Elan Mastai
A few thoughts on screenwriting:
1. If you haven't written a screenplay before, I recommend tracking down the scripts for movies you love—most are online—to see what they looked like on the page. Screenwriting is a peculiar literary form, because you're telling a compelling story while also creating what is essentially a blueprint for the crew to make the movie.
2. Movies should be propulsive, you watch them minute-to-minute in real-time, so think about what's happening on each page that will keep the audience glued to the screen. And movies are expensive, so there should be no wasted moment—everything you write, even people in a room talking, costs a lot of money, so consider if you really, really need it.
3. In movies, character is revealed by the choices they make, so do your best to create situations where your characters have to make clear decisions that illuminate their inner thoughts and changing opinions. A movie is about what a character does—and doesn't do.
4. Even though you're writing a literary document, it will be a movie, an audio-visual experience, so you should always be asking: what exactly is the audience seeing and hearing onscreen right now? Essentially you're describing on the page a movie that only you have seen.
5. Screenwriting is a laconic form. You want to use the minimum number of words on the page to convey the maximum audio-visual experience, so every word matters, just like in a movie every shot matters. This is of course true of any kind of writing.
Hope this is helpful.
1. If you haven't written a screenplay before, I recommend tracking down the scripts for movies you love—most are online—to see what they looked like on the page. Screenwriting is a peculiar literary form, because you're telling a compelling story while also creating what is essentially a blueprint for the crew to make the movie.
2. Movies should be propulsive, you watch them minute-to-minute in real-time, so think about what's happening on each page that will keep the audience glued to the screen. And movies are expensive, so there should be no wasted moment—everything you write, even people in a room talking, costs a lot of money, so consider if you really, really need it.
3. In movies, character is revealed by the choices they make, so do your best to create situations where your characters have to make clear decisions that illuminate their inner thoughts and changing opinions. A movie is about what a character does—and doesn't do.
4. Even though you're writing a literary document, it will be a movie, an audio-visual experience, so you should always be asking: what exactly is the audience seeing and hearing onscreen right now? Essentially you're describing on the page a movie that only you have seen.
5. Screenwriting is a laconic form. You want to use the minimum number of words on the page to convey the maximum audio-visual experience, so every word matters, just like in a movie every shot matters. This is of course true of any kind of writing.
Hope this is helpful.
More Answered Questions
Jennifer
asked
Elan Mastai:
Please, please, please tell me you're working on your next novel?! I'm on Page 126 of "All Our Wrong Todays" and while I am extremely anxious to get back to it, I feel compelled to tell you it's been a long time since I've read a book that really resonated with me. It is written beautifully and honestly. You have a gift, and I hope you continue to share it with the world.
Shahad
asked
Elan Mastai:
hey Elan, can I have tips? I'm writing my first book and I'm struggling...
Tom Fletcher
asked
Elan Mastai:
Late to the appreciation party, but AOWT really is a superb time travel novel, both in concept and execution. Time travel is obviously a difficult sub-genre to make an original *and* believable story out of, but which would you say is the most difficult (either ones you plan to tackle, or do not)? Which would you say is your Everest... so to speak??
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