Emy > Emy's Quotes

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  • #1
    André Aciman
    “I'm like you,' he said. 'I remember everything.'

    I stopped for a second. If you remember everything, I wanted to say, and if you are really like me, then before you leave tomorrow, or when you’re just ready to shut the door of the taxi and have already said goodbye to everyone else and there’s not a thing left to say in this life, then, just this once, turn to me, even in jest, or as an afterthought, which would have meant everything to me when we were together, and, as you did back then, look me in the face, hold my gaze, and call me by your name”
    André Aciman, Call Me by Your Name

  • #2
    André Aciman
    “Most of us can't help but live as though we've got two lives to live, one is the mockup, the other the finished version, and then there are all those versions in between. But there's only one, and before you know it, your heart is worn out, and, as for your body, there comes a point when no one looks at it, much less wants to come near it. Right now there's sorrow. I don't envy the pain. But I envy you the pain. (p. 225)”
    André Aciman, Call Me by Your Name

  • #3
    André Aciman
    “We are not written for one instrument alone; I am not, neither are you.”
    André Aciman, Call Me by Your Name

  • #4
    André Aciman
    “Call me by your name and I'll call you by mine.”
    André Aciman, Call Me by Your Name

  • #5
    André Aciman
    “Twenty years was yesterday, and yesterday was just earlier this morning, and morning seemed light-years away.”
    André Aciman, Call Me by Your Name

  • #6
    André Aciman
    “You'll kill me if you stop.”
    André Aciman, Call Me by Your Name

  • #7
    André Aciman
    “Later that evening in my diary, I wrote: I was exagerrating when I said I thought you hated the piece. What I meant to say was: I thought you hated me. I was hoping you’d persuade me of the opposite—and you did, for a while. Why won’t I believe it tomorrow morning?
    André Aciman, Call Me by Your Name
    tags: love

  • #8
    André Aciman
    “Cor cordium, heart of hearts, I’ve never said anything truer in my life to anyone.”
    André Aciman, Call Me by Your Name

  • #9
    André Aciman
    “Don’t let him be someone else when he’s away. Don’t let him be someone I’ve never seen before. Don’t let him have a life other than the life I know he has with us, with me.”
    André Aciman, Call Me by Your Name

  • #10
    André Aciman
    “Nonsense. I wanted you from day one. I just hid it better.”
    André Aciman, Call Me By Your Name

  • #11
    André Aciman
    “Just be quiet, say nothing, and if you can't say "yes," don't say "no," say "later." Is this why people say "maybe" when they mean "yes," but hope you'll think it's "no" when all they really mean is, Please, just ask me once more, and once more after that?
    André Aciman, Call Me by Your Name

  • #12
    André Aciman
    “for you in silence, somewhere in Italy in the mid-eighties.”
    André Aciman, Call Me by Your Name

  • #13
    André Aciman
    “I knew exactly what phrase in the piece must have stirred him the first time, and each time I played it I was sending him a little gift, because it was really dedicated to him, as a token of something very beautiful in me that would take no genius to figure out and that urged me to throw in an extra cadenza. Just for him.

    We were – and he must have recognized the signs long before I did – flirting.”
    André Aciman, Call Me By Your Name

  • #14
    Sylvia Plath
    “And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #15
    Toni Morrison
    “If there's a book that you want to read, but it hasn't been written yet, then you must write it.”
    Toni Morrison

  • #16
    Saul Bellow
    “You never have to change anything you got up in the middle of the night to write.”
    Saul Bellow

  • #17
    Anton Chekhov
    “Don't tell me the moon is shining; show me the glint of light on broken glass.”
    Anton Chekhov

  • #18
    Stephen  King
    “The scariest moment is always just before you start.”
    Stephen King, On Writing: A Memoir of the Craft

  • #19
    Elizabeth Gilbert
    “Let me list for you some of the many ways in which you might be afraid to live a more creative life: You’re afraid you have no talent. You’re afraid you’ll be rejected or criticized or ridiculed or misunderstood or—worst of all—ignored. You’re afraid there’s no market for your creativity, and therefore no point in pursuing it. You’re afraid somebody else already did it better. You’re afraid everybody else already did it better. You’re afraid somebody will steal your ideas, so it’s safer to keep them hidden forever in the dark. You’re afraid you won’t be taken seriously. You’re afraid your work isn’t politically, emotionally, or artistically important enough to change anyone’s life. You’re afraid your dreams are embarrassing. You’re afraid that someday you’ll look back on your creative endeavors as having been a giant waste of time, effort, and money. You’re afraid you don’t have the right kind of discipline. You’re afraid you don’t have the right kind of work space, or financial freedom, or empty hours in which to focus on invention or exploration. You’re afraid you don’t have the right kind of training or degree. You’re afraid you’re too fat. (I don’t know what this has to do with creativity, exactly, but experience has taught me that most of us are afraid we’re too fat, so let’s just put that on the anxiety list, for good measure.) You’re afraid of being exposed as a hack, or a fool, or a dilettante, or a narcissist. You’re afraid of upsetting your family with what you may reveal. You’re afraid of what your peers and coworkers will say if you express your personal truth aloud. You’re afraid of unleashing your innermost demons, and you really don’t want to encounter your innermost demons. You’re afraid your best work is behind you. You’re afraid you never had any best work to begin with. You’re afraid you neglected your creativity for so long that now you can never get it back. You’re afraid you’re too old to start. You’re afraid you’re too young to start. You’re afraid because something went well in your life once, so obviously nothing can ever go well again. You’re afraid because nothing has ever gone well in your life, so why bother trying? You’re afraid of being a one-hit wonder. You’re afraid of being a no-hit wonder”
    Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

