“After long study of Michelangelo’s Last Judgment in the Sistine Chapel I discovered a partial analogy in the fresco with my conception of the Creation of the world. Look at Christ in the fresco, at the gesture He is making. Like some prize champion He hurls into the abyss all who have dared to oppose Him. The whole vast surface teems with people and angels trembling with fright. Suspended in some cosmic expanse, all are engrossed less with their own plight than with the wrath of Christ. He is in the centre and His anger is terrible. This, to be sure, is not how I see Christ. Michelangelo possessed great genius but not for liturgical subjects.

Let us reconstruct the fresco. Christ, naturally, must be in the centre, but a different Christ more in keeping with the revelation that we have of Him: Christ immensely powerful with the power of unassuming love. He is not a vindictive gesture. In creating us as free beings, He anticipated the likelihood, perhaps the inevitability, of the tragedy of the fall of man. Summoning us from the darkness of non-being, His fateful gesture flings us into the secret realms of cosmic life. ‘In all places and fulfilling all things,’ He stays for ever close to us. He loves us in spite of our senseless behaviour. He calls to us, is always ready to respond to our cries for help and guide our fragile steps through all the obstacles that lie in our path. He respects us as on a par with Him. His ultimate idea for us is to see us in eternity verily His equals, His friends and brothers, the sons of the Father. He strives for this, He longs for it. This is our Christ, and as Man He sat on the right hand of the Father.”