Ariel > Ariel's Quotes

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  • #1
    Cormac McCarthy
    “The man who believes that the secrets of the world are forever hidden lives in mystery and fear. Superstition will drag him down. The rain will erode the deeds of his life. But that man who sets himself the task of singling out the thread of order from the tapestry will by the decision alone have taken charge of the world and it is only by such taking charge that he will effect a way to dictate the terms of his own fate.”
    Cormac McCarthy, Blood Meridian, or, the Evening Redness in the West

  • #2
    Cormac McCarthy
    “I know your kind, he said. What's wrong with you is wrong all the way through you.”
    Cormac McCarthy, Blood Meridian, or, the Evening Redness in the West

  • #3
    Anne Sexton
    “Watch out for intellect,
    because it knows so much it knows nothing
    and leaves you hanging upside down,
    mouthing knowledge as your heart
    falls out of your mouth.”
    Anne Sexton, The Complete Poems

  • #4
    Cormac McCarthy
    “Only that man who has offered up himself entire to the blood of war, who has been to the floor of the pit and seen the horror in the round and learned at last that it speaks to his inmost heart, only that man can dance. - The judge”
    Cormac McCarthy, Blood Meridian: Or the Evening Redness in the West

  • #5
    W. Somerset Maugham
    “Insensibly he formed the most delightful habit in the world, the habit of reading: he did not know that thus he was providing himself with a refuge from all the distress of life; he did not know either that he was creating for himself an unreal world which would make the real world of every day a source of bitter disappointment.”
    W. Somerset Maugham, Of Human Bondage

  • #6
    Friedrich Nietzsche
    “Of all evil I deem you capable: Therefore I want good from you. Verily, I have often laughed at the weaklings who thought themselves good because they had no claws.”
    Friedrich Nietzsche

  • #7
    Joan Didion
    “Grammar is a piano I play by ear.”
    Joan Didion, Joan Didion: Essays & Conversations

  • #8
    William Faulkner
    “You men,' she says. 'You durn men.”
    William Faulkner

  • #9
    Thomas Hobbes
    “Whatsoever therefore is consequent to a time of war, where every man is enemy to every man, the same consequent to the time wherein men live without other security than what their own strength and their own invention shall furnish them withal. In such condition there is no place for industry... no knowledge of the face of the earth; no account of time; no arts; no letters; no society; and which is worst of all, continual fear, and danger of violent death; and the life of man, solitary, poor, nasty, brutish, and short.”
    Thomas Hobbes

  • #10
    Roberto Bolaño
    “Without turning, the pharmacist answered that he liked books like The Metamorphosis, Bartleby, A Simple Heart, A Christmas Carol. And then he said that he was reading Capote's Breakfast at Tiffany's. Leaving aside the fact that A Simple Heart and A Christmas Carol were stories, not books, there was something revelatory about the taste of this bookish young pharmacist, who ... clearly and inarguably preferred minor works to major ones. He chose The Metamorphosis over The Trial, he chose Bartleby over Moby Dick, he chose A Simple Heart over Bouvard and Pecouchet, and A Christmas Carol over A Tale of Two Cities or The Pickwick Papers. What a sad paradox, thought Amalfitano. Now even bookish pharmacists are afraid to take on the great, imperfect, torrential works, books that blaze a path into the unknown. They choose the perfect exercises of the great masters. Or what amounts to the same thing: they want to watch the great masters spar, but they have no interest in real combat, when the great masters struggle against that something, that something that terrifies us all, that something that cows us and spurs us on, amid blood and mortal wounds and stench.”
    Roberto Bolano, 2666

  • #11
    Roberto Bolaño
    “He was an atheist and it had been years since he read a book, despite the fact that he had amassed a more than decent library of works in his specialty, as well as volumes of philosophy and Mexican history and a novel or two. Sometimes he thought it was precisely because he was an atheist that he didn't read anymore. Not reading, it might be said, was the highest expression of atheism or at least of atheism as he conceived of it. If you don't believe in God, how do you believe in a fucking book? he asked himself.”
    Roberto Bolaño, 2666

