“Douglas Fairbanks described viewing Potemkin as “the most intense and profoundest experience of my life.” While Charlie Chaplin proclaimed the picture “the best film in the world.” Future conclaves of film historians would reaffirm Chaplin’s rating. The power of the film is so great and the sense of the moment in history it portrayed so real that sailors who had served on the real Potemkin “recalled” fictitious incidents that Eisenstein had inserted in the film for emotional effect. During their 1933 court martial, mutineers from the Dutch battleship De Zeven Provincien claimed to have been”
―
When Shooting Stops ... Cutting Begins: A Film Editor's Story
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