“Heaven's eucharistic irruption into earthly space and time prompted classical Lutheranism not to join the Reformed and Anabaptists in their campaign of iconoclasm which rendered Christian churches little different in external appearance from Islamic mosques. While conceding the adiaphorous quality of images representing various aspects of the Incarnate Life, as early as his conflict with Karlstadt the Reformer defended the appropriateness of the crucifix and sculptures of Mary with the Christ Child. Orthodox Lutheran architecture and church decor attested the confession of our Lord's presence among His own in the means of grace, forging a style which goes hand in hand with precious doctrinal substance. Increasing accommodation to the North American Puritan milieu over the past century has led to a loss of the genuinely Lutheran understanding of the altar as a monument to the atonement, which is Christ's throne in our midst. ... If our chancels' decoration (or stark lack thereof) bespeaks the absence of our Lord and His celestial companions, can we be surprised at waning faith in the real presence and at waxing conviction of the rightfulness of an open communion practice? A deliberate opting for Puritanism's aesthetic barrenness can only make the reclaiming of Lutheran substance an even harder struggle.”