  • #12
    Marcel Proust
    “But when from a long-distant past nothing subsists, after the people are dead, after the things are broken and scattered, taste and smell alone, more fragile but more enduring, more unsubstantial, more persistent, more faithful, remain poised a long time, like souls, remembering, waiting, hoping, amid the ruins of all the rest; and bear unflinchingly, in the tiny and almost impalpable drop of their essence, the vast structure of recollection.”
    Marcel Proust

  • #13
    Jorge Luis Borges
    “On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph's diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror's face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I'd seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand; I saw a woman in Inverness whom I shall never forget; I saw her tangled hair, her tall figure, I saw the cancer in her breast; I saw a ring of baked mud in a sidewalk, where before there had been a tree; I saw a summer house in Adrogué and a copy of the first English translation of Pliny -- Philemon Holland's -- and all at the same time saw each letter on each page (as a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight); I saw a sunset in Querétaro that seemed to reflect the colour of a rose in Bengal; I saw my empty bedroom; I saw in a closet in Alkmaar a terrestrial globe between two mirrors that multiplied it endlessly; I saw horses with flowing manes on a shore of the Caspian Sea at dawn; I saw the delicate bone structure of a hand; I saw the survivors of a battle sending out picture postcards; I saw in a showcase in Mirzapur a pack of Spanish playing cards; I saw the slanting shadows of ferns on a greenhouse floor; I saw tigers, pistons, bison, tides, and armies; I saw all the ants on the planet; I saw a Persian astrolabe; I saw in the drawer of a writing table (and the handwriting made me tremble) unbelievable, obscene, detailed letters, which Beatriz had written to Carlos Argentino; I saw a monument I worshipped in the Chacarita cemetery; I saw the rotted dust and bones that had once deliciously been Beatriz Viterbo; I saw the circulation of my own dark blood; I saw the coupling of love and the modification of death; I saw the Aleph from every point and angle, and in the Aleph I saw the earth and in the earth the Aleph and in the Aleph the earth; I saw my own face and my own bowels; I saw your face; and I felt dizzy and wept, for my eyes had seen that secret and conjectured object whose name is common to all men but which no man has looked upon -- the unimaginable universe.

    I felt infinite wonder, infinite pity.”
    Jorge Luis Borges

  • #14
    W. Somerset Maugham
    “It is cruel to discover one's mediocrity only when it is too late. It does not improve the temper.”
    W. Somerset Maugham, Of Human Bondage

  • #15
    Robert Graves
    “The remarkable thing about Shakespeare is that he really is very good, in spite of all the people who say he is very good.”
    Robert Graves

  • #16
    Jorge Luis Borges
    “Distance and antiquity (the emphases of space and time) pull on our hearts. If we are already sobered by the thought that men lived two thousand five hundred years ago, how could we not be moved to know that they made verses, were spectators of the world, that they sheltered in light, lasting words something of their ponderous, fleeting life, words that fulfill a long destiny?”
    Jorge Luis Borges, Selected Non-Fictions

  • #17
    Charles Bukowski
    “Boring damned people. All over the earth. Propagating more boring damned people. What a horror show. The earth swarmed with them.”
    Charles Bukowski

  • #18
    Louis-Ferdinand Céline
    “Lots of men are like that, their artistic leanings never go beyond a weakness for shapely thighs.”
    Louis-Ferdinand Céline, Journey to the End of the Night

  • #19
    Aeschylus
    “Wisdom comes through suffering.
    Trouble, with its memories of pain,
    Drips in our hearts as we try to sleep,
    So men against their will
    Learn to practice moderation.
    Favours come to us from gods.”
    Aeschylus, Agamemnon

  • #20
    Henry Miller
    “I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with it’s painful gall-stones, it’s gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul...”
    Henry Miller, Tropic of Cancer

  • #21
    Anaïs Nin
    “Reality doesn't impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls.”
    Anaïs Nin, Incest: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1932-1934

