“The reader is requested to note a seeming contradiction in the two views which have been given of Graham Bretton—the public and private—the out-door and the in-door view. In the first, the public, he is shown oblivious of self; as modest in the display of his energies, as earnest in their exercise. In the second, the fireside picture, there is expressed consciousness of what he has and what he is; pleasure in homage, some recklessness in exciting, some vanity in receiving the same. Both portraits are correct.”