Julia Alvarez
In keeping with Mr. Johnson's commandment, see my advice to aspiring writers, I write every day—or try to. But I don’t know where I’m going till I get there. If I give you a destination or set up the parameters of the work by describing it, I’ve already contained it in my idea of it. So I’m letting myself play and wander and wonder over stories in my family’s past, stories in the past of my native country (Dominican Republic), the narrative ties that bind us all into blood families, nations, human family. That about covers the whole map! Additionally, I’m not just interested in content, but also in how a story can get told in ways that surprise. I remember my astonishment reading Julie Otsuka’s The Buddha in the Attic and realizing the effectiveness of writing a novel in the first person plural point of view and in small vignettes. More recently, I’ve been dazzled by Colum McCann’s Apeirogon, and its almost Scheherazadian way of telling a story in 1001 small narratives, with "everything" thrown in and, amazingly, everything fits. . .
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Farzaneh
asked
Julia Alvarez:
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Hi Julia
I am an Iranian migrant woman discovering my hidden talent late in life, who wrote my first book at the age of 53. The book is now listed on Amazon, with great help from a kind translator and an editor. Can you kindly have a look at “ Migrating Birds” book by Farzaneh Mohseni and give me your opinion?
Best regards
(hide spoiler)]
I am an Iranian migrant woman discovering my hidden talent late in life, who wrote my first book at the age of 53. The book is now listed on Amazon, with great help from a kind translator and an editor. Can you kindly have a look at “ Migrating Birds” book by Farzaneh Mohseni and give me your opinion?
Best regards (hide spoiler)]
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