JOe
asked
David Wong:
I feel like the JDATE series is one of the few fictional universes that feels open-ended, like most anything can, will, and has happened. So what is your process around world building? And do you write linearly or do you work from a broader set of ideas and form a story around those? Please and Thanks.
David Wong
If I'm addressing aspiring writers here, your first obstacle to finishing a book is coming up with something you enjoy thinking about enough that you'll be motivated to finish it. So you have to build a world you'll enjoy spending time in, mentally. For me, I have a very short attention span and not much patience for the real world, so I took the same route that the writers of Rick and Morty would take a decade later, which is create the ability to travel to other universes (or have other universes intrude on ours). We both did it for the same reason, to give ourselves as much room as we wanted to mess around.
But that said, my other series (Futuristic Violence and Fancy Suits, the sequel to which I'm writing now) is much more constrained - it takes place in a fictional near-future with technology that isn't much crazier than you'd see in, say, a Marvel movie. There, the fun for me was in how the characters have to maneuver their way out of situations knowing that they cannot summon some magic to save themselves.
But ultimately, I'm trying to create a sandbox that I'll feel like messing around in for two years and several thousand hours, because if it's not fun and engaging for me then I know I just won't finish it. An actual serious author would probably give a completely different answer, but I would never presume to speak for them.
As for the writing process itself, I do a lot of planning/outlining in advance and then work somewhat linearly from there, though if I get bored I give myself the option to jump ahead and write some scene later that I feel more like writing (and the outline guarantees that we'll get there and that it won't be wasted). But no two authors do it the same way, there is no right and wrong way. Some write on typewriters and just go in a straight line. Some don't do any advanced outllining at all (like George RR Martin).
But that said, my other series (Futuristic Violence and Fancy Suits, the sequel to which I'm writing now) is much more constrained - it takes place in a fictional near-future with technology that isn't much crazier than you'd see in, say, a Marvel movie. There, the fun for me was in how the characters have to maneuver their way out of situations knowing that they cannot summon some magic to save themselves.
But ultimately, I'm trying to create a sandbox that I'll feel like messing around in for two years and several thousand hours, because if it's not fun and engaging for me then I know I just won't finish it. An actual serious author would probably give a completely different answer, but I would never presume to speak for them.
As for the writing process itself, I do a lot of planning/outlining in advance and then work somewhat linearly from there, though if I get bored I give myself the option to jump ahead and write some scene later that I feel more like writing (and the outline guarantees that we'll get there and that it won't be wasted). But no two authors do it the same way, there is no right and wrong way. Some write on typewriters and just go in a straight line. Some don't do any advanced outllining at all (like George RR Martin).
More Answered Questions
Brian
asked
David Wong:
This question contains spoilers…
(view spoiler)[
Huge fan of Futuristic Violence, read the whole thing in a day and am now planning to read your other stuff. In chapter 10, a mysterious fifth suit named Logan Knight is mentioned and then isn't brought up again for the entirety of the novel. I really expected this to be some big shocking reveal towards the end; was this the plan at one point or was he always just a red herring? Might he appear in a sequel?
(hide spoiler)]
Anna
asked
David Wong:
This question contains spoilers…
(view spoiler)[
I know you’ve said that you prefer to outline your novels before you write, but I was curious about how you plotted JDatE. Specifically since it was written in chunks for your website. Did you plot out each story you posted, like a small scale novel? When in the writing process did you know how it was going to end (re: Monster Dave)? Did anything come out of the process of editing it into a proper novel?
(hide spoiler)]
Wayong Weiss
asked
David Wong:
This question contains spoilers…
(view spoiler)[
Was Donald Trump the inspiration for Molech?
For some reason, when Molech appears on the page, I'm imagining Trump with superpowers. Kind of like a mix of the banality of evil,a cartoonish perspective of life & exaggerated sense of importance.
I know you wrote Futuristic Violence way before this year's events, but I was wondering if the current politics & Trump's rise to power has changed how you see your story.
(hide spoiler)]
For some reason, when Molech appears on the page, I'm imagining Trump with superpowers. Kind of like a mix of the banality of evil,a cartoonish perspective of life & exaggerated sense of importance.
I know you wrote Futuristic Violence way before this year's events, but I was wondering if the current politics & Trump's rise to power has changed how you see your story. (hide spoiler)]
David Wong
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Nov 10, 2018 06:58PM · flag