Matt Weber
I have achieved a bodhisattva-like state of post-inspiration -- or, if you prefer, perpetual inspiration. I might not feel like writing, I might not feel good about what I'm writing, but if I sit with a page, the words will come.
Or, well, *some* words will come. They might not feel like *the* words. But you go to war with the army you have.
I wish I could figure out a way to answer this that respected both the you've got to admit kind of precious, fragile, self-indulgent nature of the question, and the very genuine deep-rootedness of that preciousness and fragility. On some level, Jesus, it's just words; you can delete them any time you want, what are you whining about? On another: This is a version of yourself you are recreating, or straight-up creating, on the page. It isn't you, but it's an object that says things about you, and not always the things you'd care to say, and once you commit them to the page you know them in a way you didn't previously. You have gotten in the business of creating a mirror of yourself that will throw off a reflection you can't unsee. Some hesitation is natural.
I guess what I'm saying is, the real answer to this question doesn't have much to do with the ideas or plots or characters that excite you. It has a lot more to do with your belly for looking at yourself in what's going to start out, and remain awhile, as a pretty awful funhouse mirror.
Or, well, *some* words will come. They might not feel like *the* words. But you go to war with the army you have.
I wish I could figure out a way to answer this that respected both the you've got to admit kind of precious, fragile, self-indulgent nature of the question, and the very genuine deep-rootedness of that preciousness and fragility. On some level, Jesus, it's just words; you can delete them any time you want, what are you whining about? On another: This is a version of yourself you are recreating, or straight-up creating, on the page. It isn't you, but it's an object that says things about you, and not always the things you'd care to say, and once you commit them to the page you know them in a way you didn't previously. You have gotten in the business of creating a mirror of yourself that will throw off a reflection you can't unsee. Some hesitation is natural.
I guess what I'm saying is, the real answer to this question doesn't have much to do with the ideas or plots or characters that excite you. It has a lot more to do with your belly for looking at yourself in what's going to start out, and remain awhile, as a pretty awful funhouse mirror.
More Answered Questions
Jeff
asked
Matt Weber:
I realize your new book (The Eighth King) just barely came out and you're doing the giveaway, but I'm very intrigued. I'm wondering if I can buy a physical copy anywhere, since I'm likely not going to win the giveaway? I found the KINDLE version everywhere, but not the physical one.
Siavahda
asked
Matt Weber:
Why do people call the dragons 'it' in Streets of Flame? And why does that change sometimes? Zaya usually says 'it' for all dragons, but sometimes uses 'he' and 'she' for Bandit as well. Cer uses 'she' for Bandit. The Visitor's Guide uses 'it'. Are the dragons hermaphrodites maybe?
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