Infinite Jest

by David Foster Wallace

What if, Veals’s spokeswoman ruminated aloud, what if the viewer could become her/his own programming director; what if s/he could define the very entertainment-happiness it was her/his right to pursue?

‘Me, for me personally, as an American, Rémy, if you’re really serious, I think it’s probably your standard old basic American dreams and ideals. Freedom from tyranny, from excessive want, fear, censorship of speech and thought.’ He was looking with seriousness, even in this wig. ‘The old ones, tested by time. Relative plenty, meaningful work, adequate leisure-time. The ones you might call corny.’ His smiling revealed to Marathe lipstick upon one incisor. ‘We want choice. A sense of efficaciousness and choice. To be loved by someone. To freely love who you happen to love. To be loved irregardless of whether you can tell

them Classified stuff about your job. To have them just trust you and trust that you know what you’re doing. To feel valued. Not to be agendalessly despised. To have good neighborly relations. Cheap and abundant energy. Pride in your work and family, and home.’

‘This is what lets us steer free of oppression and tyranny. Even your Greekly democratic howling-mob-type tyranny. The United States: a community of sacred individuals which reveres the sacredness of the individual choice. The individual’s right to pursue his own vision of the best ratio of pleasure to pain: utterly sacrosanct. Defended with teeth and bared claws all through our history.’

‘We don’t force. It’s exactly about not-forcing, our history’s genius. You are entitled to your values of maximum pleasure. So long as you don’t fuck with mine. Are you seeing?’

My question is trying to say: if the most pleasure right now, en ce moment, is in the whole serving of Habitant, how is my self able to put aside this moment’s desire to make bonk on you and take this soup? How am I able to think past this soup to the future of soup down my road?’ ‘In other words delayed gratification.’ ‘Good. This is well. Delayed gratification. How is my U.S.A. type able in my mind to calculate my long-term overall pleasure, then decide to sacrifice this intense soup-craving of this moment to the long term and overall?’ Steeply sent out two hard tusks of smoke from the nostrils of his nose. His expression was one of patience together with polite impatience. ‘I think it’s called simply being a mature and adult American instead of a childish and immature American. A term we might use might be “enlightened self-interest.” ’ ‘D’éclaisant.’ Steeply, he did not smile back. ‘Enlightened. For example your example from before. The little kid who’ll eat candy all day because it’s what tastes best at each individual moment.’ ‘Even if he knows inside his mind that it will hurt his stomach and rot his little fangs.’ ‘Teeth,’ Steeply corrected. ‘But see that here it can’t be a Fascist matter of screaming at the kid or giving him electric shocks each time he overindulges in candy. You can’t induce a moral sensibility the same way you’d train a rat. The kid has to learn by his own experience how to learn to balance the short- and long-term pursuit of what he wants.’ ‘He...

Gentlemen, what the president is articulating is that what we face here is a microsmic exemplar of the infamous Democratic Triple Bind faced by visionarians from FDR and JFK on down. The American electorate, as is its every right, on one hand demands the sort of millennial statesmanship and vision—decisive action, tough choices, lots of programs and services—see for instance the Territorial Reconfiguration for example—that will lead a renewed community into a whole new era of interdependent choice and freedom.

Something they seem to omit to mention in Boston AA when you’re new and out of your skull with desperation and ready to eliminate your map and they tell you how it’ll all get better and better as you abstain and recover: they somehow omit to mention that the way it gets better and you get better is through pain. Not around pain, or in spite of it. They leave this out, talking instead about Gratitude and Release from Compulsion. There’s serious pain in being sober, though, you find out, after time. Then now that you’re clean and don’t even much want Substances and feeling like you want to both cry and stomp somebody into goo with pain, these Boston AAs start in on telling you you’re right where you’re supposed to be and telling you to remember the pointless pain of active addiction and telling you that at least this sober pain now has a purpose. At least this pain means you’re going somewhere, they say, instead of the repetitive gerbil-wheel of addictive pain. They neglect to tell you that after the urge to get high magically vanishes and you’ve been Substanceless for maybe six or eight months, you’ll begin to start to ‘Get In Touch’ with why it was that you used Substances in the first place. You’ll start to feel why it was you got dependent on what was, when you get right down to it, an anesthetic. ‘Getting In Touch With Your Feelings’ is another quilted-sampler-type cliché that ends up masking something ghastly deep and real, it turns out. 178 It starts to turn out that ...