  • #20
    Elizabeth Gilbert
    “A creative life is an amplified life. It’s a bigger life, a happier life, an expanded life, and a hell of a lot more interesting life. Living in this manner—continually and stubbornly bringing forth the jewels that are hidden within you—is a fine art, in and of itself.”
    Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

  • #21
    Elizabeth Gilbert
    “Do whatever brings you to life, then. Follow your own fascinations, obsessions, and compulsions. Trust them. Create whatever causes a revolution in your heart.”
    Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

  • #22
    Elizabeth Gilbert
    “You can measure your worth by your dedication to your path, not by your successes or failures.”
    Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

  • #23
    Elizabeth Gilbert
    “So this, I believe, is the central question upon which all creative living hinges: Do you have the courage to bring forth the treasures that are hidden within you?”
    Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

  • #24
    Elizabeth Gilbert
    “Perfectionism is a particularly evil lure for women, who, I believe, hold themselves to an even higher standard of performance than do men. There are many reasons why women’s voices and visions are not more widely represented today in creative fields. Some of that exclusion is due to regular old misogyny, but it’s also true that—all too often—women are the ones holding themselves back from participating in the first place. Holding back their ideas, holding back their contributions, holding back their leadership and their talents. Too many women still seem to believe that they are not allowed to put themselves forward at all, until both they and their work are perfect and beyond criticism. Meanwhile, putting forth work that is far from perfect rarely stops men from participating in the global cultural conversation. Just sayin’. And I don’t say this as a criticism of men, by the way. I like that feature in men—their absurd overconfidence, the way they will casually decide, “Well, I’m 41 percent qualified for this task, so give me the job!” Yes, sometimes the results are ridiculous and disastrous, but sometimes, strangely enough, it works—a man who seems not ready for the task, not good enough for the task, somehow grows immediately into his potential through the wild leap of faith itself. I only wish more women would risk these same kinds of wild leaps. But I’ve watched too many women do the opposite. I’ve watched far too many brilliant and gifted female creators say, “I am 99.8 percent qualified for this task, but until I master that last smidgen of ability, I will hold myself back, just to be on the safe side.” Now, I cannot imagine where women ever got the idea that they must be perfect in order to be loved or successful. (Ha ha ha! Just kidding! I can totally imagine: We got it from every single message society has ever sent us! Thanks, all of human history!) But we women must break this habit in ourselves—and we are the only ones who can break it. We must understand that the drive for perfectionism is a corrosive waste of time, because nothing is ever beyond criticism. No matter how many hours you spend attempting to render something flawless, somebody will always be able to find fault with it. (There are people out there who still consider Beethoven’s symphonies a little bit too, you know, loud.) At some point, you really just have to finish your work and release it as is—if only so that you can go on to make other things with a glad and determined heart. Which is the entire point. Or should be.”
    Elizabeth Gilbert, Big Magic: How to Live a Creative Life, and Let Go of Your Fear

  • #25
    Elizabeth Gilbert
    “Argue for your limitations and you get to keep them.”
    Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

  • #26
    Elizabeth Gilbert
    “Creativity is sacred, and it is not sacred. What we make matters enormously, and it doesn’t matter at all. We toil alone, and we are accompanied by spirits. We are terrified, and we are brave. Art is a crushing chore and a wonderful privilege. Only when we are at our most playful can divinity finally get serious with us. Make space for all these paradoxes to be equally true inside your soul, and I promise—you can make anything. So please calm down now and get back to work, okay? The treasures that are hidden inside you are hoping you will say yes.”
    Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

  • #27
    Elizabeth Gilbert
    “If you’re alive, you’re a creative person.”
    Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

  • #28
    Elizabeth Gilbert
    “Ideas are driven by a single impulse: to be made manifest.”
    Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

  • #29
    Leigh Bardugo
    “Stay,” she panted. Tears leaked from her eyes. “Stay till the end.”
    “And after,” he said. “And always.”
    Leigh Bardugo, Six of Crows



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