lee > lee's Quotes

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  • #1
    Anne Elizabeth Moore
    “the fact is, our relationships to these corporations are not unambiguous. some memebers of negativland genuinely liked pepsi products. mca grew up loving star wars and didn't mind having his work sent all over the united states to all the "cool, underground magazines" they were marketing to--why would he? sam gould had a spiritual moment in the shower listening to a cd created, according to sophie wong, so that he would talk about tylenol with his independent artist friends--and he did. many of my friends' daughters will be getting american girl dolls and books as gifts well into the foreseeable future. some skateboarders in washington, dc, were asked to create an ad campaign for the east coast summer tour, and they all love minor threat--why not use its famous album cover? how about shilling for converse? i would have been happy to ten years ago. so what's really changed?
    the answer is that two important things have changed: who is ultimately accountable for veiled corporate campaigns that occasionally strive to obsfucate their sponsorship and who is requesting our participation in such campaigns. behind converse and nike sb is nike, a company that uses shit-poor labor policies and predatory marketing that effectively glosses over their shit-poor labor policies, even to an audience that used to know better. behind team ouch! was an underground-savvy brainreservist on the payroll of big pharma; behind the recent wave of street art in hip urban areas near you was omd worldwide on behalf of sony; behind your cool hand-stenciled vader shirt was lucasfilm; and behind a recent cool crafting event was toyota. no matter how you participated in these events, whether as a contributor, cultural producer, viewer, or even critic, these are the companies that profited from your attention.”
    Anne Elizabeth Moore, Unmarketable: Brandalism, Copyfighting, Mocketing, and the Erosion of Integrity

  • #2
    Dave Eggers
    “Still though, I think if you're not self-obsessed, you're probably boring.”
    Dave Eggers

  • #3
    Dave Eggers
    “All I ever wanted was to know what to do.”
    Dave Eggers, You Shall Know Our Velocity!

  • #4
    Dave Eggers
    “GOD: I own you like I own the caves.
    THE OCEAN: Not a chance. No comparison.
    GOD: I made you. I could tame you.
    THE OCEAN: At one time, maybe. But not now.
    GOD: I will come to you, freeze you, break you.
    THE OCEAN: I will spread myself like wings. I am a billion tiny feathers. You have no idea what's happened to me.”
    Dave Eggers, How We Are Hungry

  • #5
    Dave Eggers
    “Because secrets do not increase in value if kept in a gore-ian lockbox, because one's past is either made useful or else mutates and becomes cancerous. We share things for the obvious reasons: it makes us feel un-alone, it spreads the weight over a larger area, it holds the possibility of making our share lighter. And it can work either way - not simply as a pain-relief device, but, in the case of not bad news but good, as a share-the-happy-things-I've-seen/lessons-I've-learned vehicle. Or as a tool for simple connectivity for its own sake, a testing of waters, a stab at engagement with a mass of strangers.”
    Dave Eggers, A Heartbreaking Work of Staggering Genius

  • #6
    Dave Eggers
    “And we will be ready, at the end of every day will be ready, will not say no to anything, will try to stay awake while everyone is sleeping, will not sleep, will make the shoes with the elves, will breathe deeply all the time, breathe in all the air full of glass and nails and blood, will breathe it and drink it, so rich, so when it comes we will not be angry, will be content, tired enough to go, gratefully, will shake hands with everyone, bye, bye, and then pack a bag, some snacks, and go to the volcano.”
    Dave Eggers

  • #7
    Dave Eggers
    “But criticism, for the most part, comes from the opposite place that book-enjoying should come from. To enjoy art one needs time, patience, and a generous heart, and criticism is done, by and large, by impatient people who have axes to grind. The worst sort of critics are (analogy coming) butterfly collectors - they chase something, ostensibly out of their search for beauty, then, once they get close, they catch that beautiful something, they kill it, they stick a pin through its abdomen, dissect it and label it. The whole process, I find, is not a happy or healthy one. Someone with his or her own shit figured out, without any emotional problems or bitterness or envy, instead of killing that which he loves, will simply let the goddamn butterfly fly, and instead of capturing and killing it and sticking it in a box, will simply point to it - "Hey everyone, look at that beautiful thing" - hoping everyone else will see the beautiful thing he has seen. Just as no one wants to grow up to be an IRS agent, no one should want to grow up to maliciously dissect books. ”
    Dave Eggers

  • #8
    Dave Eggers
    “If you don't want anyone to know about your existence, you might as well kill yourself. You're taking up space, air.”
    Dave Eggers, A Heartbreaking Work of Staggering Genius

  • #9
    Dave Eggers
    “If you think I'm annoying and preachy now, you should have known me in grade school.”
    Dave Eggers

