The Killer Angels (The Civil War Trilogy, #2)

by Michael Shaara

It came out of a blue rainstorm in the east and overflowed the narrow valley road, coiling along a stream, narrowing and choking at a white bridge, fading out into the yellowish dust of June but still visible on the farther road beyond the blue hills, spiked with flags and guidons like a great chopped bristly snake, the snake ending headless in a blue wall of summer rain.

And people lookin’ down their noses and grinnin’ behind me back and all the time tellin’ me exactly what I want to know about who is where and how many and how long ago, and them not even knowin’ they’re doin’ it, too busy feelin’ contemptuous. There are many people, General, that don’t give a damn for a human soul, do you know that? The strange thing is, after playing this poor fool farmer for a while I can’t help but feel sorry for him. Because nobody cares.”

This was the land where no man had to bow. In this place at last a man could stand up free of the past, free of tradition and blood ties and the curse of royalty and become what he wished to become. This was the first place on earth where the man mattered more than the state.

A man who has been shot at is a new realist, and what do you say to a realist when the war is a war of ideals?

“This is a different kind of army. If you look at history you’ll see men fight for pay, or women, or some other kind of loot. They fight for land, or because a king makes them, or just because they like killing. But we’re here for something new. I don’t … this hasn’t happened much in the history of the world. We’re an army going out to set other men free.”

It isn’t the land—there’s always more land. It’s the idea that we all have value, you and me, we’re worth something more than the dirt. I never saw dirt I’d die for, but I’m not asking you to come join us and fight for dirt. What we’re all fighting for, in the end, is each other.”