Gréta > Gréta's Quotes

“NO. No no no. I don't want to screw you. I just love you. When did who you want to screw become the whole game? Since when is the person you want to screw the only person you get to love? It's so stupid, Tiny! I mean, Jesus, who even gives a fuck about sex?! People act like it's the most important thing humans do, but come on. How can our sentient fucking lives revolve around something slugs can do. I mean, who you want to screw and whether you screw them? Those are important questions, I guess. But they're not that important. You know what's important? Who would you die for? Who do you wake up at five forty-five in the morning for even though you don't even know why he needs you? Whose drunken nose would you pick?!”
― John Green, Will Grayson, Will Grayson

“i do not say 'good-bye.' i believe that's one of the bullshittiest words ever invented. it's not like you're given the choice to say 'bad-bye' or 'awful-bye' or 'couldn't-care-less-about-you-bye.' every time you leave, it's supposed to be a good one. well, i don't believe in that. i believe against that.”
― David Levithan, Will Grayson, Will Grayson

“Caring doesn't sometimes lead to misery. It always does.”
― John Green, Will Grayson, Will Grayson

“That's what the voices in your head are for, to get you through the silent parts.”
― David Levithan, Will Grayson, Will Grayson

“this is why we call people exes, I guess - because the paths that cross in the middle end up separating at the end. it's too easy to see an X as a cross-out. it's not, because there's no way to cross out something like that. the X is a diagram of two paths.”
― David Levithan, Will Grayson, Will Grayson

“If you love me, Henry, you don’t love me in a way I understand.”
― Richard Siken, Crush

“A man takes his sadness down to the river and throws it in the river
                    but then he’s still left
with the river. A man takes his sadness and throws it away
                                                                        but then he’s still left with his hands.”
― Richard Siken, Crush

“I’ve been rereading your story. I think it’s about me in a way that might not be flattering, but that’s okay. We dream and dream of being seen as we really are and then finally someone looks at us and sees us truly and we fail to measure up. Anyway: story received, story included. You looked at me long enough to see something mysterioso under all the gruff and bluster. Thanks. Sometimes you get so close to someone you end up on the other side of them.”
― Richard Siken

“I sleep. I dream. I make up things that I would never say. I say them very quietly.”
― Richard Siken

“He was pointing at the moon, but I was looking at his hand.”
― Richard Siken

“Someone has to leave first. This is a very old story. There is no other version of this story.”
― Richard Siken, War of the Foxes

“You go to work the next day pretending nothing happened.
Your co-workers ask
if everything's okay and you tell them
you're just tired.
And you're trying to smile. And they're trying to smile.”
― Richard Siken

“How much can you change and get away with it, before you turn into someone else, before it's some kind of murder?”
― Richard Siken, War of the Foxes

“Hello, darling. Sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. You see, I take the parts that I remember and stitch them back together to make a creature that will do what I say or love me back.”
― Richard Siken, Crush

“Actually, you said Love, for you,
is larger than the usual romantic love. It’s like a religion. It’s
terrifying. No one
will ever want to sleep with you.”
― Richard Siken, Crush

“I woke up in the morning and I didn’t want anything, didn’t do anything, couldn’t do it anyway, just lay there listening to the blood rush
through me and it never made any sense, anything.”
― Richard Siken

“You’re falling now. You’re swimming. This is not
          harmless. You are not
                    breathing.”
― Richard Siken, Crush

“with this bullet lodged in my chest, covered with your name, I will turn myself into a gun, because
it’s all I have,
because I’m hungry and hollow and just want something to call my own. I’ll be your slaughterhouse, your killing floor, your morgue and final resting, walking around with this
bullet inside me
‘cause I couldn’t make you love me and I’m tired of pulling your teeth.”
― Richard Siken, Crush

“I wanted to explain myself to myself in an understandable way. I gave shape to my fears and made excuses. I varied my velocities, watched myselves sleep. Something's not right about what I'm doing but I'm still doing it-- living in the worst parts, ruining myself. My inner life is a sheet of black glass. If I fell through the floor I would keep falling.
The enormity of my desire disgusts me.”
― Richard Siken, War of the Foxes

“You're trying not to tell him you love him, and you're trying to choke down the feeling, and you're trembling, but he reaches over and he touches you, like a prayer for which no words exist, and you feel your heart taking root in your body, like you've discovered something you don't even have a name for.”
― Richard Siken, Crush

“Oh, the things we invent when we are scared
and want to be rescued.”
― Richard Siken, Crush

“I swear, I end up feeling empty, like you've taken something out of me and I have to search my body for scars.”
― Richard Siken, Crush