  • #10
    Dave Eggers
    “Dignity is an affectation, cute but eccentric, like learning French or collecting scarves.”
    Dave Eggers, A Heartbreaking Work of Staggering Genius

  • #11
    Dave Eggers
    “You're breaking out of character, again.”
    Dave Eggers

  • #12
    Dave Eggers
    “You have what I can afford to give. You are a panhandler, begging for anything, and I am the man walking briskly by, tossing a quarter or so into your paper cup. I can afford to give you this. This does not break me.”
    Dave Eggers, A Heartbreaking Work of Staggering Genius

  • #13
    Dave Eggers
    “Here is a drawing of a stapler:”
    Dave Eggers, A Heartbreaking Work of Staggering Genius

  • #14
    Nelson Algren
    “Never play cards with a man called Doc. Never eat at a place called Mom's. Never sleep with a woman whose troubles are worse than your own.”
    Nelson Algren, A Walk on the Wild Side

  • #15
    Nelson Algren
    “The hard necessity of bringing the judge on the bench down into the dock has been the peculiar responsibility of the writer in all ages of man.”
    Nelson Algren, Chicago: City on the Make

  • #16
    Nelson Algren
    “I'm not against sentimentality. I think you need it. I mean, I don't think you get a true picture of people without it in writing... It's a kind of poetry, it's an emotional poetry, and, to bring it back to the literary scene, I don't think anything is true that doesn't have it, that doesn't have poetry in it.”
    Nelson Algren

  • #17
    “Trying to build my dreams with what I have now, it's like building a forty-five story house with thirty-four bricks. (DoubleDuce.)”
    Aaron Cometbus

  • #18
    Chuck Klosterman
    “Women intrinsically understand human dynamics, and that makes them unstoppable. Unfortunately, the average man is less adroit at fostering such rivalries, which is why most men remain average; males are better at hating things that can't hate them back (e.g., lawnmowers, cats, the Denver Broncos, et cetera). They don't see the big picture.”
    Chuck Klosterman, Chuck Klosterman IV: A Decade of Curious People and Dangerous Ideas

  • #19
    Chuck Klosterman
    “But whenever I meet dynamic, nonretarded Americans, I notice that they all seem to share a single unifying characteristic: the inability to experience the kind of mind-blowing, transcendent romantic relationship they perceive to be a normal part of living. And someone needs to take the fall for this. So instead of blaming no one for this (which is kind of cowardly) or blaming everyone (which is kind of meaningless), I'm going to blame John Cusack.”
    Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

  • #20
    Chuck Klosterman
    “Everybody is wrong about everything, just about all the time.”
    Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

  • #21
    Chuck Klosterman
    “You used to be able to tell the difference between hipsters and homeless people. Now, it's between hipsters and retards. I mean, either that guy in the corner in orange safety pants holding a protest sign and wearing a top hat is mentally disabled or he is the coolest fucking guy you will ever know.”
    Chuck Klosterman

  • #22
    Chuck Klosterman
    “Being interesting has been replaced by being identifiable.”
    Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

  • #23
    Chuck Klosterman
    “Life is rarely about what happened; it's mostly about what we think happened.”
    Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

  • #24
    Chuck Klosterman
    “Contrary to what you may have heard from Henry Rollins or/and Ian MacKaye and/or anyone else who joined a band after working in an ice cream shop, you can't really learn much about a person based on what kind of music they happen to like. As a personality test, it doesn't work even half the time. However, there is at least one thing you can learn: The most wretched people in the word are those who tell you they like every kind of music 'except country.' People who say that are boorish and pretentious at the same time.”
    Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

  • #25
    Chuck Klosterman
    “It's possible this whole "Why do Latinos love Morrisey?" question will haunt us forever. Fortunately, Canadian academics are on the case.”
    Chuck Klosterman

  • #26
    Chuck Klosterman
    “But ANYWAY”
    Chuck Klosterman

  • #27
    CrimethInc.
    “And I thought -- when you're a half-hour late, and your friends think you're in jail, it's probably a sign you steal too much.”
    Nigel Davis, Evasion

  • #28
    CrimethInc.
    “That night was my first exposure to the life I was supposed to be living at my age. I dont know, I didn't get it. "You'll get a job, hate your life, and you'll want to drink too!"-they always say.”
    Nigel Davis, Evasion

  • #29
    CrimethInc.
    “Nothing can replace the feel of the paper against your fingers, the ink soaked up by paper, the sensation of turning a page with the wind rustling your hair, or the deliberate and intricate presentation of images and text that you can only get in the real world, on real pages. And few things can be as torturous as sitting in front of a computer screen for hours on end.”
    CrimethInc.

  • #30
    CrimethInc.
    “Others found the implication odd that they could live their way forever- working and drinking and watching TV- and why they would want to.”
    Nigel Davis, Evasion



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