  • #22
    Oscar Wilde
    “All authority is quite degrading. It degrades those who exercise it, and degrades those over whom it is exercised. When it is violently, grossly, and cruelly used, it produces a good effect by creating, or at any rate bringing out, the spirit of revolt and individualism that is to kill it. When it is used with a certain amount of kindness, and accompanied by prizes and rewards, it is dreadfully demoralising. People, in that case, are less conscious of the horrible pressure that is being put on them, and so go through their lives in a sort of coarse comfort, like petted animals, without ever realising that they are probably thinking other people's thoughts, living by other people's standards, wearing practically what one may call other people's second-hand clothes, and never being themselves for a single moment.”
    Oscar Wilde, The Soul of Man Under Socialism

  • #23
    Oscar Wilde
    “Up to the present man has hardly cultivated sympathy at all. He has merely sympathy with pain, and sympathy with pain is not the highest form of sympathy. All sympathy is fine, but sympathy with suffering is the least fine mode. It is tainted with egotism. It is apt to become morbid. There is in it a certain element of terror for our own safety. We become afraid that we ourselves might be as the leper or as the blind, and that no man would have care of us. It is curiously limiting, too. One should sympathise with the entirety of life, not with life's sores and maladies merely, but with life's joy and beauty and energy and health and freedom.”
    Oscar Wilde, The Soul of Man Under Socialism

  • #24
    Henry Miller
    “Every day that we fail to live out the maximum of our potentialities we kill the Shakespeare, Dante, Homer, Christ which is in us.”
    Henry Miller

  • #25
    Ernest Hemingway
    “Then I started to think in Lipp’s about when I had first been able to write a story about losing everything. It was up in Cortina d’Ampezzo when I had come back to join Hadley there after the spring skiing which I had to interrupt to go on assignment to Rhineland and the Ruhr. It was a very simple story called ‘Out of Season’ and I had omitted the real end of it which was that the old man hanged himself. This was omitted on my new theory that you could omit anything if you knew that you omitted and the omitted part would strengthen the story and make people feel something more than they understood.”
    Ernest Hemingway, A Moveable Feast

  • #26
    Ernest Hemingway
    “In going where you have to go, and doing what you have to do, and seeing what you have to see, you'll dull and blunt the instrument you write with. But I would rather have it bent and dull and know I had to put it to the grindstone again and hammer it into shape and put a whetstone to it, and know that I had something to write about, than to have it bright and shining and nothing to say, or smooth and well-oiled in the closet, but unused.”
    Ernest Hemingway

  • #27
    W. Somerset Maugham
    “How happy life would be if an undertaking retained to the end the delight of its beginning, if the dregs of a cup of wine were as sweet as the first sip.”
    W. Somerset Maugham, A Writer's Notebook
    tags: life

  • #28
    William S. Burroughs
    “Every man has inside himself a parasitic being who is acting not at all to his advantage.”
    William S. Burroughs

  • #29
    W.B. Yeats
    “THAT crazed girl improvising her music.
    Her poetry, dancing upon the shore,

    Her soul in division from itself
    Climbing, falling She knew not where,
    Hiding amid the cargo of a steamship,
    Her knee-cap broken, that girl I declare
    A beautiful lofty thing, or a thing
    Heroically lost, heroically found.

    No matter what disaster occurred
    She stood in desperate music wound,
    Wound, wound, and she made in her triumph
    Where the bales and the baskets lay
    No common intelligible sound
    But sang, 'O sea-starved, hungry sea”
    William Butler Yeats, The Collected Poems of W.B. Yeats

  • #30
    W.B. Yeats
    “Be you still, be you still, trembling heart;
    Remember the wisdom out of the old days:
    Him who trembles before the flame and the flood,
    And the winds that blow through the starry ways,
    Let the starry winds and the flame and the flood
    Cover over and hide, for he has no part
    With the lonely, majestical multitude.”
    W.B. Yeats



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