“This kind of compartmentalizing—separating one’s livelihood from one’s social aspirations—is part of the reason David Koch, the hidden hand behind a lot of ultraconservatives and, reportedly, the Tea Party movement in the United States, transforms himself into a respected arts patron by funding a theater at Lincoln Center, or why at Swiss bank that helps U.S. depositors avoid paying taxes generously supports symphony halls and the ballet. It’s almost as if there are moral scales, and by tossing some loot on one side, you can balance out the precarious situation your reputation might be getting into on the other.”