Charles Tavis knows what James Incandenza could not have cared about less: the key to the successful administration of a top-level junior tennis academy lies in cultivating a kind of reverse-Buddhism, a state of Total Worry.

best

Probably the less said about wind sprints the better.

towel cart, and picks up balls. 186

‘Ah.’ Turns crisply toward them, looking briefly skyward. ‘And when is hot? Too pretty hot for the total self on the court? The other hand of the spectrum? Ach. Is always something that is too. Master Incandenza who cannot quickly get behind lob’s descent so weight can move forvart into overhand, 187 please tell your thinking: it is always hot or cold, yes?’ A small smile. ‘ ’s been our general observation out there, sir.’ ‘So then then so, Master Chu, from California’s temperance regions?’ Chu brings down his hankie. ‘I guess we have to learn to adjust to conditions, sir, I believe is what you’re saying.’ A full sharp half-turn to face the group. ‘Is what I am not saying, young LaMont Chu, is why you cease to seem to give total effort of self since you begin with the clipping pictures of great professional figures for your adhesive tape and walls. No? Because, privileged gentlemen and boys I am saying, is always something that is too. Cold. Hot. Wet and dry. Very bright sun and you see the purple dots. Very bright hot and you have no salt. Outside is wind, the insects which like the sweat. Inside is smell of heaters, echo, being jammed in together, tarp is overclose to baseline, not enough of room, bells inside clubs which ring the hour loudly to distract, clunk of machines vomiting sweet cola for coins. Inside roof too low for the lob. Bad lighting, so. Or outside: the bad surface. Oh no look no: crabgrass in cracks along baseline. Who could give the total, with crabgras...

shop had subsequently got out and gone to Utah and died of a morphine overdose (and like who on earth hopes to get reliable morphine in fucking Utah?)

Pat told Gately that grim honesty and hopelessness were the only things you need to start recovering from Substance-addiction, but that without these qualities you were totally up the creek. Desperation helped also, she said.

The only times Gately had ever been on his knees before were to throw up or mate, or shunt a low-on-the-wall alarm, or if somebody got lucky during a beef and landed one near Gately’s groin. He didn’t have any God- or J.C.-background, and the knee-stuff seemed like the limpest kind of dickless pap, and he felt like a true hypocrite just going through the knee-motions that he went through faithfully every A.M. and P.M., without fail, motivated by a desire to get loaded so horrible that he often found himself humbly praying for his head to just finally explode already and get it over with. Pat had said it didn’t matter at this point what he thought or believed or even said. All that mattered was what he did. If he did the right things, and kept doing them for long enough, what Gately thought and believed would magically change. Even what he said. She’d seen it happen again and again, and to some awfully unlikely candidates for change. She said it had happened to her. The left side of her face was very alive and kind. And Gately’s counselor, an ex-coke and -phone-bunko guy whose left ear had been one of his Losses, had hit Gately early on with the infamous Boston AA cake analogy. The grizzled Filipino had met with the resident Don G. once a week, driving Gately around Brighton-Allston in aimless circles in a customized Subaru 4×4 just like the ones Gately used to hotwire and promote to use for burgling. Eugenio Martinez had this eccentric thing where he maintained he could on...

Gately now simply blows through Inman, heading for B&C over on the upscale northwest side nearer to Harvard, every light suddenly green and kind, the Aventura’s ten-cylinder backwash raising an odd little tornado of discarded ad-leaflets and glassine bags and corporate-snack bags and a syringe’s husk and filterless gasper-butts and general crud and a flattened Millennial Fizzy cup, like from a stand, which whirls in his exhaust, the tornado of waste does, moving behind him as the last pearly curve of the sun through baggy clouds is eaten by the countless Sancta Something and then whitewashed WASP church roofs’ finials farther west, nearer Harvard, at 60 k but sustained in its whirl by the strong west breeze as the last of the sun goes and a blue-black shadow quietly fills the canyon of Prospect, whose streetlights don’t work for the same municipal reasons the street is in such crummy repair; and one piece of the debris Gately’s raised and set spinning behind him, a thick flattened M.F. cup, caught by a sudden gust as it falls, twirling, is caught at some aerodyne’s angle and blown spinning all the way to the storefront of one ‘Antitoi Entertainent’ 203 on the street’s east side, and hits, its waxed bottom making a clunk, hits the glass pane in the locked front shop door with a sound for all the world like the rap of a knuckle, so that in a minute a burly bearded thoroughly Canadian figure in one of those Canadianly inevitable checked-flannel shirts appears out of the dim l...

