Isabel Olsson > Isabel's Quotes

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  • #1
    James Baldwin
    “You read something which you thought only happened to you, and you discover that it happened 100 years ago to Dostoyevsky. This is a very great liberation for the suffering, struggling person, who always thinks that he is alone. This is why art is important.”
    James Baldwin, Conversations with James Baldwin

  • #2
    Donna Tartt
    “Beauty is terror. Whatever we call beautiful, we quiver before it.”
    Donna Tartt, The Secret History

  • #3
    Donna Tartt
    “Does such a thing as 'the fatal flaw,' that showy dark crack running down the middle of a life, exist outside literature? I used to think it didn't. Now I think it does. And I think that mine is this: a morbid longing for the picturesque at all costs.”
    Donna Tartt, The Secret History

  • #4
    Donna Tartt
    “Forgive me, for all the things I did but mostly for the ones that I did not.”
    Donna Tartt, The Secret History

  • #5
    Donna Tartt
    “It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.”
    Donna Tartt, The Secret History

  • #6
    Donna Tartt
    “It is is better to know one book intimately than a hundred superficially.”
    Donna Tartt, The Secret History

  • #7
    Donna Tartt
    “But how,” said Charles, who was close to tears, “how can you possibly justify cold-blooded murder?’
    Henry lit a cigarette. “I prefer to think of it,” he had said, “as redistribution of matter.”
    Donna Tartt, The Secret History

  • #8
    Donna Tartt
    “I am nothing in my soul if not obsessive.”
    Donna Tartt, The Secret History

  • #9
    Donna Tartt
    “Death is the mother of beauty,” said Henry. “And what is beauty?” “Terror.”
    Donna Tartt, The Secret History

  • #10
    Donna Tartt
    “We think we have many desires, but in fact we have only one. What is it?” “To live,” said Camilla. “To live forever,”
    Donna Tartt, The Secret History

  • #11
    Donna Tartt
    “Being the only female in what was basically a boys’ club must have been difficult for her. Miraculously, she didn’t compensate by becoming hard or quarrelsome. She was still a girl, a slight lovely girl who lay in bed and ate chocolates, a girl whose hair smelled like hyacinth and whose scarves fluttered jauntily in the breeze. But strange and marvelous as she was, a wisp of silk in a forest of black wool, she was not the fragile creature one would have her seem.”
    Donna Tartt, The Secret History

  • #12
    Donna Tartt
    “Because it is dangerous to ignore the existence of the irrational. The more cultivated a person is, the more intelligent, the more repressed, then the more he needs some method of channeling the primitive impulses he's worked so hard to subdue. Otherwise those powerful old forces will mass and strengthen until they are violent enough to break free, more violent for the delay, often strong enough to sweep the will away entirely.”
    Donna Tartt, The Secret History

  • #13
    Donna Tartt
    “The snow in the mountains was melting and Bunny had been dead for several weeks before we came to understand the gravity of our situation.”
    Donna Tartt, The Secret History

  • #14
    Donna Tartt
    “Caring too much for objects can destroy you. Only—if you care for a thing enough, it takes on a life of its own, doesn’t it? And isn’t the whole point of things—beautiful things—that they connect you to some larger beauty?”
    Donna Tartt, The Goldfinch

  • #15
    Donna Tartt
    “You can look at a picture for a week and never think of it again. You can also look at a picture for a second and think of it all your life.”
    Donna Tartt, The Goldfinch

  • #16
    Donna Tartt
    “When you feel homesick,’ he said, ‘just look up. Because the moon is the same wherever you go.”
    Donna Tartt, The Goldfinch

  • #17
    Donna Tartt
    “And I add my own love to the history of people who have loved beautiful things, and looked out for them, and pulled them from the fire, and sought them when they were lost, and tried to preserve them and save them while passing them along literally from hand to hand, singing out brilliantly from the wreck of time to the next generation of lovers, and the next.”
    Donna Tartt, The Goldfinch

  • #18
    Oscar Wilde
    “The books that the world calls immoral are books that show the world its own shame.”
    Oscar Wilde, The Picture of Dorian Gray

  • #19
    Oscar Wilde
    “You will always be fond of me. I represent to you all the sins you never had the courage to commit.”
    Oscar Wilde, The Picture of Dorian Gray

  • #20
    Oscar Wilde
    “Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.”
    Oscar Wilde, The Picture of Dorian Gray

  • #21
    Oscar Wilde
    “To define is to limit.”
    Oscar Wilde, The Picture of Dorian Gray

  • #22
    Oscar Wilde
    “I don't want to be at the mercy of my emotions. I want to use them, to enjoy them, and to dominate them.”
    Oscar Wilde, The Picture of Dorian Gray

  • #23
    Oscar Wilde
    “Behind every exquisite thing that existed, there was something tragic.”
    Oscar Wilde, The Picture of Dorian Gray

  • #24
    Oscar Wilde
    “The only way to get rid of temptation is to yield to it.”
    Oscar Wilde, The Picture of Dorian Gray

  • #25
    Oscar Wilde
    “When one is in love, one always begins by deceiving one's self, and one always ends by deceiving others. That is what the world calls a romance.”
    Oscar Wilde, The Picture of Dorian Gray

  • #26
    Oscar Wilde
    “What of Art?
    -It is a malady.
    --Love?
    -An Illusion.
    --Religion?
    -The fashionable substitute for Belief.
    --You are a sceptic.
    -Never! Scepticism is the beginning of Faith.
    --What are you?
    -To define is to limit.”
    Oscar Wilde , The Picture of Dorian Gray

  • #27
    Oscar Wilde
    “Every portrait that is painted with feeling is a portrait of the artist, not of the sitter.”
    Oscar Wilde, The Picture of Dorian Gray

  • #28
    Oscar Wilde
    “I have grown to love secrecy. It seems to be the one thing that can make modern life mysterious or marvelous to us. The commonest thing is delightful if only one hides it.”
    Oscar Wilde, The Picture of Dorian Gray

  • #29
    Oscar Wilde
    “You must have a cigarette. A cigarette is the perfect type of a perfect pleasure. It is exquisite, and it leaves one unsatisfied. What more can one want?”
    Oscar Wilde, The Picture of Dorian Gray

  • #30
    Oscar Wilde
    “The only artists I have ever known who are personally delightful are bad artists. Good artists exist simply in what they make, and consequently are perfectly uninteresting in what they are. A great poet, a really great poet, is the most unpoetical of all creatures. But inferior poets are absolutely fascinating. The worse their rhymes are, the more picturesque they look. The mere fact of having published a book of second-rate sonnets makes a man quite irresistible. He lives the poetry that he cannot write. The others write the poetry that they dare not realize.”
    Oscar Wilde, The Picture of Dorian Gray



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