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  • #1
    Jane Austen
    “I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in F. W.

    I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether I enter your father's house this evening or never.”
    Jane Austen, Persuasion

  • #2
    Richard Siken
    “Hello, darling. Sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. You see, I take the parts that I remember and stitch them back together to make a creature that will do what I say or love me back.”
    Richard Siken, Crush

  • #3
    Richard Siken
    “I had a dream about you. We were in the gold room
    where everyone finally gets what they want.
    You said Tell me about your books, your visions made
    of flesh and light and I said This is the Moon. This is
    the Sun. Let me name the stars for you. Let me take you
    there. The splash of my tongue melting you like a sugar
    cube…We were in the gold room where everyone
    finally gets what they want, so I said What do you
    want, sweetheart? and you said Kiss me. Here I am
    leaving you clues. I am singing now while Rome
    burns. We are all just trying to be holy. My applejack,
    my silent night, just mash your lips against me.
    We are all going forward. None of us are going back.”
    Richard Siken

  • #4
    Richard Siken
    “Imagine this:
    You’re driving.
    The sky’s bright. You look great.
    In a word, in a phrase, it’s a movie,
    you’re the star.
    so smile for the camera, it’s your big scene,
    you know your lines.
    I’m the director. I’m in a helicopter.
    I have a megaphone and you play along,
    because you want to die for love,
    you always have.
    Imagine this:
    You’re pulling the car over. Somebody’s waiting.
    You’re going to die
    in your best friend’s arms.
    And you play along because it’s funny, because it’s written down,
    you’ve memorized it,
    it’s all you know.
    I say the phrases that keep it all going,
    and everybody plays along.
    Imagine:
    Someone’s pulling a gun, and you’re jumping into the middle of it.
    You didn’t think you’d feel this way.
    There’s a gun in your hand.
    It feels hot. It feels oily.

    I’m the director
    and i’m screaming at you,
    I’m waving my arms in the sky,
    and everyone’s watching, everyone’s
    curious, everyone’s
    holding their breath.

    'Planet of Love”
    Richard Siken, Crush

  • #5
    Richard Siken
    “You’re in a car with a beautiful boy, and he won’t tell you that he loves you, but he loves you. And you feel like you’ve done something terrible, like robbed a liquor store, or swallowed pills, or shoveled yourself a grave in the dirt, and you’re tired. You’re in a car with a beautiful boy, and you’re trying not to tell him that you love him, and you’re trying to choke down the feeling, and you’re trembling, but he reaches over and he touches you, like a prayer for which no words exist, and you feel your heart taking root in your body, like you’ve discovered something you didn’t even have a name for.”
    richard siken

  • #6
    Margaret Atwood
    “Male fantasies, male fantasies, is everything run by male fantasies? Up on a pedestal or down on your knees, it's all a male fantasy: that you're strong enough to take what they dish out, or else too weak to do anything about it. Even pretending you aren't catering to male fantasies is a male fantasy: pretending you're unseen, pretending you have a life of your own, that you can wash your feet and comb your hair unconscious of the ever-present watcher peering through the keyhole, peering through the keyhole in your own head, if nowhere else. You are a woman with a man inside watching a woman. You are your own voyeur.”
    Margaret Atwood, The Robber Bride

  • #7
    E.M. Forster
    “I am an unspeakable of the Oscar Wilde sort.”
    E.M. Forster, Maurice

  • #8
    Holly Black
    “Kiss me again,” he says, drunk and foolish. “Kiss me until I am sick of it.”
    Holly Black, The Wicked King

  • #9
    Holly Black
    “It’s you I love,” he says. “I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn’t have one at all. Even now, it is a shabby, worm-eaten, and scabrous thing. But it is yours.” He walks to the door to the royal chambers, as though to end the conversation. “You probably guessed as much,” he says. “But just in case you didn’t.”
    Holly Black, The Queen of Nothing

  • #10
    Richard Siken
    “How much can you change and get away with it, before you turn into someone else, before it's some kind of murder?”
    Richard Siken, War of the Foxes

  • #11
    Marie-Helene Bertino
    “What we love, we mention."
    "Then I must love you because I mention you all the time.”
    Marie-Helene Bertino

  • #12
    “I feel like a part of my soul has loved you since the beginning of everything.
    Maybe we’re from the same star.”
    Emery Allen

