Simone > Simone's Quotes

“Time is how you spend your love.”
― Zadie Smith

“He doesn’t know to want for more because nothing in his life has been as much as this...on that night he thinks that no one has ever had so much and only later will he know he should have asked for more.”
― Ann Patchett, Bel Canto

“That was the year, my twenty-eighth, when I was discovering that not all of the promises would be kept, that some things are in fact irrevocable and that it had counted after all, every evasion and every procrastination, every mistake, every word, all of it.”
― Joan Didion

“This possibility was not flattering to me; it was terrifying. There were other things a guy could think I was, and he wouldn't be entirely wrong - nice, or loyal, or maybe interesting. Not that I was always any of those thing, but in certain situations, it was conceivable. But to be seen as pretty was to be fundamentally misunderstood. First of all, I wasn't pretty, and on top of that I didn't take care of myself like a pretty girl did; I wasn't even one of the unpretty girls who passes as pretty through effort and association. If a guy believed my value to lie in my looks, it meant either that he'd somehow been mislead and would eventually be disappointed, or that he had very low standards.”
― Curtis Sittenfeld, Prep

“The most important things are the hardest to say. They are the things you get ashamed of, because words diminish them -- words shrink things that seemed limitless when they were in your head to no more than living size when they're brought out. But it's more than that, isn't it? The most important things lie too close to wherever your secret heart is buried, like landmarks to a treasure your enemies would love to steal away. And you may make revelations that cost you dearly only to have people look at you in a funny way, not understanding what you've said at all, or why you thought it was so important that you almost cried while you were saying it. That's the worst, I think. When the secret stays locked within not for want of a teller but for want of an understanding ear.”
― Stephen King

“Last, I would like to thank the dogs, not just the Vick pack, but all of them, simply for being dogs, which is to say, tolerant and perseverant; willing to connect with a world that does not always return their affection; and for proving, time and again, that life, while messy, difficult, and imperfect, has the capacity to exceed our expectations and feed our undying hope.”
― Jim Gorant, The Lost Dogs: Michael Vick's Dogs and Their Tale of Rescue and Redemption

“Why didn't I learn to treat everything like it was the last time. My greatest regret was how much I believed in the future.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“truthfully, this is the fabric of all my fantasies: love shown not by a kiss or a wild look or a careful hand but by a willingness for research. i don’t dream of someone who understands me immediately, who seems to have known me my entire life, who says, i know me too. i want someone keen to learn my own strange organization, amazed at what’s revealed; someone who asks, and then what, and then what?”
― Elizabeth McCracken, The Giant's House

“It's knowing I'll never have what she has--a beauty so powerful it brings things to you. I fear I will always have to chase things I want. I'll always have to wonder whether I'm truly wanted or whether I've just been settled for.”
― Libba Bray

“Sports contained the truth, I decided, the unspoken truth (how quickly we damn ourselves when we start to talk, how small and inglorious we always sound), and it seemed hard to believe that I had never understood this before. They rewarded effortlessness and unself-consciousness; they confirmed that yes, there are rankings of skill and value and that everyone knows what they are (seeing those guys who were subbed with two seconds left before the end of a quarter, I’d think how girls’ coaches were never that heartless); they showed that the best things in the world to be were young and strong and fast. To play a great game of high school basketball-it was something I myself had never done, but I could tell-made you know what it was to be alive. How much in an adult life can compare to that? Granted, there are margaritas, or there’s no homework, but there are also puffy white bagels under neon lights in the conference room, there’s waiting for the plumber, making small talk with your boring neighbor.”
― Curtis Sittenfeld, Prep

“You couldn't make yourself stop feeling a certain way, no matter what the other person did. You had to just wait. Eventually the feeling went away because others came along. Or sometimes it didn't go away but got squeezed into something tiny, and hung like a piece of tinsel in the back of your mind.”
― Elizabeth Strout, Olive Kitteridge

“The thing to remember about love affairs," says Simone, "is that they are all like having raccoons in your chimney."
...

We have raccoons sometimes in our chimney," explains Simone.
And once we tried to smoke them out. We lit a fire, knowing they were there, but we hoped the smoke would cause them to scurry out the top and never come back. Instead, they caught on fire and came crashing down into our living room, all charred and in flames and running madly around until they dropped dead." Simone swallows some wine. "Love affairs are like that," she says. "They are all like that.”
― Lorrie Moore

“Fiction is one of the few experiences where loneliness can be both confronted and relieved. Drugs, movies where stuff blows up, loud parties -- all these chase away loneliness by making me forget my name's Dave and I live in a one-by-one box of bone no other party can penetrate or know. Fiction, poetry, music, really deep serious sex, and, in various ways, religion -- these are the places (for me) where loneliness is countenanced, stared down, transfigured, treated.”
― David Foster Wallace

“If what's always distinguished bad writing--flat characters, a narrative world that's clichéd and not recognizably human, etc.--is also a description of today's world, then bad writing becomes an ingenious mimesis of a bad world. If readers simply believe the world is stupid and shallow and mean, then [Bret] Ellis can write a mean shallow stupid novel that becomes a mordant deadpan commentary on the badness of everything. Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it.

Postmodern irony and cynicism's become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving. There's some great essay somewhere that has a line about irony being the song of the prisoner who's come to love his cage… The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years.

We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent.

You burn with hunger for food that does not exist.

