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“I will argue that five features are present in a wide range of genres, Western and non-Western, past and present, and that they jointly contribute to a sense of tonality: 1. Conjunct melodic motion. Melodies tend to move by short distances from note to note. 2. Acoustic consonance. Consonant harmonies are preferred to dissonant harmonies, and tend to be used at points of musical stability. 3. Harmonic consistency. The harmonies in a passage of music, whatever they may be, tend to be structurally similar to one another. 4. Limited macroharmony. I use the term “macroharmony” to refer to the total collection of notes heard over moderate spans of musical time. Tonal music tends to use relatively small”

Dmitri Tymoczko, A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice
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A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice (Oxford Studies in Music Theory) A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice by Dmitri Tymoczko
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