“From my personal experience as an analyst and dance choreographer working in the midst of "conflict", I do not think that, in a situation of oppression, intellectuals have a choice of whether or not to reflect the impact of conflict on them and on their society. Oppression, in a way, forces itself upon their work, their creative process. Their basic choice seems to be, then, whether to passively reflect it, or to actively transcend it. Oppression, it seems, has its own way of touching everyone within its reach, irrespective of one’s actual involvement in it or will to get involved in it.”