Mike Harrington
asked
B.K. Duncan:
Many authors prescribe to completing a certain daily word count, and I wonder what particular discipline, you, yourself adopt as a matter of habit?
B.K. Duncan
Thanks for your question; it’s one very popular with my creative writing students and, whichever answer I give, leaves someone feeling they are taking the wrong approach. Although the bottom-line is that each of us knows the way we work best and the only thing that really matters is if it works or not. So this is a personal response and not to be taken as cast-iron advice . . . I’m not a huge fan of word count as either a motivator or benchmark of achievement. It can act as a spur when you don’t have a lot of spare time in which to sit down and write (I am a full time author and see it as my job to be at my desk every day) but an over-emphasis on word count can lure writers into believing that quantity is more important than quality. It isn’t: both are crucial.
I measure progress by ‘chunking’ my work into scenes or chapters, writing at each session until I have moved the story on to a natural stopping point. Often that comes when the action changes or a new character enters into the fray and I need to revisit my planning or notes in order to change focus. My hope is always to achieve my goal of reaching a new section before I run out of energy or ideas. Except sometimes that is impossible and it’s then I put on my research hat and do a different form of work on the book; the change of pace acting as good as a rest and re-firing my cylinders again.
But, in the end, it doesn’t matter how you progress with your writing. Only that you do!
I measure progress by ‘chunking’ my work into scenes or chapters, writing at each session until I have moved the story on to a natural stopping point. Often that comes when the action changes or a new character enters into the fray and I need to revisit my planning or notes in order to change focus. My hope is always to achieve my goal of reaching a new section before I run out of energy or ideas. Except sometimes that is impossible and it’s then I put on my research hat and do a different form of work on the book; the change of pace acting as good as a rest and re-firing my cylinders again.
But, in the end, it doesn’t matter how you progress with your writing. Only that you do!
More Answered Questions
Christine
asked
B.K. Duncan:
I'm interested you didn't mention F. Scott Fitzgerald among your influences. I associate him with the 1920s, although the worlds of The Great Gatsby and Foul Trade are very different. There are glimmers in FT of another, more glamorous life, that somehow evades May. Was class still a big issue in the UK in the 20s? Was the war not a great leveler? Would May's life have been easier had she lived in the US?
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