Paula Berinstein
I love mysteries, and I’ve always wondered if I could write them. But before I could start, I had to invent a detective. I wanted it to be a woman because I thought I could get inside a woman’s head better than a man’s, and I wanted her to be unusual. I came up with the idea of a young woman who would rebel against her upbringing. Her family would be intellectual and college-educated, but she wouldn’t want to be anything like them, so she’d become a plumber. And so I made her a plumber’s apprentice. In the first story, she’d find a dead body under a house when she crawled underneath to fix a pipe.
I got the idea of her being descended from the fictional character Inspector Lestrade because unlike Amanda, I love Sherlock Holmes and I wanted to use him in the story, but only indirectly. Trying to follow Conan Doyle’s amazing act was just too intimidating, so I didn’t want to write about Holmes himself. Since I like the idea of finding out more about minor characters, Lestrade was the perfect choice.
I also thought that being American, I would naturally be able to write about an American character, so I made Amanda American. At first the entire setting for the story was going to be Los Angeles—specifically Woodland Hills—which I know really well. But I couldn’t make that setting interesting enough, so I moved the story to England, which is where my husband, Alan, comes from.
But I still had difficulty—until I came up with the idea of making Amanda a kid. Once I did that, I was able to invent a school for her to attend, and everything fell into place. Writing for kids allowed me to come up with some crazy ideas, such as a sugar conspiracy, which adults might have trouble taking seriously.
I got the idea of her being descended from the fictional character Inspector Lestrade because unlike Amanda, I love Sherlock Holmes and I wanted to use him in the story, but only indirectly. Trying to follow Conan Doyle’s amazing act was just too intimidating, so I didn’t want to write about Holmes himself. Since I like the idea of finding out more about minor characters, Lestrade was the perfect choice.
I also thought that being American, I would naturally be able to write about an American character, so I made Amanda American. At first the entire setting for the story was going to be Los Angeles—specifically Woodland Hills—which I know really well. But I couldn’t make that setting interesting enough, so I moved the story to England, which is where my husband, Alan, comes from.
But I still had difficulty—until I came up with the idea of making Amanda a kid. Once I did that, I was able to invent a school for her to attend, and everything fell into place. Writing for kids allowed me to come up with some crazy ideas, such as a sugar conspiracy, which adults might have trouble taking seriously.
More Answered Questions
Jason Howell
asked
Paula Berinstein:
Paula: This a question I'm asking of several writers, some friends, some strangers... Can you think of a risk you should be taking but are avoiding right now? In your writing life or otherwise? If so, what would you guess is holding you back? Why are you avoiding this risk? What's at stake? Thanks.
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