Kris > Kris's Quotes

Showing 1-16 of 16
sort by

  • #1
    Samuel Beckett
    “Estragon: We always find something, eh Didi, to give us the impression we exist?

    Vladimir: Yes, yes, we're magicians.”
    Samuel Beckett, Waiting for Godot

  • #2
    Jim  Butcher
    “When I finally got tired of arguing with her and decided to write a novel as if I was some kind of formulaic, genre writing drone, just to prove to her how awful it would be, I wrote the first book of the Dresden Files.”
    Jim Butcher

  • #3
    William Shakespeare
    “Do you see yonder cloud that’s almost in shape of a camel?
    Polonius: By the mass, and ‘tis like a camel, indeed.
    Hamlet: Methinks it is like a weasel.
    Polonius: It is backed like a weasel.
    Hamlet: Or like a whale?
    Polonius: Very like a whale.”
    William Shakespeare, Hamlet

  • #4
    Jim  Butcher
    “My hair had grown out long and shaggy—not in that sexy-young-rock-star kind of way but in that time-to-take-Rover-to-the-groomer kind of way.”
    Jim Butcher, White Night

  • #5
    David  Lynch
    “I don't think it was pain that made [Vincent Van Gogh] great - I think his painting brought him whatever happiness he had.”
    David Lynch
    tags: art

  • #6
    Samuel Beckett
    “There’s man all over for you, blaming on his boots the faults of his feet.”
    Samuel Beckett, Waiting for Godot

  • #7
    Neil Gaiman
    “Grown-ups don't look like grown-ups on the inside either. Outside, they're big and thoughtless and they always know what they're doing. Inside, they look just like they always have. Like they did when they were your age. Truth is, there aren't any grown-ups. Not one, in the whole wide world.”
    Neil Gaiman, The Ocean at the End of the Lane

  • #8
    “Gold we’ve got, humping we want – debauch! debauch!”
    Peter Barnes, Red Noses

  • #9
    William Gibson
    “The future is there," Cayce hears herself say, "looking back at us. Trying to make sense of the fiction we will have become. And from where they are, the past behind us will look nothing at all like the past we imagine behind us now.”
    William Gibson, Pattern Recognition

  • #10
    William Gibson
    “It will be like watching one of her own dreams on television. Some vast and deeply personal insult to any ordinary notion of interiority.
    An experience outside culture.”
    William Gibson, Pattern Recognition

  • #11
    Edwin A. Abbott
    “Doubtless we cannot see that other higher Spaceland now, because we have no eye in our stomachs.”
    Edwin A. Abbott, Flatland: A Romance of Many Dimensions

  • #12
    Orson Scott Card
    “All the stories are fictions. What matters is which fiction you believe.”
    Orson Scott Card, Children of the Mind

  • #13
    Victoria Schwab
    “Look, everyone talks about the unknown like it's some big scary thing, but it's the familiar that's always bothered me. It's heavy, builds up around you like rocks, until it's walls and a ceiling and a cell.”
    V.E. Schwab, A Gathering of Shadows

  • #14
    Ray Bradbury
    “If you hide your ignorance, no one will hit you and you'll never learn.”
    Ray Bradbury, Fahrenheit 451

  • #15
    J.K. Rowling
    “Mr. and Mrs. Dursley, of number four Privet Drive, were proud to say that they were perfectly normal, thank you very much.”
    J.K. Rowling, Harry Potter and the Sorcerer's Stone

  • #16
    Barbara Kingsolver
    “Tortolita, let me tell you a story,” Estevan said. “This is a South American, wild Indian story about heaven and hell.” Mrs. Parsons made a prudish face, and Estevan went on. “If you go visit hell, you will see a room like this kitchen. There is a pot of delicious stew on the table, with the most delicate aroma you can imagine. All around, people sit, like us. Only they are dying of starvation. They are jibbering and jabbering,” he looked extra hard at Mrs. Parsons, “but they cannot get a bit of this wonderful stew God has made for them. Now, why is that?”

    “Because they’re choking? For all eternity?” Lou Ann asked. Hell, for Lou Ann, would naturally be a place filled with sharp objects and small round foods.

    “No,” he said. “Good guess, but no. They are starving because they only have spoons with very long handles. As long as that.” He pointed to the mop, which I had forgotten to put away. “With these ridiculous, terrible spoons, the people in hell can reach into the pot but they cannot put the food in their mouths. Oh, how hungry they are! Oh, how they swear and curse each other!” he said, looking again at Virgie. He was enjoying this.

    “Now,” he went on, “you can go and visit heaven. What? You see a room just like the first one, the same table, the same pot of stew, the same spoons as long as a sponge mop. But these people are all happy and fat.”

    “Real fat, or do you mean just well-fed?” Lou Ann asked.

    “Just well-fed,” he said. “Perfectly, magnificently well-fed, and very happy. Why do you think?”

    He pinched up a chunk of pineapple in his chopsticks, neat as you please, and reached all the way across the table to offer it to Turtle. She took it like a newborn bird.”
    Barbara Kingsolver, The Bean Trees



Rss