julia > julia's Quotes

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  • #1
    “Maybe women’s divinity wasn’t specific, but merely resided in the fact of their existence. Yes, yes, there was the truth: they existed more than other people, they were the symbol of the thing in the thing itself. And woman was mystery in itself, she discovered. There was in all of them a quality of raw material, something that might one day define itself but which was never realized, because its real essence was “becoming.” Wasn’t it precisely through this that the past was united with the future and with all times?”
    Clarice Lispector, Near to the Wild Heart

  • #2
    Jacqueline Harpman
    “Is there a satisfaction in the effort of remembering that provides its own nourishment, and is what one recollects less important than the act of remembering? That is another question that will remain unanswered: I feel as though I am made of nothing else.”
    Jacqueline Harpman, I Who Have Never Known Men

  • #3
    Jacqueline Harpman
    “The reader and I thus mingled will constitute something living, that will not be me, because I will be dead, and will not be that person as they were before reading, because my story, added to their mind, will then become part of their thinking.”
    Jacqueline Harpman, I Who Have Never Known Men

  • #4
    Jacqueline Harpman
    “The alternation of day and night is merely a physical phenomenon, time is a question of being human and, frankly, how could I consider myself a human being, I who have only known thirty-nine people and all of them women? I think that time must have something to do with the duration of pregnancies, the growth of children, all those things that I haven’t experienced. If someone spoke to me, there would be time, the beginning and end of what they said to me, the moment when I answered, their response. The briefest conversation creates time. Perhaps I have tried to create time through writing these pages. I begin, I fill them with words, I pile them up, and I still don’t exist because nobody is reading them. I am writing them for some unknown reader who will probably never come—I am not even sure that humanity has survived that mysterious event that governed my life. But if that person comes, they will read them and I will have a time in their mind. They will have my thoughts in them. The reader and I thus mingled will constitute something living, that will not be me, because I will be dead, and will not be that person as they were before reading, because my story, added to their mind, will then become part of their thinking. I will only be truly dead if nobody ever comes, if the centuries, then the millennia go by for so long that this planet, which I no longer believe is Earth, no longer exists. As long as the sheets of paper covered in my handwriting lie on this table, I can become a reality in someone’s mind. Then everything will be obliterated, the suns will burn out and I will disappear like the universe.”
    Jacqueline Harpman, I Who Have Never Known Men

  • #5
    Jane Austen
    “I hate to hear you talk about all women as if they were fine ladies instead of rational creatures. None of us want to be in calm waters all our lives.”
    Jane Austen, Persuasion

  • #6
    Jane Austen
    “...when pain is over, the remembrance of it often becomes a pleasure.”
    Jane Austen, Persuasion

  • #7
    Jane Austen
    “There could have never been two hearts so open, no tastes so similar, no feelings so in unison, no countenances so beloved. Now they were as strangers; nay, worse than strangers, for they could never become acquainted. It was a perpetual estrangement.”
    Jane Austen, Persuasion

  • #8
    Jane Austen
    “The last few hours were certainly very painful," replied Anne: "but when pain is over, the remembrance of it often becomes a pleasure. One does not love a place the less for having suffered in it, unless it has been all suffering, nothing but suffering-”
    Jane Austen, Persuasion

  • #9
    Lidia Yuknavitch
    “However, narrating what you remember, telling it to someone, does something else. The more a person recalls a memory, the more they change it. Each time they put it into language, it shifts. The more you describe a memory, the more likely it is that you are making a story that fits your life, resolves the past, creates a fiction you can live with. It’s what writers do. Once you open your mouth, you are moving away from the truth of things. According to neuroscience. The safest memories are locked in the brains of people who can’t remember. Their memories remain the closest replica of actual events. Underwater. Forever.”
    Lidia Yuknavitch, The Chronology of Water

  • #10
    Lidia Yuknavitch
    “Your life doesn’t happen in any kind of order. Events don’t have cause and effect relationships the way you wish they did. It’s all a series of fragments and repetitions and pattern formations. Language and water have this in common.”
    Lidia Yuknavitch, The Chronology of Water

  • #11
    Jane Austen
    “They had no conversation together, no intercourse but what the commonest civility required. Once so much to each other! Now nothing! There had been a time, when of all the large party now filling the drawing-room at Uppercross, they would have found it most difficult to cease to speak to one another. With the exception, perhaps, of Admiral and Mrs. Croft, who seemed particularly attached and happy, (Anne could allow no other exception even among the married couples) there could have been no two hearts so open, no tastes so simliar, no feelings so in unison, no countenances so beloved. Now they were as strangers; nay, worse than strangers, for they could never become aquainted. It was a perpetual estrangement.”
    Jane Austen, Persuasion

  • #12
    Jane Austen
    “I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you.”
    Jane Austen, Persuasion

  • #13
    Haruki Murakami
    “People sometimes sneer at those who run every day, claiming they’ll go to any length to live longer. But I don’t think that’s the reason most people run. Most runners run not because they want to live longer, but because they want to live life to the fullest. If you’re going to while away the years, it’s far better to live them with clear goals and fully alive than in a fog, and I believe running helps you do that. Exerting yourself to the fullest within your individual limits: that’s the essence of running, and a metaphor for life—and for me, for writing as well. I believe many runners would agree.”
    Haruki Murakami, What I Talk About When I Talk About Running

  • #14
    Haruki Murakami
    “I look up at the sky, wondering if I'll catch a glimpse of kindness there, but I don't. All I see are indifferent summer clouds drifting over the Pacific. And they have nothing to say to me. Clouds are always taciturn. I probably shouldn't be looking up at them. What I should be looking at is inside of me. Like staring down into a deep well. Can I see kindness there? No, all I see is my own nature. My own individual, stubborn, uncooperative often self-centered nature that still doubts itself--that, when troubles occur, tries to find something funny, or something nearly funny, about the situation. I've carried this character around like an old suitcase, down a long, dusty path. I'm not carrying it because I like it. The contents are too heavy, and it looks crummy, fraying in spots. I've carried it with me because there was nothing else I was supposed to carry. Still, I guess I have grown attached to it. As you might expect.”
    Haruki Murakami, What I Talk About When I Talk About Running

  • #15
    Haruki Murakami
    “All I do is keep on running in my own cozy, homemade void, my own nostalgic silence. And this is a pretty wonderful thing. No matter what anybody else says.”
    Haruki Murakami, What I Talk About When I Talk About Running

  • #16
    Haruki Murakami
    “I'm often asked what I think about as I run. Usually the people who ask this have never run long distances themselves. I always ponder the question. What exactly do I think about when I'm running? I don't have a clue.”
    Haruki Murakami, What I Talk About When I Talk About Running

  • #17
    Haruki Murakami
    “When I'm running I don't have to talk to anybody and don't have to listen to anybody. This is a part of my day I can't do without.”
    Haruki Murakami, What I Talk About When I Talk About Running



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