Mick Sylvestre
asked
Alan Moore:
What have you experienced in real life that has spilled into your writing?
Alan Moore
Just about everything I’ve ever experienced has spilled into my writing, but if you wanted a straightforward and obvious example, there was the death of my mother that formed the central inspiration for The Birth Caul. Less remarked upon but perhaps at least as interesting are those occasions where things from my fiction have seemed to spill into my life...the most innocuous example being the sinister clown figure who we had planned to have haunting Northampton in a spin-off from the Jimmy’s End/Showpieces films. I returned home from a week’s holiday a couple of years ago to find that a very similarly dressed sinister clown had become a minor internet phenomenon after first manifesting and being photographed by the post-box around thirty yards from my front door. Life and fiction do certainly have a relationship, but it’s as well to remember that this relationship is being conducted in a two-way street. Often my own, as it turns out.
More Answered Questions
David Haglund
asked
Alan Moore:
This question contains spoilers…
(view spoiler)[
In Voice of the Fire, the Knights Templar worship a severed head. I assumed this was the head of Christ, making the ressurection and the religion a lie (and the old knight disillusioned). Years later, I read that the French king discredited the knights by claiming that they worshipped the head of John the Baptist. Regardless of whom the head belonged to, what were your intentions with this chapter?
(hide spoiler)]
Nijel
asked
Alan Moore:
Your and Jacen Burrows' Providence is unbelievable, especially in terms of the depth of your layering of H. P. Lovecraft allusions. I was wondering which of Lovecraft's stories most petrifies your pubic hairs...why does this particular selection unsettle you and shake you to your horror-loving core? Not part of my question, but thanks to the whole team for this read so far; it is challenging and dense and wonderful
Philip Hemplow
asked
Alan Moore:
Hi Alan. You've said (correctly, so far as I can see) that the advent of mass communication has led to the death of any discernible counterculture. Is this because a counterculture needs an element of insularity in order to thrive - the 'cult' aspect of it, I suppose - that the internet does not afford? Or is it the result of a larger, more depressing shift in society, priorities, ways of thinking etc? Or: other!
Alan Moore
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