But M. DuPlessis had been martyred, an assassination only O.N.A.N. would be stupid enough to believe Command would be stupid enough to believe was merely an unfortunate burglary-and-mucus mishap.

He has that rare spinal appreciation for beauty in the ordinary that nature seems to bestow on those who have no native words for what they see.

Words that are not and can never be words are sought by Lucien here through what he guesses to be the maxillofacial movements of speech, and there is a childlike pathos to the movements that perhaps the rigid-grinned A.F.R. leader can sense, perhaps that is why his sigh is sincere, his complaint sincere when he complains that what will follow will be inutile, Lucien’s failure to assist will be inutile, there will be no point serviced, there are several dozen highly trained and motivated wheelchaired personnel here who will find whatever they seek and more, anyhow, perhaps it is sincere, the Gallic shrug and fatigue of the voice through the leader’s mask-hole, as Lucien’s leonine head is tilted back by a hand in his hair and his mouth opened wide by callused fingers that appear overhead and around the sides of his head from behind and jack his writhing mouth open so wide that the tendons in his jaws tear audibly and Lucien’s first sounds are reduced from howls to a natal gargle as the pale wicked tip of the broom he loves is inserted, the wood piney-tasting then white tasteless pain as the broom is shoved in and abruptly down by the big and collared A.F.R., thrust farther in rhythmically in strokes that accompany each syllable in the wearily repeated ‘In-U-Tile’ of the technical interviewer, down into Lucien’s wide throat and lower, small natal cries escaping around the brown-glazed shaft, the strangled impeded sounds of absolute aphonia, the landed-fish gasps that accompan...

Steeply embraced himself. ‘Tom Flatto’s personal theory is the appeal’s got something to do with density. The visual compulsion. Theory’s that with a really sophisticated piece of holography you’d get the neural density of an actual stage play without losing the selective realism of the viewer-screen. That the density plus the realism might be too much to take. Dick Desai in Data Production wants to go in with ALGOL and see if there are Fourier Equations in the root code’s ALGOL, which would signify holo-grammatical activity going on.’ ‘M. Fortier finds the theories of content irrelevant.’ Steeply cocked his head sometimes in a way that was both feminine and birdlike. He did this most often during silences. Also he again removed something small from his painted lip. Also he spoke with more feminine inflection. Marathe committed all this to his memories.

‘Under what presidential administration was this room last deep-cleaned,

The legs of the constellation of Perseus were amputated by the earth’s horizon. Perseus, he wore the hat of a jongleur or pantalone. Hercules’ head, this head was square. It was not long to dawn also because at 32° N Pollux and Castor became visible. They were over Marathe’s left shoulder, as if giants were looking over his shoulder, one of Castor’s legs inbent in a feminine manner.

The following things in the room were blue.

For Hal, the general deal with his maternal uncle is that Tavis is terribly shy around people and tries to hide it by being very open and expansive and wordy and bluff, and that it’s excruciating to be around. Mario’s way of looking at it is that Tavis is very open and expansive and wordy, but so clearly uses these qualities as a kind of protective shield that it betrays a frightened vulnerability almost impossible not to feel for.

‘This drives me bats. You know this drives me bats.’ Orin and Hal’s term for this routine is Politeness Roulette. This Moms-thing that makes you hate yourself for telling her the truth about any kind of problem because of what the consequences will be for her. It’s like to report any sort of need or problem is to mug her. Orin and Hal had this bit, during Family Trivia sometimes: ‘Please, I’m not using this oxygen anyway.’ ‘What, this old limb? Take it. In the way all the time. Take it.’ ‘But it’s a gorgeous bowel movement, Mario—the living room rug needed something, I didn’t know what til right this very moment.’ The special fantodish chill of feeling both complicit and obliged. Hal despised the way he always reacted, taking the apple, pretending to pretend his reluctance to eat her supper was a pretense. Orin believed she did it all on purpose, which was way too easy. He said she went around with her feelings out in front of her with an arm around the feelings’ windpipe and a Glock 9 mm. to the feelings’ temple like a terrorist with a hostage, daring you to shoot.

then next to her is poor old Otis P. Lord, the Hitachi monitor still over his head like the sallet of some grotesque high-tech knight, slumped and with his sneakers pointing at each other in the blue and black shag, hands in his lap, two crude eye-holes cut into the black plastic casing of the monitor’s base,

‘In other words you hide your hiding. And you do this out of shame, Don: you’re ashamed of the fact that you want to hide from sight. You’re ashamed of your uncontrolled craving for shadow. U.H.I.D.’s First Step is admission of powerlessness over the need to hide. U.H.I.D. allows members to be open about their essential need for concealment. In other words we don the veil. We don the veil and wear the veil proudly and stand very straight and walk briskly wherever we wish, veiled and hidden, and but now completely up-front and unashamed about the fact that how we appear to others affects us deeply, about the fact that we want to be shielded from all sight. U.H.I.D. supports us in our decision to hide openly.’

