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One of the great tragedies of life is knowing how many people in the world are made to soar, paint, sing, or steer—except they never get the chance to find out.
Worry has weight, and is an infinitely renewable resource. One might say worries are the only things you can make heavier simply by thinking about them.
memories have a way of changing on us. Souring or sweetening over time—like a brew we drink, then recreate later by taste, only getting the ingredients mostly right. You can’t taste a memory without tainting it with who you have become.
We each make our own lore, our own legends, every day. Our memories are our ballads, and if we tweak them a little with every performance…well, that’s all in the name of good drama.
It is one of the most bitter ironies I’ve ever had to accept: there are, unquestionably, musical geniuses of incomparable talent who died as street sweepers because they never had the chance to pick up an instrument.
It was, identifiably, the stupid kind of stupid question. Which at least is better than the redundant kind of statement.
That kind of laughter quickly overbooks a person and looks for additional accommodations nearby.
“You can basically define someone by the stuff they like, Tress. It’s what sets us apart, you know? We talk about how important culture is, but what is culture? It ain’t government, or language, or any of that hokum. No, it’s the stuff we like. Plays, stories, marble collections.”
Tress settled down, thinking about people and how the holes in them could be filled by such simple things, like time, or a few words at the right moment. Or, apparently, a cannonball. What, other than a person, could you build up merely by caring?
If religion couldn’t get it together, then she could be forgiven for being a mess herself.
Unfortunately, sympathy is not a valve, to be turned off when it starts to flood the yard. Indeed, the path to a life without empathy is a long and painful one, full of bartered humanity sold at a steep discount.
I love memories. They are our ballads, our personal foundation myths. But I must acknowledge that memory can be cruel if left unchallenged. Memory is often our only connection to who we used to be. Memories are fossils, the bones left by dead versions of ourselves. More potently, our minds are a hungry audience, craving only the peaks and valleys of experience. The bland erodes, leaving behind the distinctive bits to be remembered again and again.
like pagans praying to a sculpted mud figure—we make of our memories the gods which judge our current lives.
My worst recurring nightmare—the one that grabs me by the throat and shakes me until I wake, raw and steaming in my own sweat—is not that I am being chased by a monster. It’s not that I’m lost, or that I’m unloved. No, my greatest nightmare is the one where I learn I’ve been repeating myself for years, telling the same tired jokes, the same stories—energetically wearing a path through people’s patience and fondness until even the weeds upon it are dead.
If you gather together stories of heroes—those who have risked their lives for others, those who have stood against overwhelming odds, those who have barreled heedlessly into danger with the aplomb of a champion diver leaping from the highest platform—you find patterns. Two of them, in fact. The first is that heroes can be trained. Not by a government or a military, but by the people themselves. Heroes are the ones who have thought about what they’re going to do, and who have trained to do it. Heroism is often the seemingly spontaneous result of a lifetime of preparation. But if you ask these
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But arrogance and self-worth are two sides to a coin, and it will spend either way.
We want to imagine that people are consistent, steady, stable. We define who they are, create descriptions to lock them on a page, divide them up by their likes, talents, beliefs. Then we pretend some—perhaps most—are better than we are, because they stick to their definitions, while we never quite fit ours. Truth is, people are as fluid as time is. We adapt to our situation like water in a strangely shaped jug, though it might take us a little while to ooze into all the little nooks. Because we adapt, we sometimes don’t recognize how twisted, uncomfortable, or downright wrong the container is
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Salay led her to the hold of the ship, where I sat in chains, happily thinking of great conversation starters like politics, religion, and your uncle’s overtly racist views.
I’m not one of those people who care if you use words wrong. I prefer it when words change meaning. The imprecision of our language is a feature; it best represents the superlative fact of human existence: that our own emotions—even our souls—are themselves imprecise. Our words, like our hearts, are weapons still hot from the forging, beating themselves into new shapes each time we swing them.
There are few things worse than stressful—yet empty—time. Free time that you can’t use in any way always feels like nature itself is mocking you.
A crash and a clank sounded as two cups tumbled free of their perches. The one with the butterfly shattered. The other bounced, gaining a new dent.
Anyone who tells you otherwise is trying to lower your value. Don’t trust them. They know they can’t afford you otherwise.