  • #13
    Vita Sackville-West
    “With me it is quite stark: I miss you even more than I could have believed, and I was prepared to miss you a good deal.”
    Vita Sackville-West to Virginia Woolf

  • #14
    Oscar Wilde
    “Yes, death. Death must be so beautiful. To lie in the soft brown earth, with the grasses waving above one's head, and listen to silence. To have no yesterday, and no to-morrow. To forget time, to forget life, to be at peace. You can help me. You can open for me the portals of death's house, for love is always with you, and love is stronger than death is.”
    Oscar Wilde, The Canterville Ghost

  • #15
    Jorge Luis Borges
    “I am not sure that I exist, actually. I am all the writers that I have read, all the people that I have met, all the women that I have loved; all the cities I have visited.”
    Jorge Luis Borges

  • #16
    Michael Faudet
    “I am hopelessly in love with a memory.
    An echo from another time, another place.”
    Michael Faudet

  • #17
    Oscar Wilde
    “I am tired of myself tonight. I should like to be somebody else.”
    Oscar Wilde, The Picture of Dorian Gray

  • #18
    Mary Lambert
    “i only know how to exist when i'm wanted.”
    Mary Lambert

  • #19
    Chuck Palahniuk
    “I hate how I don't feel real enough unless people are watching.”
    Chuck Palahniuk, Invisible Monsters

  • #20
    Natalie Wee
    “Like any / unloved thing, I don’t know if I’m real /
    when I’m not being touched.”
    Natalie Wee, Our Bodies & Other Fine Machines

  • #21
    F. Scott Fitzgerald
    “I love her, and that's the beginning and end of everything.”
    F. Scott Fitzgerald, Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald

  • #22
    Voltaire
    “I have wanted to kill myself a hundred times, but somehow I am still in love with life. This ridiculous weakness is perhaps one of our more stupid melancholy propensities, for is there anything more stupid than to be eager to go on carrying a burden which one would gladly throw away, to loathe one’s very being and yet to hold it fast, to fondle the snake that devours us until it has eaten our hearts away?”
    Voltaire, Candide, or, Optimism

  • #23
    Chloe Gong
    “Do that again,” he said. She looked at the sink. “Wash the razor?” “No, beloved. Your laugh.”
    Chloe Gong, Foul Lady Fortune

  • #24
    William Shakespeare
    “If I were to kiss you then go to hell, I would. So then I can brag with the devils I saw heaven without ever entering it.”
    William Shakespeare

  • #25
    Gillian Flynn
    “I was not a lovable child, and I'd grown into a deeply unlovable adult. Draw a picture of my soul, and it'd be a scribble with fangs.”
    Gillian Flynn, Dark Places

  • #26
    Don DeLillo
    “How strange it is. We have these deep terrible lingering fears about ourselves and the people we love. Yet we walk around, talk to people, eat and drink. We manage to function. The feelings are deep and real. Shouldn't they paralyze us? How is it we can survive them, at least for a little while? We drive a car, we teach a class. How is it no one sees how deeply afraid we were, last night, this morning? Is it something we all hide from each other, by mutual consent? Or do we share the same secret without knowing it? Wear the same disguise?”
    Don DeLillo, White Noise
    tags: fear

  • #27
    Chuck Palahniuk
    “your handwriting. the way you walk. which china pattern you choose. it's all giving you away. everything you do shows your hand. everything is a self portrait. everything is a diary.”
    Chuck Palahniuk, Diary

  • #28
    Evelyn Waugh
    “If you asked me now who I am, the only answer I could give with any certainty would be my name. For the rest: my loves, my hates, down even to my deepest desires, I can no longer say whether these emotions are my own, or stolen from those I once so desperately wished to be.”
    Evelyn Waugh, Brideshead Revisited

  • #29
    Carmen Maria Machado
    “You wondered, when she came along, if this was what most people got to experience in their lives: a straight line from want to satisfaction; desire manifested and satisfied in reasonable succession. This had never been the case before; it had always been fraught. How many times had you said, 'If I just looked a little different, I'd be drowning in love'? Now you got to drown without needing to change a single cell. Lucky you.”
    Carmen Maria Machado, In the Dream House

  • #30
    Andrea Gibson
    “I suppose I love this life, in spire of my clenched fist.”
    Andrea Gibson, Take Me With You



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