Storm Front (The Dresden Files, #1)

by Jim Butcher

My name is Harry Blackstone Copperfield Dresden. Conjure by it at your own risk. I’m a wizard. I work out of an office in midtown Chicago. As far as I know, I’m the only openly practicing professional wizard in the country. You can find me in the yellow pages, under “Wizards.” Believe it or not, I’m the only one there. My ad looks like this: HARRY DRESDEN—WIZARD LOST ITEMS FOUND. PARANORMAL INVESTIGATIONS. CONSULTING. ADVICE. REASONABLE RATES. NO LOVE POTIONS, ENDLESS PURSES, PARTIES, OR OTHER ENTERTAINMENT.

Disease was still a problem. Starvation was still a problem. Violence and crime and war were still problems. In spite of the advance of technology, things just hadn’t changed the way everyone had hoped and thought they would. Science, the largest religion of the twentieth century, had become somewhat tarnished by images of exploding space shuttles, crack babies, and a generation of complacent Americans who had allowed the television to raise their children.

Magic is created by life, and most of all by the awareness, intelligence, emotions of a human being.

“Thaumaturgy,” I said. “As above, so below. Make something happen on a small scale, and give it the energy to happen on a large scale.”

There are two parts of magic you have to understand to catch a faery. One of them is the concept of true names. Everything in the whole world has its own name. Names are unique sounds and cadences of words that are attached to one specific individual—sort of like a kind of theme music. If you know something’s name, you can associate yourself with it in a magical sense, almost in the same way a wizard can reach out and touch someone if he possesses a lock of their hair, or fingernail clippings, or blood. If you know something’s name, you can create a magical link to it, just as you can call someone up and talk to them if you know their phone number. Just knowing the name isn’t good enough, though: You have to know exactly how to say it.

The other part of magic you need to know is magic-circle theory. Most magic involves a circle of one kind or another. Drawing a circle sets a local limit on what a wizard is trying to do. It helps him refine his magic, focus and direct it more clearly. It does this by creating a sort of screen, defined by the perimeter of the circle, that keeps random magical energy from going past it, containing it within the circle so that it can be used.

Have you ever felt despair? Absolute hopelessness? Have you ever stood in the darkness and known, deep in your heart, in your spirit, that it was never, ever going to get better? That something had been lost, forever, and that it wasn’t coming back?

That was the problem with not being too great at evocation. Plenty of speed, plenty of power, not much refinement. That’s what the staff did, and the blasting rod—they were designed to help me focus my power, give me pinpoint control. Without them I might as well have been a suicide soldier carrying a dozen grenades strapped to his belt and ready to jerk out the pin.

No matter how strong the vision, how powerful the image gained with the Sight, the future was always mutable, always something that could be changed.

That wasn’t what magic was for. That wasn’t what magic did. Magic came from life itself, from the interaction of nature and the elements, from the energy of all living beings, and especially of people. A man’s magic demonstrates what sort of person he is, what is held most deeply inside of him. There is no truer gauge of a man’s character than the way in which he employs his strength, his power.

I was a wizard. Wizards control their power. They don’t let it control them. And wizards don’t use magic to kill people. They use it to discover, to protect, to mend, to help. Not to destroy.

“Well, Harry,” I told myself, “that’s just going to have to be enough.” And so, I walked through a spectral landscape littered with skulls, into the teeth of the coming storm, to a house covered in malevolent power, throbbing with savage and feral mystic strength. I walked forward to face a murderous opponent who had all the advantages, and who stood prepared and willing to kill me from where he stood within the heart of his own destructive power, while I was armed with nothing more than my own skill and wit and experience. Do I have a great job or what?

A roomful of deadly drug. One evil sorcerer on his home turf. Two crazies with guns. One storm of wild magic looking for something to set it into explosive motion. And half a dozen scorpions like the one I had barely survived earlier, rapidly growing to movie-monster size. Less than a minute on the clock and no time-outs remaining for the quarterback. All in all, it was looking like a bad evening for the home team.

I don’t want to live in a world where the strong rule and the weak cower. I’d rather make a place where things are a little quieter. Where trolls stay the hell under their bridges and where elves don’t come swooping out to snatch children from their cradles. Where vampires respect the limits, and where the faeries mind their p’s and q’s.