Lisa See
I get so lost with Goodreads. I didn't see your question until today. So sorry about that.
I get up early and work on my e-mail for an hour or two. Then I write 1,000 words a day. That’s only four pages. Some days I write more, but I try never to write less. I usually have an outline, and I write from beginning to end without stopping to edit. Some writers won’t move forward until they get one page absolutely perfect, but I think you can spend a lot of time questioning yourself and making things perfect before going on. Also, if you write straight through, you allow magic to happen.
A good example of that was when I was working on The Interior. (Spoiler alert! If you’re about to read that book, don’t read the rest of this paragraph.) It’s a mystery, so a body was discovered up around page three and the identity of the killer and the conspiracy were going to be revealed around page 400. I was working one day—typing and minding my own business—when all of a sudden it turned out the killer was someone completely different than who I’d planned. I knew I’d have to go back and add some clues and bits and pieces so that readers wouldn’t be upset that the killer had just popped out of nowhere. So I went back to the beginning and there he was in the first scene! In fact, he’d done everything he’d needed to do. I didn’t need to add a single word. That, to me, is the magic of writing, and it was something I never could have planned.
I get up early and work on my e-mail for an hour or two. Then I write 1,000 words a day. That’s only four pages. Some days I write more, but I try never to write less. I usually have an outline, and I write from beginning to end without stopping to edit. Some writers won’t move forward until they get one page absolutely perfect, but I think you can spend a lot of time questioning yourself and making things perfect before going on. Also, if you write straight through, you allow magic to happen.
A good example of that was when I was working on The Interior. (Spoiler alert! If you’re about to read that book, don’t read the rest of this paragraph.) It’s a mystery, so a body was discovered up around page three and the identity of the killer and the conspiracy were going to be revealed around page 400. I was working one day—typing and minding my own business—when all of a sudden it turned out the killer was someone completely different than who I’d planned. I knew I’d have to go back and add some clues and bits and pieces so that readers wouldn’t be upset that the killer had just popped out of nowhere. So I went back to the beginning and there he was in the first scene! In fact, he’d done everything he’d needed to do. I didn’t need to add a single word. That, to me, is the magic of writing, and it was something I never could have planned.
More Answered Questions
Alta
asked
Lisa See:
I just read your answer to a different question, and it seems that in Mandarin, "wife" is represented as a woman with a broom. Is that correct? That would be rather...funny. Which makes me wonder about the symbol of a witch in Western cultures: woman on a broom. I wonder where that comes from? And do you know how a witch is depicted in Chinese?
Mary Mastrolia
asked
Lisa See:
WI'll there be a sequel to The Girl of Hummingbird Lane? (Fingers crossed!) I would love to know what happens next! I think you left the story at the perfect time for a sequel! I am hoping you are as interested in where this story could go as I am! Mary Mastrolia A HUGE fan!!!!
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