Christopher > Christopher's Quotes

“I no longer feel attracted to the well-made novel … I want to write the story that will zero in and give you intense, but not connected moments of experience. I guess that’s the way I see life. People remake themselves bit by bit and do things they don’t understand. The novel has to have a coherence which I don’t see anymore in the lives around me.”
― Alice Munro

“I think our job--maybe even our 'duty'--is to--To bear the burden of the mystery with as much grace as we can.”
― Elizabeth Strout, Olive, Again

“Because in February the days were really getting longer and you could see it, if you really looked. You could see how at the end of each day the world seemed cracked open and the extra light made its way across the stark trees, and promised. It promised, that light, and what a thing that was.”
― Elizabeth Strout, Olive, Again

“I am a free black man whose body is a testament to surviving unspeakable terror. I am a free black man, and although my memories are ancient, I am a map of new dreams; a cartography of a smooth-and-swift-with-the-scalpel imagination.”
― Diriye Osman, The Butterfly Jungle

“A story is not like a road to follow … it's more like a house. You go inside and stay there for a while, wandering back and forth and settling where you like and discovering how the room and corridors relate to each other, how the world outside is altered by being viewed from these windows. And you, the visitor, the reader, are altered as well by being in this enclosed space, whether it is ample and easy or full of crooked turns, or sparsely or opulently furnished. You can go back again and again, and the house, the story, always contains more than you saw the last time. It also has a sturdy sense of itself of being built out of its own necessity, not just to shelter or beguile you.”
― Alice Munro, Selected Stories

“Annie, who up until this very day had always felt like a child--which is why she could not marry, she could not be a wife--now felt quietly ancient. She thought how for years onstage she had used the image of walking up the dirt road holding her father's hand, the snow-covered fields spread around them, the woods in the distance, joy spilling through her--how she had used this scene to have tears immediately come to her eyes, for the happiness of it, and the loss of it. And now she wondered if it had even happened, if the road had ever been narrow and dirt, if her father had ever held her hand and said that his family was the most important thing to him.”
― Elizabeth Strout, Anything Is Possible