A U. S. of modern A. where the State is not a team or a code, but a sort of sloppy intersection of desires and fears, where the only public consensus a boy must surrender to is the acknowledged primacy of straight-line pursuing this flat and short-sighted idea of personal happiness.”
― David Foster Wallace

“You’ll get over it…” It’s the clichés that cause the trouble. To lose someone you love is to alter your life for ever. You don’t get over it because ‘it” is the person you loved. The pain stops, there are new people, but the gap never closes. How could it? The particularness of someone who mattered enough to grieve over is not made anodyne by death. This hole in my heart is in the shape of you and no-one else can fit it. Why would I want them to?”
― Jeanette Winterson, Written on the Body

“He awoke each morning with the desire to do right, to be a good and meaningful person, to be, as simple as it sounded and as impossible as it actually was, happy. And during the course of each day his heart would descend from his chest into his stomach. By early afternoon he was overcome by the feeling that nothing was right, or nothing was right for him, and by the desire to be alone. By evening he was fulfilled: alone in the magnitude of his grief, alone in his aimless guilt, alone even in his loneliness. I am not sad, he would repeat to himself over and over, I am not sad. As if he might one day convince himself. Or fool himself. Or convince others--the only thing worse than being sad is for others to know that you are sad. I am not sad. I am not sad. Because his life had unlimited potential for happiness, insofar as it was an empty white room. He would fall asleep with his heart at the foot of his bed, like some domesticated animal that was no part of him at all. And each morning he would wake with it again in the cupboard of his rib cage, having become a little heavier, a little weaker, but still pumping. And by the midafternoon he was again overcome with the desire to be somewhere else, someone else, someone else somewhere else. I am not sad.”
― Jonathan Safran Foer, Everything is Illuminated

“This is the crepe.
This is the cider.
This is how we live and eat.”
― Gabrielle Hamilton, Blood, Bones, and Butter: The Inadvertent Education of a Reluctant Chef

“After all, what was the whole wide world but a place for people to yearn for their heart's impossible desires, for those desires to become entrenched in defiance of logic, plausibility, and even the passage of time, as eternal as polished marble. ”
― Richard Russo, Empire Falls

“Don't even the best and most fortunate of lives hint at other possibilities, at a different kind of sweetness and, yes, bitterness too? Isn't this why we can't help feeling cheated, even when we know we haven't been?”
― Richard Russo, Bridge of Sighs

“She remembered one of her boyfriends asking, offhandedly, how many books she read in a year. "A few hundred," she said.
"How do you have the time?" he asked, gobsmacked.
She narrowed her eyes and considered the array of potential answers in front of her. Because I don't spend hours flipping through cable complaining there's nothing on? Because my entire Sunday is not eaten up with pre-game, in-game, and post-game talking heads? Because I do not spend every night drinking overpriced beer and engaging in dick-swinging contests with the other financirati? Because when I am waiting in line, at the gym, on the train, eating lunch, I am not complaining about the wait/staring into space/admiring myself in reflective surfaces? I am reading!
"I don't know," she said, shrugging.”
― Eleanor Brown, The Weird Sisters

“Have you noticed how easily the very young die? They make the best martyrs for any cause, the best soldiers, the best suicides. It's because they're held here so lightly: they haven't yet accumulated loves and responsibilities and commitments and all the things that tie us securely to this world. They can let go of it as easily and simply as lifting a finger. But as you get older, you begin to find things that are worth holding onto, forever.”
― Tana French, The Likeness

“There's a Spanish proverb," he said, "that's always fascinated me. "Take what you want and pay for it, says God.'" "I don't believe in God," Daniel said, "but that principle seems, to me, to have a divinity of its own; a kind of blazing purity. What could be simpler, or more crucial? You can have anything you want, as long as you accept that there is a price and that you will have to pay it.”
― Tana French, The Likeness

“She never managed to find herself in these books no matter how hard she tried, exhuming traits from between the pages and donning them for an hour, a day, a week. We think in some ways, we have all done this our whole lives, searching for the book that will give us the keys to ourselves, let us into a wholly formed personality as though it were a furnished room to let. As though we could walk in and look around and say to the gray-haired landlady behind us, "We'll take it.”
― Eleanor Brown, The Weird Sisters

“How much sweeter life would be if it all happened in reverse, if, after decades of disappointments, you finally arrived at an age when you had conceded nothing, when everything was possible.”
― Karen Thompson Walker, The Age of Miracles

“Later, I would come to think of those first days as the time when we learned as a species that we had worried over the wrong things: the hole in the ozone layer, the melting of the ice caps, West Nile and swine flu and killer bees. But I guess it never is what you worry over that comes to pass in the end. The real catastrophes are always different—unimagined, unprepared for, unknown.”
― Karen Thompson Walker, The Age of Miracles

“Female friendship was one-tenth prevention and nine-tenths cleanup.”
― Maggie Shipstead, Seating Arrangements

“Ah! There is nothing like staying at home, for real comfort.”
― Jane Austen

“The fact is, I love to feed other people. I love their pleasure, their comfort, their delight in being cared for. Cooking gives me the means to make other people feel better, which in a very simple equation makes me feel better. I believe that food can be a profound means of communication, allowing me to express myself in a way that seems much deeper and more sincere than words. My Gruyere cheese puffs straight from the oven say 'I'm glad you're here. Sit down, relax. I'll look after everything.'
- Ann Patchett, "Dinner For One, Please, James”
― Jenni Ferrari-Adler, Alone in the Kitchen with an Eggplant: Confessions of Cooking for One and Dining Alone

“The fact was, I wanted the same thing again and again. And so I yielded, bought the good, took them home, cooked, ate, accompanied usually by music, preferably a public radio station that played music I liked. And I am here to tell you, the pleasure never diminished I was happy every time. - Beverly Lowery”
― Jenni Ferrari-Adler, Alone in the Kitchen with an Eggplant: Confessions of Cooking for One and Dining Alone

“I'm so glad I live in a world where there are Octobers.”
― L. M. Montgomery, Anne of Green Gables