Later, Wallace did encounter real prisoners, although he did not know it: these were the singers and musicians, many of them arrested opera performers from Moscow and Leningrad, who performed for him in the Magadan theater. Told they were members of a “nonprofessional Red Army choir” stationed in the city, he marveled that amateurs could achieve such artistic heights. In fact, each one had been warned that “one word or sign that we were prisoners would be considered an act of treason.”86
