mine and how that felt, as if something and someone belonged to me.”
― Jennifer Niven, All the Bright Places

“All I know is what I wonder: Which of my feelings are real? Which of the mes is me? There is only one me I’ve ever really liked, and he was good and awake as long as he could be.”
― Jennifer Niven, All the Bright Places

“I walk through the black Indiana night, under a ceiling of stars, and think about the phrase "elegance and euphoria," and how it describes exactly what I feel with Violet. For once, I don't want to be anyone but Theodore Finch, the boy she sees. He understands what it is to be elegant and euphoric and a hundered different people most of them flawed and stupid, part asshole, part screwup, part freak, a boy who wants to be easy for the folks around him so that he doesn't worry them and, most of all, easy for himself. A boy who belongs - here in the world, here in his own skin. He is exactly who I want to be and what I want my epitaph to say: The Boy Violet Markey Loves.”
― Jennifer Niven, All the Bright Places

“I am rooted, but I flow. All gold, flowing …”
― Jennifer Niven, All the Bright Places

“I am in pieces.”
― Jennifer Niven, All the Bright Places

“Theodore Finch - I was alive.I burned brightly.And then I died,but not really.Because someone like me cannot,will not,die like everyone else.I linger like the legends of the Blue Hole.I will always be here,in the offerings and people I left behind.”
― Jennifer Niven, All the Bright Places

“What would I have said to him if I’d known I would never see him again?”
― Jennifer Niven, All the Bright Places

“Grief suffocated. Grief paralysed. Grief was a cruel, heavy boot pressed so hard against his chest that he could not breathe.”
― R.F. Kuang, Babel

“I suppose we decided to be girls because being boys seems to require giving up half your brain cells.”
― R.F. Kuang, Babel

“Still, something did not seem right, and Robin could tell from Victoire’s and Ramy’s faces that they thought so too. It took him a moment to realize what it was that grated on him, and when he did, it would bother him constantly, now and thereafter; it would seem a great paradox, the fact that after everything they had told Letty, all the pain they had shared, she was the one who needed comfort.”
― R.F. Kuang, Babel

“He went back to his first morning in Oxford: climbing a sunny hill with Ramy, picnic basket in hand. Elderflower cordial. Warm brioche, sharp cheese, a chocolate tart for dessert. The air smelled like a promise, all of Oxford shone like an illumination, and he was falling in love.”
― R.F. Kuang, Babel

“You have such a great fear of freedom, brother. It's shackling you. You've identified so hard with the colonizer, you think any threat to them is a threat to you. When are you going to realize you can't be one of them?”
― R.F. Kuang, Babel

“I want to live,’ she repeated, ‘and live, and thrive, and survive them. I want a future. I don’t think death is a reprieve. I think it’s – it’s just the end. It forecloses everything – a future where I might be happy, and free. And it’s not about being brave. It’s about wanting another chance. Even if all I did was run away, even if I never lifted a finger to help anyone else as long as I lived – at least I would get to be happy. At least the world might be all right, just for a day, just for me. Is that selfish?”
― R.F. Kuang, Babel

“I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”
― Madeline Miller, The Song of Achilles

“He is half of my soul, as the poets say.”
― Madeline Miller, The Song of Achilles

“And perhaps it is the greater grief, after all, to be left on earth when another is gone.”
― Madeline Miller, The Song of Achilles

“Name one hero who was happy."
I considered. Heracles went mad and killed his family; Theseus lost his bride and father; Jason's children and new wife were murdered by his old; Bellerophon killed the Chimera but was crippled by the fall from Pegasus' back.
"You can't." He was sitting up now, leaning forward.
"I can't."
"I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret."
"Tell me." I loved it when he was like this.
"I'm going to be the first." He took my palm and held it to his. "Swear it."
"Why me?"
"Because you're the reason. Swear it."
"I swear it," I said, lost in the high color of his cheeks, the flame in his eyes.
"I swear it," he echoed.
We sat like that a moment, hands touching. He grinned.
"I feel like I could eat the world raw.”
― Madeline Miller, The Song of Achilles

“When he died, all things soft and beautiful and bright would be buried with him.”
― Madeline Miller, The Song of Achilles

“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
― Madeline Miller, The Song of Achilles

“I will never leave him. It will be this, always, for as long as he will let me.”
― Madeline Miller, The Song of Achilles

“It is a common saying that women are delicate creatures, flowers, eggs, anything that may be crushed in a moment's carelessness. If I had ever believed it, I no longer did.”
― Madeline Miller, Circe

“Fire and water looked so lovely together. It was a pity they destroyed each other by nature.”
― R.F. Kuang, The Dragon Republic

“You humans always think you’re destined for things, for tragedy or for greatness. Destiny is a myth. Destiny is the only myth. The gods choose nothing. You chose.”
― R.F. Kuang, The Poppy War

“Be selfish," he whispered. "Be brave.”
― R.F. Kuang, Babel

“…there is no such thing as humane colonization.”
― R.F. Kuang, Babel

“Robin’s mind was spinning with claret, or else he wouldn’t have managed what he said next. ‘Why won’t you dance with Letty?’ ‘I’m not looking to start a row.’ ‘No, really.’ ‘Please, Birdie.’ Ramy sighed. ‘You know how it is.’ ‘She wants you,’ Robin said. He’d only just realized this, and now that he said it out loud, it seemed so obvious that he felt stupid for not seeing it earlier. ‘Very badly. So why—’ ‘Don’t you know why?’ Their eyes met. Robin felt a prickle at the back of his neck. The space between them felt very charged, like the moment between lightning and thunder, and Robin had no idea what was going on or what would happen next, only that it all felt very strange and terrifying, like teetering over the edge of a windy, roaring cliff.”
― R.F. Kuang, Babel

“It’s so odd,’ Robin said. Back then they’d already passed the point of honesty; they spoke to one another unfiltered, unafraid of the consequences. ‘It’s like I’ve known you forever.’

‘Me too,’ Ramy said.

‘And that makes no sense,’ said Robin, drunk already, though there was no alcohol in the cordial. ‘Because I’ve known you for less than a day, and yet...’

‘I think,’ said Ramy, ‘it’s because when I speak, you listen.’

‘Because you’re fascinating.”
― R.F. Kuang, Babel

“Grief suffocated. Grief paralysed. Grief was a cruel, heavy boot pressed so hard against his chest that he could not breathe. Grief took him out of his body, made his injuries theoretical. He was bleeding, but he didn’t know where from. He ached all over from the handcuffs digging into his wrists, from the hard stone floor against his limbs, from the way the police had flung him down as if trying to break all of his bones. He registered these hurts as factual, but he could not really feel them; he couldn’t feel anything other than the singular, blinding pain of Ramy’s loss. And he did not want to feel anything else, did not want to sink into his body and register its hurts, because that physical pain would mean he was alive, and because being alive meant that he had to move forward. But he could not go on. Not from this.”
― R.F. Kuang, Babel

“Were you in love with him?'
'Yes,' I say, simply. James and I put each other through the kind of reckless passions Gwendolyn once talked about, joy and anger and desire and despair. After all that, was it really so strange? I am no longer baffled or amazed or embarrassed by it. 'Yes, I was.' It's not the whole truth. The whole truth is, I'm in love with him still.”
― M.L. Rio, If We Were Villains

“It’s not the whole truth. The whole truth is, I’m in love with him still.”
― M.L. Rio, If We Were Villains