Cannery Row (Cannery Row, #1)

by John Steinbeck

The anemones expand like soft and brilliant flowers, inviting any tired and perplexed animal to lie for a moment in their arms, and when some small crab or little tide-pool Johnnie accepts the green and purple invitation, the petals whip in, the stinging cells shoot tiny narcotic needles into the prey and it grows weak and perhaps sleepy while the searing caustic digestive acids melt its body down.

For there are two possible reactions to social ostracism—either a man emerges determined to be better, purer, and kindlier or he goes bad, challenges the world and does even worse things. This last is by far the commonest reaction to stigma.

“Who wants to be good if he has to be hungry too?”

It’s all fine to say, “Time will heal everything, this too shall pass away. People will forget”—and things like that when you are not involved, but when you are there is no passage of time, people do not forget and you are in the middle of something that does not change.

There is no explaining a series of misfortunes like that. Every man blames himself. People in their black minds remember sins committed secretly and wonder whether they have caused the evil sequence.

At last a crack had developed in the wall of evil.

There was no doubt in Mack’s mind that a dark cloud had hung on the Palace Flophouse. He had analyzed the abortive party and found that a misfortune had crept into every crevice, that bad luck had come up like hives on the evening. And once you got into a routine like that the best thing to do was just to go to bed until it was over. You couldn’t buck it. Not that Mack was superstitious.