All the way up the Spur’s Harvard St. toward Union Square, in a barely NW vector, Lenz consumes several minutes and less than twenty breaths sharing with Green some painful Family-Of-Origin Issues about how Lenz’s mother Mrs. Lenz, a thrice-divorcée and Data Processor, was so unspeakably obese she had to make her own mumus out of brocade drapes and cotton tablecloths and never once did come to Parents’ Day at Bishop Anthony McDiardama Elementary School in Fall River MA because of the parents had to sit in the youngsters’ little liftable-desktop desks during the Parents’ Day presentations and skits, and the one time Mrs. L. hove her way down to B.A.M.E.S. for Parents’ Day and tried to seat herself at little Randall L.’s desk between Mrs. Lamb and Mrs. Leroux she broke the desk into kindling and needed four stocky cranberry-farmer dads and a textbook-dolly to arise back up from the classroom floor, and never went back, fabricating thin excuses of busyness with Data Processing and basic disinterest in Randy L.’s schoolwork. Lenz shares how then in adolescence (his), his mother died because one day she was riding a Greyhound bus from Fall River MA north to Quincy MA to visit her son in a Commonwealth Youth Corrections facility Lenz was doing research for a possible screenplay in, and during the voyage on the bus she had to go potty, and she was in the bus’s tiny potty in the rear of the bus going about her private business of going potty, as she later testified, and even thoug...

If you close your eyes on a busy urban sidewalk the sound of everybody’s different footwear’s footsteps all put together sounds like something getting chewed by something huge and tireless and patient.

He can’t tell if Hal is sad. He is having a harder and harder time reading Hal’s states of mind or whether he’s in good spirits. This worries him. He used to be able to sort of preverbally know in his stomach generally where Hal was and what he was doing, even if Hal was far away and playing or if Mario was away, and now he can’t anymore. Feel it. This worries him and feels like when you’ve lost something important in a dream and you can’t even remember what it was but it’s important. Mario loves Hal so much it makes his heart beat hard. He doesn’t have to wonder if the difference now is him or his brother because Mario never changes.

Ennet’s House, where the Headmistress has a disability and had had a wheelchair ramp installed and has twice invited Mario in during the day for a Caffeine-Free Millennial Fizzy, and Mario likes the place: it’s crowded and noisy and none of the furniture has protective plastic wrap, but nobody notices anybody else or comments on a disability and the Headmistress is kind to the people and the people cry in front of each other. The inside of it smells like an ashtray, but Mario’s felt good both times in Ennet’s House because it’s very real; people are crying and making noise and getting less unhappy, and once he heard somebody say God with a straight face and nobody looked at them or looked down or smiled in any sort of way where you could tell they were worried inside.

Mario’d fallen in love with the first Madame Psychosis programs because he felt like he was listening to someone sad read out loud from yellow letters she’d taken out of a shoebox on a rainy P.M., stuff about heartbreak and people you loved dying and U.S. woe, stuff that was real. It is increasingly hard to find valid art that is about stuff that is real in this way. The older Mario gets, the more confused he gets about the fact that everyone at E.T.A. over the age of about Kent Blott finds stuff that’s really real uncomfortable and they get embarrassed. It’s like there’s some rule that real stuff can only get mentioned if everybody rolls their eyes or laughs in a way that isn’t happy. The worst-feeling thing that happened today was at lunch when Michael Pemulis told Mario he had an idea for setting up a Dial-a-Prayer telephone service for atheists in which the atheist dials the number and the line just rings and rings and no one answers. It was a joke and a good one, and Mario got it; what was unpleasant was that Mario was the only one at the big table whose laugh was a happy laugh; everybody else sort of looked down like they were laughing at somebody with a disability.

The daily bullshit here is hip-deep and not so much annoying as soul-sucking;

a double-shift here now empties him out by dawn, just in time to clean real shit. It hadn’t been this way at the start, the soul-sucking aspect, and Gately every couple minutes wonders again what he’ll end up doing when his year’s Staff term is up and his soul is sucked out and he’s sober but without any money and still clueless and has to leave here and do something back Out There.

