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“The idea of a child (of whatever age) forgiving a bad parent, and the unthinkableness of a happy ending without it, is very modern and not one that has much to do with Roald's world view at all. It is idealistic and sentimental, and is more concerned with relieving adult anxieties (there is nothing we can do so bad that it cannot ultimately be undone) than entertaining child viewers/readers or slaking their thirst for natural justice.”

Lucy Mangan, Inside Charlie's Chocolate Factory: The Complete Story of Willy Wonka, the Golden Ticket, and Roald Dahl's Most Famous Creation.
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