Tanith Pyner > Tanith's Quotes

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  • #1
    Ruth Ozeki
    “Books will always have the last word, even if nobody is around to read them.”
    Ruth Ozeki, The Book of Form and Emptiness

  • #2
    Kurt Vonnegut Jr.
    “There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #3
    Donna Tartt
    “You can look at a picture for a week and never think of it again. You can also look at a picture for a second and think of it all your life.”
    Donna Tartt, The Goldfinch

  • #5
    Ruth Ozeki
    “A book must start somewhere. One brave letter must volunteer to go first, laying itself on the line in an act of faith, from which a word takes heart and follows, drawing a sentence into its wake. From there, a paragraph amasses, and soon a page, and the book is on its way, finding a voice, calling itself into being.”
    Ruth Ozeki, The Book of Form and Emptiness

  • #5
    Nell Stevens
    “The women that survived me! They stepped out of their houses into the daylight and if I'd had any breath I would have been breathless at the sight of them. The hands of women. The ankles of women. The voices of women as they called to each other across the square.”
    Nell Stevens, Briefly, A Delicious Life

  • #6
    Donna Tartt
    “Caring too much for objects can destroy you. Only—if you care for a thing enough, it takes on a life of its own, doesn’t it? And isn’t the whole point of things—beautiful things—that they connect you to some larger beauty?”
    Donna Tartt, The Goldfinch

  • #7
    Kazuo Ishiguro
    “In the morning when the Sun returns. It’s possible for us to hope.”
    Kazuo Ishiguro, Klara and the Sun

  • #8
    Terry Pratchett
    “Crowley (An Angel who did not so much Fall as Saunter Vaguely Downwards)”
    Terry Pratchett, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

  • #9
    Maggie O'Farrell
    “She has always had a secret liking for this part of the embroidery, the ‘wrong’ side, congested with knots, striations of silk and twists of thread. How much more interesting it is, with its frank display of the labour needed to attain the perfection of the finished piece.”
    Maggie O'Farrell, The Marriage Portrait



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