Gately has to monitor the like emotional barometer in the House and put a wet finger to the wind for potential conflicts and issues and rumors.

‘My Black Bug. My baby. The Roachmobile. The Doonulater’s wheels. His mobility. His exposed baby. His slice of the American Pie. Simonize my baby when I’m gone, Don Doon.’

At the blade’s sound the situation becomes even more automatic and Gately feels adrenaline’s warmth spread through him as his subdural hardware clicks deeper into a worn familiar long-past track. Having no choice now not to fight and things simplify radically, divisions collapse. Gately’s just one part of something bigger he can’t control. His face in the left headlight has dropped into its fight-expression of ferocious good cheer. He says he’s responsible for these people on these private grounds tonight and is part of this whether he wants to be or not, and can they talk this out because he doesn’t want to have to fight them. He says twice very distinctly that he does not want to fight them. He’s no longer divided enough to think about whether this is true. His eyes are on the two men’s maple-leaf belt buckles, the part of the body where you can’t get suckered by a feint. The guys shake their manes and say they’re going to unembowel this craven bâtard here like this sans-Christe bâtard killed somebody they call either Pépé or Bébé, and if Moose has any self-interest he’ll backpedal away from there’s no way it is his duty to get frapped or fropped for this sick gutless U.S.A. bâtard in his womanly wig. Lenz, apparently thinking they’re Brazilian, pops his head around Gately’s flank and calls them maricones and tells them they can suck his bâtard is what they can do. Gately has just division enough to almost wish he didn’t feel such a glow of familiar warmth, a surge of al...

SHOT IN SOBRIETY in bold headline caps goes across his mind’s eye like a slow train as he sees the third Nuck with his cap pushed back and Nuck face contorted with cordite in his good stance with elbow back up drawing a second bead on Don’s big head from #4’s lawn with the bore’s lightless eye and a little pubic curl of smoke coming up from the vented muzzle, and Gately can’t move and forgets to pray, and then the bore zagging up and away as it blooms orange as good old Bruce Green’s got the Nuck from behind in a half-nelson with his hand in the necklace of flowers and with the other hand is forcing the cocked elbow down and the Item skyward away from Gately’s head as it blooms with that flat crack of a vented muzzle.

Gately, toe and shoulder or no, has looked strictly all-business this whole time. He’s projected a sort of white-collar attitude of cheery competence and sangfroid.

The night’s so clear the stars shine right through people’s heads.

‘ I understood the term hell as of that summer day and that night in the sophomore dormitory. I understood what people meant by hell. They did not mean the black sail. They meant the associated feelings.’ ‘Or the corner it came up out of, inside, if they mean a place.’ Kate Gompert is now looking at him. Her face doesn’t look better but does look different. Her neck’s clearly stiff from having been contorted. ‘From that day, whether I could articulate it satisfactorily or not,’ Day says, holding the knee of the leg just crossed, ‘I understood on an intuitive level why people killed themselves. If I had to go for any length of time with that feeling I’d surely kill myself.’ ‘Time in the shadow of the wing of the thing too big to see, rising.’ ‘Oh God please,’ Green says very distinctly. Day says: ‘There is no way it could feel worse.’

Axiom: the man who has to hit up from the net is going to get passed.

moment of total mentation

For the spectators not perched on the transom overhead, the players looked waffle-cut by the chain-link fencing. The green windscreens that wrecked spectation were used only in the spring in the weeks right after the Lung’s disassembly. DeLint hadn’t stopped talking into the big lady’s ear.

All the E.T.A. players loved the Show Courts 6–9 because they loved to be watched, and also hated the Show Courts because the transom’s crow’s-nested shadow covered the north halves of the courts around noon and all through the P.M. wheeled around gradually east like some giant hooded shadowed moving presence, brooding.

Sometimes it’s hard to believe the sun’s the same sun over all different parts of the planet.

he has no idea yet of why his father really put his head in a specially-dickied microwave

he is lonely.

It’s of some interest that the lively arts of the millennial U.S.A. treat anhedonia and internal emptiness as hip and cool. It’s maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it’s the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip—and keep in mind that, for kids and younger people, to be hip and cool is the same as to be admired and accepted and included and so Unalone. Forget so-called peer-pressure. It’s more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent (at least since the Reconfiguration). One of the things sophisticated viewers have always liked about J. O. Incandenza’s The American Century as Seen Through a Brick is its unsubtle thesis that naïveté is the last true terrible sin...